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Author: Raeburn Flerlage
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Flerlage is one of the most recognized names in photography, and his photos of the Chicago Blues scene in the 1960s and 1970s have become legendary among Blues fans and aficionados. Here, for the first time, are Raeburn's best photos of America's greatest blues artists at the pinnalcles of their careers, reporudced in a beautiful format. From Howlin' Wolf performing at the legendary Pepper's lounge to Otis Spann and James Cotton playing Muddy Waters' basement, these pictures bring to life one of the most incredible periods in American musical history.
Author: Raeburn Flerlage
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 192
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Book Description
Flerlage is one of the most recognized names in photography, and his photos of the Chicago Blues scene in the 1960s and 1970s have become legendary among Blues fans and aficionados. Here, for the first time, are Raeburn's best photos of America's greatest blues artists at the pinnalcles of their careers, reporudced in a beautiful format. From Howlin' Wolf performing at the legendary Pepper's lounge to Otis Spann and James Cotton playing Muddy Waters' basement, these pictures bring to life one of the most incredible periods in American musical history.
Author: Julie Reece Deaver
Publisher: HarperTeen
ISBN:
Category : Juvenile Fiction
Languages : en
Pages : 184
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Book Description
Lissa, a seventeen-year-old art sudent living on her own in Chicago, must raise her eleven-year-old sister when their alcoholic mother becomes incapable of caring for her.
Author: David Whiteis
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 352
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Book Description
Through revealing portraits of selected local artists and slice-of-life vignettes drawn from the city's pubs and lounges, Chicago Blues encapsulates the sound and spirit of the blues as it is lived today. As a committed participant in the Chicago blues scene for more than a quarter century, David Whiteis draws on years of his observations and extensive interviews to paint a full picture of the Chicago blues world, both on and off the stage. In addition to portraits of blues artists he has personally known and worked with, Whiteis takes readers on a tour of venues like East of Ryan and the Starlight Lounge; home to artists such as Jumpin' Willie Cobbs, Willie D., and Harmonica Khan. He tells the stories behind the lives of past pioneers including Junior Wells, pianist Sunnyland Slim, and harpist Big Walter Horton, whose music reflects the universal concerns with love, loss, and yearning that continue to keep the blues so vital for so many.
Author: Mike Rowe
Publisher: Da Capo Press
ISBN:
Category : History
Languages : en
Pages : 246
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Book Description
Chicago has always had a reputation as a "wide open town" with a high tolerance for gangsters, illegal liquor, and crooked politicians. It has also been the home for countless black musicians and the birthplace of a distinctly urban blues-more sophisticated, cynical, and street-smart than the anguished songs of the Mississippi delta--a music called the Chicago blues. This is the history of that music and the dozens of black artists who congregated on the South and Near West Sides. Muddy Waters, Big Bill Broonzy, Howlin' Wolf, Elmore James, Tampa Red, Little Walter, Jimmy Reed, Otis Rush, Sonny Boy Williamson, Junior Wells, Eddie Taylor--all of these giants played throughout the city and created a musical style that had imitators and influence all over the world.
Author: Billy Boy Arnold
Publisher: University of Chicago Press
ISBN: 022680920X
Category : Biography & Autobiography
Languages : en
Pages : 304
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Book Description
"Billy Boy Arnold, born in 1935, is one of the few native Chicagoans who both cultivated a career in the blues and stayed in Chicago. His perspective on Chicago's music, people, and places is rare and valuable. Arnold has worked with generations of musicians-from Tampa Red and Howlin' Wolf and to Muddy Waters and Paul Butterfield-on countless recordings, witnessing the decline of country blues, the dawn of electric blues, the onset of blues-inspired rock, and more. Here, with writer Kim Field, he gets it all down on paper-including the story of how he named Bo Diddley Bo Diddley"--
Author: Dave Rubin
Publisher: Hal Leonard Corporation
ISBN: 1495014215
Category : Music
Languages : en
Pages : 233
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Book Description
(Guitar Educational). As rhythm guitarist for blues legend Muddy Waters, Steady Rollin' Bob Margolin has gained invaluable experience in the art of Chicago blues rhythm guitar. And now in this exclusive and comprehensive book with video, Bob Margolin and blues author/historian Dave Rubin bring you the definitive instructional guitar method on the subject, featuring loads of rhythm guitar playing examples to learn and practice, covering a variety of styles, techniques, tips, historical anecdotes, and much more. To top it off, every playing example in the book is performed by Bob Margolin himself!
Author: Hal Leonard Corp.
Publisher: Hal Leonard Corporation
ISBN: 148034589X
Category : Music
Languages : en
Pages : 59
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Book Description
(Harmonica Play-Along). The Harmonica Play-Along Series will help you play your favorite songs quickly and easily. Just follow the notation, listen to the audio to hear how the harmonica should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in case you want to sing, or to simply help you follow along. Volume 9 includes: Got My Mo Jo Working * Hard Hearted Woman * Help Me * I Ain't Got You * Juke * Messin' with the Kid * One More Heartache * Walking by Myself.
Author: David Whiteis
Publisher: University of Illinois Press
ISBN: 0252051742
Category : Music
Languages : en
Pages : 496
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Book Description
Chicago blues musicians parlayed a genius for innovation and emotional honesty into a music revered around the world. As the blues evolves, it continues to provide a soundtrack to, and a dynamic commentary on, the African American experience: the legacy of slavery; historic promises and betrayals; opportunity and disenfranchisement; the ongoing struggle for freedom. Through it all, the blues remains steeped in survivorship and triumph, a music that dares to stare down life in all its injustice and iniquity and still laugh--and dance--in its face. David Whiteis delves into how the current and upcoming Chicago blues generations carry on this legacy. Drawing on in-person interviews, Whiteis places the artists within the ongoing social and cultural reality their work reflects and helps create. Beginning with James Cotton, Eddie Shaw, and other bequeathers, he moves through an all-star council of elders like Otis Rush and Buddy Guy and on to inheritors and today's heirs apparent like Ronnie Baker Brooks, Shemekia Copeland, and Nellie "Tiger" Travis. Insightful and wide-ranging, Blues Legacy reveals a constantly adapting art form that, whatever the challenges, maintains its links to a rich musical past.
Author: Lynn Abbott
Publisher: Univ. Press of Mississippi
ISBN: 1496810031
Category : Music
Languages : en
Pages : 866
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Book Description
Blues Book of the Year —Living Blues Association of Recorded Sound Collections Awards for Excellence Best Historical Research in Recorded Blues, Gospel, Soul, or R&B–Certificate of Merit (2018) 2023 Blues Hall of Fame Inductee - Classic of Blues Literature category With this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music. Fortified by decades of research, the authors bring to life the performers, entrepreneurs, critics, venues, and institutions that were most crucial to the emergence of the blues in black southern vaudeville theaters; the shadowy prehistory and early development of the blues is illuminated, detailed, and given substance. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America’s favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Insular black southern theaters provided a safe haven, where coon songs underwent rehabilitation and blues songs suitable for the professional stage were formulated. The process was energized by dynamic interaction between the performers and their racially-exclusive audience. The first blues star of black vaudeville was Butler “String Beans” May, a blackface comedian from Montgomery, Alabama. Before his bizarre, senseless death in 1917, String Beans was recognized as the “blues master piano player of the world.” His musical legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the race recording era. While male blues singers remained tethered to the role of blackface comedian, female “coon shouters” acquired a more dignified aura in the emergent persona of the “blues queen.” Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, such as forgotten blues heroine Ora Criswell and her protégé Trixie Smith, ingeniously reconfigured the blackface mask for their own subversive purposes. In 1921 black vaudeville activity was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collaboration with the emergent race record industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell. By this time the blues had moved beyond the confines of entertainment for an exclusively black audience. Small-time black vaudeville became something it had never been before—a gateway to big-time white vaudeville circuits, burlesque wheels, and fancy metropolitan cabarets. While the 1920s was the most glamorous and remunerative period of vaudeville blues, the prior decade was arguably even more creative, having witnessed the emergence, popularization, and early development of the original blues on the African American vaudeville stage.
Author: Bruce Iglauer
Publisher: University of Chicago Press
ISBN: 022612990X
Category : Music
Languages : en
Pages : 346
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Book Description
It started with the searing sound of a slide careening up the neck of an electric guitar. In 1970, twenty-three-year-old Bruce Iglauer walked into Florence’s Lounge, in the heart of Chicago’s South Side, and was overwhelmed by the joyous, raw Chicago blues of Hound Dog Taylor and the HouseRockers. A year later, Iglauer produced Hound Dog’s debut album in eight hours and pressed a thousand copies, the most he could afford. From that one album grew Alligator Records, the largest independent blues record label in the world. Bitten by the Blues is Iglauer’s memoir of a life immersed in the blues—and the business of the blues. No one person was present at the creation of more great contemporary blues music than Iglauer: he produced albums by Koko Taylor, Albert Collins, Professor Longhair, Johnny Winter, Lonnie Mack, Son Seals, Roy Buchanan, Shemekia Copeland, and many other major figures. In this book, Iglauer takes us behind the scenes, offering unforgettable stories of those charismatic musicians and classic sessions, delivering an intimate and unvarnished look at what it’s like to work with the greats of the blues. It’s a vivid portrait of some of the extraordinary musicians and larger-than-life personalities who brought America’s music to life in the clubs of Chicago’s South and West Sides. Bitten by the Blues is also an expansive history of half a century of blues in Chicago and around the world, tracing the blues recording business through massive transitions, as a genre of music originally created by and for black southerners adapted to an influx of white fans and musicians and found a worldwide audience. Most of the smoky bars and packed clubs that fostered the Chicago blues scene have long since disappeared. But their soul lives on, and so does their sound. As real and audacious as the music that shaped it, Bitten by the Blues is a raucous journey through the world of Genuine Houserockin’ Music.
