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Author: Darius Milhaud
Publisher: Marion Boyars Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 310
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Book Description
Darius Milhaud, born in Provence in 1892, was one of the major composers of the twentieth century and also one of its most prodigious. Over 450 of his works have been catalogued (and listed in this volume), including operas, large and small, eighteen string quartets, twelve symphonies and thirty concertos, as well as such popular classics as Le Boeuf sur le toit, La Creation du monde, Suite provencal and the Suite francaise. In My Happy Life, completed in 1972, two years before the composer's death, Milhaud tells the full story of his own personal life and artistic development. A secretary to the playwright Paul Claudel, a close friend of Satie, Cocteau and Igor Stravinsky, Darius Milhaud was also a member, along with Georges Auric and Arthur Honneger, of the scandalous group of young French composers known simply as 'les Six.'. While often regarded during his lifetime as an open-minded musician of wide tastes whose music spanned many styles from avant-garde to jazz, he is revealed here as a thinker of note and a graceful writer. He depicts with great generosity of feeling the revolution that modern music has undergone this century and his own role in it, giving a clear account of his attitude towards his work and that of his fellow composers.
Author: Darius Milhaud
Publisher: Marion Boyars Publishers
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 310
Get Book Here
Book Description
Darius Milhaud, born in Provence in 1892, was one of the major composers of the twentieth century and also one of its most prodigious. Over 450 of his works have been catalogued (and listed in this volume), including operas, large and small, eighteen string quartets, twelve symphonies and thirty concertos, as well as such popular classics as Le Boeuf sur le toit, La Creation du monde, Suite provencal and the Suite francaise. In My Happy Life, completed in 1972, two years before the composer's death, Milhaud tells the full story of his own personal life and artistic development. A secretary to the playwright Paul Claudel, a close friend of Satie, Cocteau and Igor Stravinsky, Darius Milhaud was also a member, along with Georges Auric and Arthur Honneger, of the scandalous group of young French composers known simply as 'les Six.'. While often regarded during his lifetime as an open-minded musician of wide tastes whose music spanned many styles from avant-garde to jazz, he is revealed here as a thinker of note and a graceful writer. He depicts with great generosity of feeling the revolution that modern music has undergone this century and his own role in it, giving a clear account of his attitude towards his work and that of his fellow composers.
Author: Pierre-Augustin Caron de Beaumarchais
Publisher: OUP Oxford
ISBN: 0191604569
Category : Drama
Languages : en
Pages : 369
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Book Description
The Barber of Seville * The Marriage of Figaro * The Guilty Mother Eighteenth-century France produced only one truly international theatre star, Beaumarchais, and only one name, Figaro, to put with Don Quixote or D'Artagnan in the ranks of popular myth. But who was Figaro? Not the impertinent valet of the operas of Mozart or Rossini, but both the spirit of resistance to oppression and a bourgeois individualist like his creator. The three plays in which he plots and schemes chronicle the slide of the ancien régime into revolution but also chart the growth of Beaumarchais' humanitarianism. They are also exuberant theatrical entertainments, masterpieces of skill, invention, and social satire which helped shape the direction of French theatre for a hundred years. This lively new translation catches all the zest and energy of the most famous valet in French literature. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Author: Robert Joseph Garofalo
Publisher: Hal Leonard Corporation
ISBN: 9781574630633
Category : Music
Languages : en
Pages : 60
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Book Description
(Meredith Music Resource). New from Robert Garofalo, an instructional unit on Milhaud's original classic work for band, Suite Francaise. This incredible teaching tool contains Interpretive Analysis, Folk Song Sources, Teacher's Lesson Plan and Student Learning Guide. Written for any band or orchestra conductor planning to perform this work. An outstanding teaching tool that applies the MENC "Standards" to the podium. A "MUST HAVE" for the serious wind band conductor!
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
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Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author: Wilfrid Mellers
Publisher: University of Illinois Press
ISBN: 9780252025297
Category : Music
Languages : en
Pages : 232
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Book Description
Mellers (composer and professor emeritus, University of York) begins with the confusion of the (unfamiliar) forest within, audible in Wagner's late and Shoenberg's early works, in Delius's A Village Romeo and Juliet, and Debussy's Pelleas et Melisande. The next section, The Forest Without, examines Charles Koechlin's Le Foret Feerique and Milhaud's Le Boeuf Sur le Toit which embrace the real jungle without and the imaginative jungle within. Part 3 shows Villa-Lobos and Carlos Chavez connecting, as Mellers puts it, "the jungle within the mind and the asphalt jungle of a rapidly industrialized metropolis." Part four explores interrelationships between wilderness and machine through the work of Carl Ruggles, Varese, Partch, Reich, and the Australian, Peter Sculthorpe. Finally, the erasure of border between wilderness and civilization is the focus in works by Ellington and Gershwin. Suitable for both musicians and non-musicians. c. Book News Inc.
Author: Jeremy Drake
Publisher: Garland Publishing
ISBN:
Category : Music
Languages : en
Pages : 464
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Book Description
Author: Herve Vanel
Publisher: University of Illinois Press
ISBN: 0252095251
Category : Music
Languages : en
Pages : 217
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Book Description
Triple Entendre discusses the rise and spread of background music in contexts as diverse as office workplaces, shopping malls, and musical performance. Hervé Vanel examines background music in several guises, beginning with Erik Satie's "Furniture Music" of the late 1910s and early 1920s, which first demonstrated the idea of a music not meant to be listened to and was later considered a precedent to modern, functional background music. Vanel argues that when the Muzak Corporation's commercialized ambient music became a predominant feature of modern life in the 1940s--both as a brand and a genre of background music--it also became a powerful instrument of social engineering in an advanced capitalist society. Different kinds of music were developed to encourage or incite greater productivity in the workplace, more energetic shopping, or more animated socializing. Vanel's discussion culminates in the creative response of the composer John Cage to the pervasiveness and power of background music in contemporary society. Cage neither opposed nor rejected Muzak, but literally answered its challenge by formulating a parallel concept that he called "Muzak-Plus." Forty years after Satie presented his work to general critical puzzlement, Cage saw how background music could be combined with mid-century technology and theories of art and performance to create a participatory soundscape on a scale that Satie could not have envisioned, again reconfiguring the listener's stance to music. By examining the subterranean connections existing between these three formulations of a singular idea, Triple Entendre analyzes and challenges the crucial boundary that separates an artistic concept from its actual implementation in life.
Author: Deborah Mawer
Publisher: Cambridge University Press
ISBN: 1107037530
Category : Literary Criticism
Languages : en
Pages : 321
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Book Description
This book explores the historical-cultural interactions between French concert music and American jazz across 1900-65, from both perspectives.
Author: Ben Johnston
Publisher: University of Illinois Press
ISBN: 0252091574
Category : Biography & Autobiography
Languages : en
Pages : 327
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Book Description
Described by New York Times critic John Rockwell as "one of the best non-famous composers this country has to offer," Ben Johnston reconceives familiar idioms--ranging from neoclassicism and serialism to jazz and southern hymnody--using just intonation. Johnston studied with Darius Milhaud, Harry Partch, and John Cage, and is best known for his String Quartet No. 4, a complex series of variations on Amazing Grace. This collection spans forty years and brings together forty-one of Johnston's most important writings, including many rare and several previously unpublished selections. They include position papers, theoretical treatises, program notes, historical reflections, lectures, excerpts from interviews, and letters, and they cover a broad spectrum of concerns--from the technical exegesis of microtonality to the personal and the broadly humanistic. A discography of commercially available recordings of Johnston's music closes out the collection.
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
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Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
