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Author: Caroline Taylor Stewart
Publisher: Library of Alexandria
ISBN: 1465594337
Category : Fiction
Languages : en
Pages : 60
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Book Description
Author: Caroline Taylor Stewart
Publisher: Library of Alexandria
ISBN: 1465594337
Category : Fiction
Languages : en
Pages : 60
Get Book Here
Book Description
Author: Montague Summers
Publisher: Courier Corporation
ISBN: 0486122700
Category : Social Science
Languages : en
Pages : 356
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Book Description
The first definitive work on werewolfery incorporates an extensive range of historical documentation and folklore. Written in a Gothic style by a venerable author of occult studies, it's rich in fascinating examples and anecdotes and offers compelling fare for lovers of the esoteric.
Author: Stewart Caroline Taylor
Publisher: Hardpress Publishing
ISBN: 9781318074143
Category :
Languages : en
Pages : 48
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: CAROLINE TAYLOR. STEWART
Publisher:
ISBN: 9781033684597
Category :
Languages : en
Pages : 0
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Book Description
Author: Caroline Stewart
Publisher: CreateSpace
ISBN: 9781494370206
Category :
Languages : en
Pages : 40
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Book Description
The Origin of the Werewolf Superstition By Caroline Taylor Stewart
Author: Maegan A. Stebbins
Publisher: Justin R Stebbins
ISBN: 9781949227024
Category : Social Science
Languages : en
Pages : 178
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Book Description
Since before recorded history, werewolves have captivated human imagination. Simultaneously, they represent our deepest fears as well as our desire to connect with our primal ancestry. Today, werewolves are portrayed negatively, associated with violence, cruelty, cannibalism, and general malevolence. However, in ages past, legends depicted them not as monsters, but as a range of neutral to benevolent individuals, such as traveling companions, guardians, and knights. The robust legacy of the werewolf spans from prehistory, through ancient Greece and Rome, to the Middle Ages, into the Early Modern period, and finally into present-day popular culture. Over the ages, the view of the werewolf has become distorted. Media treatment of werewolves is associated with inferior writing, lacking in thought, depth, and meaning. Werewolves as characters or creatures are now generally seen as single-minded and one-dimensional, and they want nothing more than to kill, devour, and possibly violate humans. Hollywood depictions have resulted in the destruction of the true meanings behind werewolf legends that fascinated and terrified humans for so many ages. If these negative trends were reversed, perhaps entertainment might not only discover again some of the true meanings behind the werewolf myth, but also take the first steps toward reversing negative portrayals of wolves themselves, which humans have, for eons, wrongfully stigmatized and portrayed as evil, resulting in wolves receiving crueler treatment than virtually any other animal. To revive the many questions posed by lycanthropy, entertainment must show respect to the rich history of so many cultures all around the world - and rediscover the legend of the werewolf.
Author: Craig Ian Mann
Publisher: Edinburgh University Press
ISBN: 1474441149
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.
Author: Caroline Taylor Stewart
Publisher: Forgotten Books
ISBN: 9781332711840
Category : Social Science
Languages : en
Pages : 44
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Book Description
Excerpt from The Origin of the Werewolf Superstition Probably as long as animal form, partial or entire, was as sumed merely for decoys and sport (early dancing), for peaceful purposes therefore, such people having whole or partial animal shape were not regarded as harmful to man,38 just as wise women began to pass for witches only when with their art they did evil.39 A similar development can be traced in the case of masks.40 It was some time before man could cope with food-and clothing furnishing animals that were dangerous to life, though these are the ones he first studied 41 and we cannot presuppose that he dis guised to represent them until he could cope with them, since the original purpose of the disguise was to secure food and clothing. Thus far then we see whole or partial disguise as animals used to secure food and clothing when acting as decoys to lure animals; and in dancing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Willem de Blécourt
Publisher: Springer
ISBN: 1137526343
Category : History
Languages : en
Pages : 273
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Book Description
Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.
Author: Bourgault du Coudray Chantal
Publisher: Bloomsbury Publishing
ISBN: 0857711873
Category : Social Science
Languages : en
Pages : 237
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Book Description
Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.
