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Author: Thomas Percy
Publisher: Brepols Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Thomas Percy was the first serious translator of Old Norse-Icelandic poetry into English. He published his Five Pieces of Runic Poetry in London in 1763 and in 1770 published his translation of Mallet's very influential work on early Scandinavian literature and culture as Northern Antiquities (with extensive annotations and additions by Percy himself). In publishing Five Pieces, Percy was influenced by the success of Macpherson's first volume of Ossian poetry (1760) and his own wide-ranging interest in ancient, especially 'gothic' poetry. Five Pieces had a mixed reception and was never republished as a separate work, but reappeared as an appendix to the second edn. of Northern Antiquities. Nevertheless, it was a seminal work in the history of reception and understanding of Old Norse poetry in Britain and it also has more general significance in our understanding of the development of the discipline of Old Norse-Icelandic studies. This work makes available to the modern scholarly community the work of one of the pioneers of the discipline and produces in easily accessible format a text that is currently only available as a rare book. The study comprises a facsimile of the 1763 edition, with facing-page notes to allow the modern reader to situate Percy's work in its intellectual context, together with an introduction on Percy himself, his work on Old Norse-Icelandic studies, and the contemporary context of the reception of Old Norse poetry in Britain (and to some extent in the rest of Europe). In addition, this study publishes eight other poetic translations (one from Old English and the others from Old Icelandic) that Percy completed about the same time as the translations now in Five Pieces of Runic Poetry, but did not then publish, due to the restrictions of contemporary tolerance for demanding or difficult 'ancient' poetry. This publication reveals his full range as a translator for the first time.
Author: Thomas Percy
Publisher: Brepols Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 312
Get Book Here
Book Description
Thomas Percy was the first serious translator of Old Norse-Icelandic poetry into English. He published his Five Pieces of Runic Poetry in London in 1763 and in 1770 published his translation of Mallet's very influential work on early Scandinavian literature and culture as Northern Antiquities (with extensive annotations and additions by Percy himself). In publishing Five Pieces, Percy was influenced by the success of Macpherson's first volume of Ossian poetry (1760) and his own wide-ranging interest in ancient, especially 'gothic' poetry. Five Pieces had a mixed reception and was never republished as a separate work, but reappeared as an appendix to the second edn. of Northern Antiquities. Nevertheless, it was a seminal work in the history of reception and understanding of Old Norse poetry in Britain and it also has more general significance in our understanding of the development of the discipline of Old Norse-Icelandic studies. This work makes available to the modern scholarly community the work of one of the pioneers of the discipline and produces in easily accessible format a text that is currently only available as a rare book. The study comprises a facsimile of the 1763 edition, with facing-page notes to allow the modern reader to situate Percy's work in its intellectual context, together with an introduction on Percy himself, his work on Old Norse-Icelandic studies, and the contemporary context of the reception of Old Norse poetry in Britain (and to some extent in the rest of Europe). In addition, this study publishes eight other poetic translations (one from Old English and the others from Old Icelandic) that Percy completed about the same time as the translations now in Five Pieces of Runic Poetry, but did not then publish, due to the restrictions of contemporary tolerance for demanding or difficult 'ancient' poetry. This publication reveals his full range as a translator for the first time.
Author: Heather O'Donoghue
Publisher: OUP Oxford
ISBN: 0191034363
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth — stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja — on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.
Author: Patrick Vincent
Publisher:
ISBN: 1108497063
Category : Literary Criticism
Languages : en
Pages : 687
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Book Description
Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.
Author: J. Palmgren
Publisher: Springer
ISBN: 1403981167
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Leaving the traditional focus on Arthurian romance and Gothic tales, the essays in this collection address how the Victorians looked back to the Middle Ages to create a sense of authority for their own ideas in areas such as art, religion, gender expectations, and social services. This book will interest specialists in the Victorian period from various fields and will also be a welcome addition to any library serving substantial humanities divisions. Because of the interdisciplinary nature of the essays, this collection would be useful in a wide range of humanities classes beyond the traditional literature class.
Author: Chris Jones
Publisher: Oxford University Press
ISBN: 0192557955
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
Fossil Poetry provides the first book-length overview of the place of Anglo-Saxon in nineteenth-century poetry in English. It addresses the use and role of Anglo-Saxon as a resource by Romantic and Victorian poets in their own compositions, as well as the construction and 'invention' of Anglo-Saxon in and by nineteenth-century poetry. Fossil Poetry takes its title from a famous passage on 'early' language in the essays of Ralph Waldo Emerson, and uses the metaphor of the fossil to contextualize poetic Anglo-Saxonism within the developments that had been taking place in the fields of geology, palaeontology, and the evolutionary life sciences since James Hutton's apprehension of 'deep time' in his 1788 Theory of the Earth. Fossil Poetry argues that two, roughly consecutive phases of poetic Anglo-Saxonism took place over the course of the nineteenth century: firstly, a phase of 'constant roots' whereby Anglo-Saxon is constructed to resemble, and so to legitimize a tradition of English Romanticism conceived as essential and unchanging; secondly, a phase in which the strangeness of many of the 'extinct' philological forms of early English is acknowledged, and becomes concurrent with a desire to recover and recuperate the fossils of Anglo-Saxon within contemporary English poetry. The volume advances new readings of work by a variety of poets including Walter Scott, Henry Longfellow, William Wordsworth, William Barnes, Walt Whitman, Ralph Waldo Emerson, William Morris, Alfred Tennyson, and Gerard Hopkins.
Author: Carolyne Larrington
Publisher: OUP Oxford
ISBN: 0191662941
Category : Literary Collections
Languages : en
Pages : 385
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Book Description
She sees, coming up a second time, earth from the ocean, eternally green; the waterfalls plunge, an eagle soars above them, over the mountain hunting fish. After the terrible conflagration of Ragnarok, the earth rises serenely again from the ocean, and life is renewed. The Poetic Edda begins with The Seeress's Prophecy which recounts the creation of the world, and looks forward to its destruction and rebirth. In this great collection of Norse-Icelandic mythological and heroic poetry, the exploits of gods and humans are related. The one-eyed Odin, red-bearded Thor, Loki the trickster, the lovely goddesses, and the giants who are their enemies walk beside the heroic Helgi, Sigurd the Dragon-Slayer, Brynhild the shield-maiden, and the implacable Gudrun. This translation also features the quest-poem The Lay of Svipdag and The Waking of Angantyr, in which a girl faces down her dead father to retrieve his sword. Comic, tragic, instructive, grandiose, witty, and profound, the poems of the Edda have influenced artists from Wagner to Tolkien and speak to us as freely as when they were first written down seven hundred and fifty years ago.
Author: James Mulholland
Publisher: JHU Press
ISBN: 1421408546
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Spoken words come alive in written verse. In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry. Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
Author: Kirsten Wolf
Publisher: Bloomsbury Publishing USA
ISBN: 1440862990
Category : History
Languages : en
Pages : 200
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Book Description
This book explores 11 popular misconceptions about the Vikings. Each chapter looks at a particular misconception, examines how it became popular, discusses what we now believe to be the truth, and provides excerpts from primary source documents. When people think of the Vikings, they often envision marauding barbarians who lived violent lives. While a number of mistaken beliefs about the Vikings have become engrained in popular culture, they are not grounded in historical facts. This book examines popular misconceptions related to the Vikings and the historical truths that contradict the fictions. The book discusses 11 mistaken notions about the Vikings, with each fiction treated in its own chapter. Topics include whether the Vikings wore horned helmets, whether they were unhygienic, whether they had primitive weapons, whether they drank out of skull cups, and more. Each chapter examines how the misconception proliferated and discusses what we now believe to be the facts contradicting the fictions. Excerpts from primary source documents help readers to understand how the misconceptions came to be throughout history and provide evidence for the historical truths.
Author: Matthew Gregory Lewis
Publisher: Broadview Press
ISBN: 1770480536
Category : Fiction
Languages : en
Pages : 301
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Book Description
In the late eighteenth century, Matthew Gregory “Monk” Lewis, a notorious author of lurid Gothic novels and plays, began to gather this collection of horror ballads. Including original and traditional works, translations and adaptations, and even burlesques of the Gothic, this “hobgoblin repast,” as Lewis called it, brings together a fascinating assortment of works. Contributors include Lewis, the young Walter Scott, William Taylor of Norwich, John Leyden, and Robert Southey. Appendices contain selections from Tales of Terror (1801), a text long intertwined with Lewis’s collection; information on Scott’s An Apology for Tales of Terror (1799); and parodies and reviews of Lewis’s particular brand of Gothic poetry.
Author:
Publisher: Lulu.com
ISBN: 0578021382
Category : Fiction
Languages : en
Pages : 151
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Book Description
Although based on historical persons from the 9th century, Ragnar Lodbrok and his sons are the subjects of compelling legends dating from the Viking era. Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.
