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Author: Gérard-Georges Lemaire
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 370
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Book Description
The oriental motif is a recurring theme in western painting. From the Renaissance with its awakening interest in ancient cultures and art to the 18th century with its Grand Tours and "Turkish fashion," the oriental theme has not only documented artists' travels to the East, but has projected the wishes, desires and imagination of the West. From ethnographic etchings to exaggerated displays of the sultans' splendor, this paradox of fact and fantasy culminated in the 19th century with the genre Orientalism. Napoleon's conquest of Egypt, European colonization, and archaeological excavations opened up the region to numerous artists such as Decamps. Delacroix, Fromentin, Ingres, Lear, and Hunt, whose most famous works express oriental imagery. The Orient in Western Art presents the emergence and development of an artistic motif accompanied by explanations of social and cultural history. Book jacket.
Author: Gérard-Georges Lemaire
Publisher: Konemann
ISBN:
Category : Art
Languages : en
Pages : 370
Get Book Here
Book Description
The oriental motif is a recurring theme in western painting. From the Renaissance with its awakening interest in ancient cultures and art to the 18th century with its Grand Tours and "Turkish fashion," the oriental theme has not only documented artists' travels to the East, but has projected the wishes, desires and imagination of the West. From ethnographic etchings to exaggerated displays of the sultans' splendor, this paradox of fact and fantasy culminated in the 19th century with the genre Orientalism. Napoleon's conquest of Egypt, European colonization, and archaeological excavations opened up the region to numerous artists such as Decamps. Delacroix, Fromentin, Ingres, Lear, and Hunt, whose most famous works express oriental imagery. The Orient in Western Art presents the emergence and development of an artistic motif accompanied by explanations of social and cultural history. Book jacket.
Author: Gérard-Georges Lemaire
Publisher: H.F.Ullmann Publishing
ISBN: 9783848003174
Category : Orient
Languages : en
Pages : 0
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Book Description
History of art.
Author: Gabriel P. Weisberg
Publisher:
ISBN: 9781887422192
Category : Art
Languages : en
Pages : 0
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Book Description
Issued in connection with an exhibition held Feb. 19-July 17, 2011, Mississippi Museum of Art, Jackson, Mississippi, and Oct. 5, 2011-Jan. 15, 2012, McNay Art Museum, San Antonio, Texas.
Author: Edward W. Said
Publisher: Vintage
ISBN: 0804153868
Category : Social Science
Languages : en
Pages : 434
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Book Description
A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.
Author: Kristian Davies
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 312
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Book Description
The Orientalists pursues the mid to late 19th century, when American and European artists traveled and painted throughout the Holy Land and India. The highly cinematic images they created suggest a great influence on modern visual culture.
Author: Christine Peltre
Publisher:
ISBN: 9780789204592
Category : Art, European
Languages : en
Pages : 0
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Book Description
The romance and exoticism of the Orient, as captured by 19th-century European and American painters, are brought to life in this important volume. Nineteenth-century Europe was fascinated by the Orient. Napoleon's Egyptian campaign of 1798 initiated this phenomenon, and its history-the most notable episodes of which include the Greek uprising against the Turks in 1821 and the French taking of Algiers in 1830-was closely linked to changing attitudes toward the "Eastern question." Artists of the period, too, were captivated by these events, and the rich body of imagery they produced is the subject of this volume. Incorporating much recent research, author Christine Peltre's elegant text retraces Orientalism's artistic history, in which the French and British schools predominated. The "high poetry" of the Romantics' Orient, often inspired by Byron or Hugo, strove for dramatic effect, as the works of David Roberts, Alexandre-Gabriel Decamps, and Eugène Delacroix attest. A different brand of imagery was produced by the "ethnographic gaze" of the century's middle years, practiced by artists who visited the sites they represented, such as John Frederick Lewis, Eugène Fromentin, and Jean-Léon Gérôme, as well as by others who remained studio-bound, including J.-A.-D. Ingres and Adolphe Monticelli. Work of this kind was eventually superseded by a "third style,"a fusion of European and Eastern elements, as seen in the work of August Macke, Wassily Kandinsky, Paul Klee, and Henri Matisse. Witnesses to a history that they influenced in subtle ways through their imagery, the Orientalist painters also produced a history of their own, that of a spiritual and formal quest to find in the "East" the ideal of "primitive" purity. Illustrated with more than two hundred expertly selected Orientalist paintings and drawings, Orientalism in Art is an indispensable volume for art historians and anyone lured by the romance and exoticism of Orientalist art. AUTHOR Christine Peltre is professor of the history of contemporary art at the Université des Sciences Humaines in Strasbourg. The author of a book on the encounter of nineteenth-century European artists with Greece (Retour en Arcadie, 1997), she is also a specialist in Orientalism and has published widely on the subject (L'Atelier du voyage, 1995). ILLUSTRATIONS 220 illustrations
Author: Nasser Al-Taee
Publisher: Routledge
ISBN: 1351551418
Category : Music
Languages : en
Pages : 336
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Book Description
This book focuses on the cultural, political and religious representations of the Orient in Western music. Dr Nasser Al-Taee traces several threads in a vast repertoire of musical representations, concentrating primarily on the images of violence and sensuality. Al-Taee argues that these prevailing traits are not only the residual manifestation of the Ottoman threat to Western Europe, but also the continuation of a long and complex history of fear and fascination towards the Orient and its Islamic religion. In addition to analyses of musical works, Al-Taee draws on travel accounts, paintings, biographies, and political events to engage with important issues such as gender, race, and religious differences that may have contributed to the variously complex images of the Orient in Western music. The study extends the range of Orientalism to cover eighteenth-century Austria, nineteenth-century Russia, and twentieth-century America. The book challenges those scholars who do not see Orientalism as problematic and tend to ignore the role of musical representations in shaping the image of the Other within a wider interdisciplinary study of knowledge and power.
Author: Andrew Gerstle
Publisher: Taylor & Francis
ISBN: 1040281885
Category : Social Science
Languages : en
Pages : 382
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Book Description
Much recent writing about Asian societies and Asian Histories adopts a homogenising vision of humanity. It views the definition of cultural difference as an 'Orientalist' project serving colonial or neo-colonial purposes. This unusual collection of essays, written by leading specialists in a range of disciplines. re-appraises and expands the 'Orientalism' debate. Several authors examine the ways in which the Asian 'other' acts as a creative stimulus for the European artist, composer and playwright. The work of Monet, Debussy and Brecht, for instance, is explored to suggest a subtle and complex circulation of idea between the 'Orient' and the 'West'. Other essays investigate the scholar’s own encounter with the exotic, in particular they ask to what extent Western concepts and categories can be used in the analysis of Asian societies and cultures. Among the concepts considered are 'space' (in Chinese art); 'landscape', 'high art', 'low art' and 'opera' (in Indonesia) and 'tragedy', the 'book', concert music' and 'subjectivity' (in Japan). Furthermore, the implications of orality and literacy are examined in the case of Malay society. Like discredited orientalists, the authors of this volume are in most cases based in the West- in universities in Europe, United Sates and Australia- but their investigations are not grounded in confident assumptions about Western power and civilisation. Recovering the Orient probes the Asian 'other' at a time of conceptual uncertainty, when foundational tenets of Western civilisation have come under question.
Author: Oliver R. Impey
Publisher: MacMillan Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 232
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Book Description
Author: Roger Benjamin
Publisher: Univ of California Press
ISBN: 0520924401
Category : Architecture
Languages : en
Pages : 394
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Book Description
Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugène Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-à-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages.
