The Otto Naumann Ltd. Gallery Sale PDF Download
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Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 226
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Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 226
Get Book Here
Book Description
Author: Sotheby's New York
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 146
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Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 178
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Book Description
Author: Peter C. Sutton
Publisher: Yale University Press
ISBN: 0300106262
Category : Art
Languages : en
Pages : 284
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Book Description
Oil sketches by Peter Paul Rubens—created at speed and in the heat of invention with a colorful loaded brush—convey all the spontaneity of the great Flemish painter’s creative process. This ravishing book draws from both private and public collections to present in full color 40 of Rubens’s oil sketches. Viewers will find in these informal paintings an enchanting intimacy and gain a new appreciation of Rubens’s capacity for invention and improvisation, and of his special genius for dramatic design and coloristic brilliance. The book investigates the role of the oil sketch in Rubens’s work; the development of the artist’s themes and narratives in his multiple sketches; and the history of the appreciation of his oil sketches. It also explores some of the unique aspects of his techniques and materials. By revealing the oil sketches as the most direct record of Rubens’s creative process, the book presents him as the greatest and most fluent practitioner of this vibrant and vital medium.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892363398
Category : Art
Languages : en
Pages : 129
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Decorative Arts, Drawings, Manuscripts, Paintings, Photographs, and Sculpture and Works of Art. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 23 of the J. Paul Getty Museum Journal includes articles by John Walsh, Alison Stones, Kathleen Adler, and Jennifer Helvey.
Author: Lawrence Steigrad Fine Arts
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages : 72
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Book Description
Author:
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 616
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Book Description
Author: Mauritshuis (Hague, Netherlands)
Publisher: Waanders
ISBN:
Category : Art
Languages : en
Pages : 460
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Book Description
Contains reproductions of the objects included in the Royal Cabinet of paintings in the Mauritshuis, The Hague. Also addresses the development of the collection.
Author: Edgar Peters Bowron
Publisher: Penn State Press
ISBN: 0271079460
Category : Art
Languages : en
Pages : 203
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Book Description
Although Americans have shown interest in Italian Baroque art since the eighteenth century—Thomas Jefferson bought copies of works by Salvator Rosa and Guido Reni for his art gallery at Monticello, and the seventeenth-century Bolognese school was admired by painters Benjamin West and John Singleton Copley—a widespread appetite for it only took hold in the early to mid-twentieth century. Buying Baroque tells this history through the personalities involved and the culture of collecting in the United States. The distinguished contributors to this volume examine the dealers, auction houses, and commercial galleries that provided access to Baroque paintings, as well as the collectors, curators, and museum directors who acquired and shaped American perceptions about these works, including Charles Eliot Norton, John W. Ringling, A. Everett Austin Jr., and Samuel H. Kress. These essays explore aesthetic trends and influences to show why Americans developed an increasingly sophisticated taste for Baroque art between the late eighteenth century and the 1920s, and they trace the fervent peak of interest during the 1950s and 1960s. A wide-ranging, in-depth look at the collecting of seventeenth- and eighteenth-century Italian paintings in America, this volume sheds new light on the cultural conditions that led collectors to value Baroque art and the significant effects of their efforts on America’s greatest museums and galleries. In addition to the editor, contributors include Andrea Bayer, Virginia Brilliant, Andria Derstine, Marco Grassi, Ian Kennedy, J. Patrice Marandel, Pablo Pérez d’Ors, Richard E. Spear, and Eric M. Zafran.
