Author: Catherine M. Shaw
Publisher: Routledge
ISBN: 0429620551
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
Originally published in 1982, this book contains the Thomas Middleton and Williiam Rowley's full play, The Old Law, alongisde textual and critical notes.
Author: Taylor & Francis Group
Publisher: Routledge
ISBN: 9780367149161
Category :
Languages : en
Pages : 136
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Book Description
Originally published in 1982, this book contains the Thomas Middleton and Williiam Rowley's full play, The Old Law, alongisde textual and critical notes.
Author: Thomas Middleton
Publisher: New York : Garland Pub.
ISBN: 9780082409403
Category : Drama
Languages : en
Pages : 135
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Book Description
Author: Thomas Middleton
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 104
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Book Description
The Changeling is a popular Renaissance tragedy in which the relationship between money, sex, and power is explored. Frequently performed and studied in University courses, it is a key text in the New Mermaids series.
Author: Thomas Middleton
Publisher: Createspace Independent Publishing Platform
ISBN: 9781983779558
Category :
Languages : en
Pages : 110
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Book Description
The Old Law, or A New Way to Please You is a seventeenth-century tragicomedy written by Thomas Middleton, William Rowley, and Philip Massinger. It was first published in 1656, but is generally thought to have been written about four decades earlier.
Author: Trudi Laura Darby
Publisher: Routledge
ISBN: 0429656661
Category : Literary Criticism
Languages : en
Pages : 221
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Book Description
First published in 1988, this book offers a critical examination of William Rowley's 1632 play, A New Wonder, A Woman Never Vexed, including chapters on structure and technique, themes, critical history and staging.
Author: Heidi Craig
Publisher: Cambridge University Press
ISBN: 1009224042
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the 'death' of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King.
Author: Charles Lamb
Publisher:
ISBN:
Category :
Languages : en
Pages : 322
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Book Description
Author: Charles Lamb
Publisher: Cambridge University Press
ISBN: 1108062903
Category : Drama
Languages : en
Pages : 393
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Book Description
This expanded two-volume 1835 anthology brings together some of most striking passages of Elizabethan and Jacobean drama.
Author: Richard Brome
Publisher: A&C Black
ISBN: 1408140136
Category : Drama
Languages : en
Pages : 221
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Book Description
A Jovial Crew, or the Merry Beggars, is a comedy about four noble lovers who join the beggar community for a pastoral life of dance and song. Or is it? Whilst maintaining its unremitting good humour, A Jovial Crew shows that the literary depiction of beggar life, and real beggar life, are profoundly different. Daily aspects of life in the beggar world – poverty, dirt, licentiousness – come as a surprise to the well-born, who are ultimately led to question their own values. The last production mounted before theatres were closed for the English Civil War, A Jovial Crew's exploration of class, commonwealth, kinship and kingship shows an intense engagement with contemporary politics. This edition, with dedicated sections on music and language in the play, argues that A Jovial Crew also offers a nostalgic farewell to English theatre. It explores Brome's attitude to performance and print, and follows A Jovial Crew from its first, Caroline staging, to its later manifestations as a Restoration comedy, an eighteenth-century opera, and a twentieth-century proto-Marxist tragicomedy.
