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Author: LIUDMILA V.. VOLKOV LBOVA (PAVEL V.. BLAND, RICHARD L.)
Publisher:
ISBN: 9781680534573
Category : Art
Languages : en
Pages : 0
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Book Description
Author: LIUDMILA V.. VOLKOV LBOVA (PAVEL V.. BLAND, RICHARD L.)
Publisher:
ISBN: 9781680534573
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Liudmila V. Lbova
Publisher:
ISBN: 9781680534566
Category : Art
Languages : en
Pages : 0
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Book Description
Primitive art is inseparable from primitive consciousness and can be correctly understood only with the correct socio-cultural context. This book examines the ancient art of Siberia as part of the integral whole of ancient society.
Author: Igor V. Naumov
Publisher: Routledge
ISBN: 1134207034
Category : History
Languages : en
Pages : 257
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Book Description
Siberia has had an interesting history, quite distinct from that of Russia. Absolutely vast, containing many non-Russian nationalities, and increasingly important at present because of its huge energy reserves, Siberia was at one time part of the Mongol Empire, was settled relatively late by the Russians, and was for a long period a wild frontier zone, similar to the American West. Providing a comprehensive history of Siberia from the very earliest times to the present, this book covers every period of Siberia's history in an accessible way.
Author: Jill Cook
Publisher: British Museum Publications Limited
ISBN: 9780714123332
Category : Art
Languages : en
Pages : 288
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Book Description
This unique and remarkable work explores the extraordinary creative explosion that happened during the last European Ice Age, between 40,000 and 10,000 years ago, when the very first figurative art was created.
Author: Paul Bahn
Publisher: Thames & Hudson
ISBN: 0500773920
Category : Social Science
Languages : en
Pages : 459
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Book Description
Two of the greatest living authorities on Ice Age art delve hundreds of thousands of years into the human past to discover the earliest works of art ever made, drawing on decades of new research Where is the world’s very first art located? When, and why, did people begin experimenting with different materials, forms, and colors? Prehistorians have long been asking these questions, but only recently have they been able to piece together the first chapter in the story of art. Overturning the traditional Eurocentric vision of our artistic origins, Paul Bahn and Michel Lorblanchet seek out the earliest art across the whole world. There are clues that even three million years ago distant human ancestors were drawn to natural curiosities that appeared representational, such as the face-like “Makapansgat cobble" from South Africa, not carved but naturally weathered to resemble a human face. In the last hundred thousand years people all over the world began to create art: the oldest known paint palettes in South Africa’s Blombos Cave, the famous Venus figures across Europe all the way to Siberia, and magnificent murals on cave walls in every continent except Antarctica. This book is the first to assess the discovery, history, and significance of these varied forms of art: the artistic impulse developed in the human mind wherever it traveled.
Author: Jo McDonald
Publisher: John Wiley & Sons
ISBN: 1118253922
Category : Social Science
Languages : en
Pages : 692
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Book Description
This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses
Author: Bruno David
Publisher:
ISBN: 0190607351
Category : Art
Languages : en
Pages : 1185
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Book Description
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, both out in the open and within caves and rock shelters, and social anthropologists have revealed how people today use art in their daily lives. The Oxford Handbook of the Archaeology and Anthropology of Rock Art showcases examples of such research from around the world and across a broad range of cultural contexts, giving a sense of the art's regional variability, its antiquity, and how it is meaningful to people in the recent past and today - including how we have ourselves tended to make sense of the art of others, replete with our own preconceptions. It reviews past, present, and emerging theoretical approaches to rock art investigation and presents new, cutting-edge methods of rock art analysis for the student and professional researcher alike.
Author: Harald Haarmann
Publisher: Otto Harrassowitz Verlag
ISBN: 9783447058322
Category : History
Languages : en
Pages : 192
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Book Description
There is a broad cultural region with related traditions of mythical beliefs interconnected by long-term contacts during prehistoric times. This area - called here the "Mythological Crescent" - is a zone of cultural convergence that extends from the ancient Middle East via Anatolia to southeastern Europe, opening into the wide cultural landscape of Eurasia.The very old interconnections between Eurasia and Anatolia are explored in this study for the first time. In a comparative view, striking similarities can be reconstructed for the ancient belief systems and the imagery of both regions which suggest convergent cosmological conceptualizations of high age. The beliefs and ritual practices of the indigenous peoples of Eurasia are rooted in the shamanism of the oldest cultural layers of the Palaeolithic. Although socioeconomic development in Anatolia was markedly different from cultural evolution in Eurasia, the hunters and gatherers in Anatolia who adopted sedentary lifeways did not entirely lose their ancient beliefs during the transition to plant cultivation (in the eighth millennium BCE). Archaic beliefs and imagery fused with new practices and innovations during the development of agrarian societies. One diagnostic motif which was perpetuated from the Palaeolithic to the Neolithic and beyond is represented by the production of female figurines (statuettes). Their significance for communal life has been linked to spiritual concepts of the continuity of life, the vegetation cycle, and the protection of the natural habitat of all living things as recorded in myths and historical folk art of Uralic and other peoples. The bear plays a significant role as a mythical animal in the imagery of Eurasia whereas this motif was lost in Anatolia during the transition from antiquity to the Middle Ages.
Author: Andrzej Rozwadowski
Publisher: Archaeopress Publishing Ltd
ISBN: 1789698472
Category : Art
Languages : en
Pages : 150
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Book Description
This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.
Author: Paul Bahn
Publisher: National Geographic Books
ISBN: 0500051879
Category : Social Science
Languages : en
Pages : 0
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Book Description
Two of the greatest living authorities on Ice Age art delve hundreds of thousands of years into the human past to discover the earliest works of art ever made, drawing on decades of new research Where is the world’s very first art located? When, and why, did people begin experimenting with different materials, forms, and colors? Prehistorians have long been asking these questions, but only recently have they been able to piece together the first chapter in the story of art. Overturning the traditional Eurocentric vision of our artistic origins, Paul Bahn and Michel Lorblanchet seek out the earliest art across the whole world. There are clues that even three million years ago distant human ancestors were drawn to natural curiosities that appeared representational, such as the face-like “Makapansgat cobble" from South Africa, not carved but naturally weathered to resemble a human face. In the last hundred thousand years people all over the world began to create art: the oldest known paint palettes in South Africa’s Blombos Cave, the famous Venus figures across Europe all the way to Siberia, and magnificent murals on cave walls in every continent except Antarctica. This book is the first to assess the discovery, history, and significance of these varied forms of art: the artistic impulse developed in the human mind wherever it traveled.
