Author: Carlos Agon
Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages :
Book Description
The OM Composer's Book: time and rhythmic structures
Author: Carlos Agon
Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Computer composition (Music)
Languages : en
Pages :
Book Description
The OM Composer's Book
Author: Carlos Agon
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : Composition (Music)
Languages : en
Pages : 288
Book Description
All Music Guide
Author: Vladimir Bogdanov
Publisher: Hal Leonard Corporation
ISBN: 9780879306274
Category : Music
Languages : en
Pages : 1508
Book Description
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
Publisher: Hal Leonard Corporation
ISBN: 9780879306274
Category : Music
Languages : en
Pages : 1508
Book Description
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
Conversations with Igor Stravinsky
Author: Robert Craft
Publisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Publisher: Faber & Faber
ISBN: 0571308791
Category : Music
Languages : en
Pages : 163
Book Description
Conversations with Igor Stravinsky is the first of the celebrated series of conversation books in which Stravinsky, prompted by Robert Craft, reviewed his long and remarkable life. The composer brings the Imperial Russia of his childhood vividly into focus, at the same time scanning what were at the time the brave new horizons of Boulez and Stockhausen with extraordinary acuity. Stravinsky answers searching questions about his musical development and recalls his association with Diaghilev and the Russian Ballet. There are sympathetic and extraordinarily illuminating reminiscences of such composers as Debussy and Ravel ('the only musicians who immediately understood Le Sacre du Printemps'), while mischievous squibs are directed at others, most notably perhaps against Richard Strauss, all of whose operas Stravinsky wished 'to admit ... to whichever purgatory punishes triumphant banality'. The conversations are by no means confined to musical subjects, ranging uninhibitedly across all the arts: Stravinsky gives unforgettable sketches of Ibsen, Rodin, Proust, Giacometti, Dylan Thomas and T S Eliot. 'The conversations between Igor Stravinsky and Robert Craft are unique in musical history. The penetration of Craft's questions and the patience and detail of Stravinsky's answers combine to produce an intimate picture of a man who has sometimes puzzled, often delighted, and always intrigued ...' The Sunday Times
Rhythmic Structure in Iranian Music
Author: Mohammad Reza Azadehfar
Publisher: Azadehfar
ISBN: 964621892X
Category : Music
Languages : en
Pages : 386
Book Description
Publisher: Azadehfar
ISBN: 964621892X
Category : Music
Languages : en
Pages : 386
Book Description
Music and Memory
Author: Bob Snyder
Publisher: MIT Press
ISBN: 9780262692373
Category : Music
Languages : en
Pages : 324
Book Description
Divided into two parts, this book shows how human memory influences the organization of music. The first part presents ideas about memory and perception from cognitive psychology and the second part of the book shows how these concepts are exemplified in music.
Publisher: MIT Press
ISBN: 9780262692373
Category : Music
Languages : en
Pages : 324
Book Description
Divided into two parts, this book shows how human memory influences the organization of music. The first part presents ideas about memory and perception from cognitive psychology and the second part of the book shows how these concepts are exemplified in music.
The Cambridge Companion to Michael Tippett
Author: Kenneth Gloag
Publisher: Cambridge University Press
ISBN: 1107021979
Category : Biography & Autobiography
Languages : en
Pages : 335
Book Description
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.
Publisher: Cambridge University Press
ISBN: 1107021979
Category : Biography & Autobiography
Languages : en
Pages : 335
Book Description
This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
The Poetics of Rock
Author: Albin Zak
Publisher: Univ of California Press
ISBN: 0520232240
Category : Music
Languages : en
Pages : 278
Book Description
This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records.
Publisher: Univ of California Press
ISBN: 0520232240
Category : Music
Languages : en
Pages : 278
Book Description
This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records.
The Computer and Music
Author: Harry B. Lincoln
Publisher: Cornell University Press
ISBN: 150174416X
Category : Music
Languages : en
Pages : 381
Book Description
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.
Publisher: Cornell University Press
ISBN: 150174416X
Category : Music
Languages : en
Pages : 381
Book Description
The first of its kind, this is book consists of twenty-one essays describing the many different uses of the digital computer in the field of music. Musicologists will find that various historical periods-from medieval to contemporary-are represented, and examples of computer analysis of ethnic music are considered. Edmund A. Bowles contributes an entertaining historical survey of music research and the computer. Lejaren Hill here discusses computer composition, both in this country and in Europe, and gives a bibliography of composers and their works. A. James Gabura's essay describes experiments in analyzing and identifying the keyboard styles of Haydn, Mozart, and Beethoven. There is also a section of particular interest to music librarians.