The Organ Mass and the Vocal Alternatim Mass in the Fifteenth and Sixteenth Centuries PDF Download
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Author: Mary Carol Kopecky
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: Mary Carol Kopecky
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: Peter Woetmann Christoffersen
Publisher: Museum Tusculanum Press
ISBN: 9788772892429
Category : Literary Collections
Languages : en
Pages : 920
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Book Description
A description, reconstruction and discussion of the repertory of an exceptional musical source, the French manuscript made at Lyons c. 1520-1525 as the private collection of a music copyist. The book contains 280 compositions, sacred and secular, from the period 1450-1524 with Loyset, Compère, Alexander Agricola, Antoine de Févin, Claudin de Sermisy and Clément Janequin as the prominent composers. Besides discussing the many-faceted repertory, the book studies the circulation of music in the early sixteenth century and the relationships between popular songs and courtly chansons and between provincial music and the music of the musical centres. -- The manuscript has been in the Royal Library of Copenhagen since 1921. This is the first comprehensive study of it.
Author: Leo Schrade
Publisher:
ISBN:
Category :
Languages : en
Pages : 159
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Book Description
Author: Leo Schrade
Publisher:
ISBN:
Category : Mass (Music)
Languages : en
Pages : 42
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Book Description
Author: Clawson Young Cannon
Publisher:
ISBN:
Category :
Languages : en
Pages : 757
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Book Description
Author: DR. ALANNA. ROPCHOCK TIERNO
Publisher: Boydell & Brewer
ISBN: 1783277920
Category : History
Languages : en
Pages : 213
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Book Description
Investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. The five-movement polyphonic Mass Ordinary emerged from the cultural and liturgical practices of medieval Roman Catholicism and became the pre-eminent large-scale musical genre of early modern Europe. By the end of the sixteenth century, the polyphonic mass remained a core musical genre among Catholics despite gaining widespread popularity within a new institution fundamentally opposed to the Catholic Church and best known for its cultivation of vernacular liturgical music: the Lutheran church. This book investigates the reception and performance history of the polyphonic mass in Lutheran Central Europe from ca. 1540-1600. Through careful source analysis, this study presents examples of polyphonic masses composed in both Lutheran and Catholic contexts that contradict the conventional conception of the Mass Ordinary as a fixed five-movement cycle with unaltered Latin texts. The book draws on sixteenth-century liturgical documents such as Lutheran church orders and hundreds of primary printed and manuscript sources of polyphonic masses; some of these items are well-known in Renaissance musicology source studies while others have received little to no scholarly attention. The book's findings invite reconsideration of how the Mass Ordinary genre is defined, allow for a discussion whether the polyphonic mass should be considered a bi-confessional genre, and present a cohesive examination of early modern liturgical music in the Germanic and western Slavic regions. It offers interesting reading to scholars and students of European Renaissance and religious music, as well as Reformation studies more generally.
Author: Thomas More (Mother)
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 18
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Author: Arnold Schering
Publisher:
ISBN:
Category : Church music
Languages : en
Pages :
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Author: Almonte Charles Howell
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Stewart Carter
Publisher: Indiana University Press
ISBN: 0253005280
Category : Music
Languages : en
Pages : 558
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Book Description
Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
