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Author: Thomas Darlington Cooke
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
This study is about the comic structure of the fabliaux. The survival of approximately 160 Old French fabliaux, some in several versions and in different manuscripts, attests to their widespread popularity in the Middle Ages. Chaucer's fabliaux are essentially the same genre as the Old French fabliaux, and hence their humor is essentially the same. Our own enjoyment of them is in its own way quite refined and even analogous to certain spiritual experiences. In focusing on the comic climax of the fabliaux, I necessarily talk about their structure, which has its own function within the story regardless of what influenced it or caused it to be there and regardless of what it reflects.
Author: Thomas Darlington Cooke
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
Get Book Here
Book Description
This study is about the comic structure of the fabliaux. The survival of approximately 160 Old French fabliaux, some in several versions and in different manuscripts, attests to their widespread popularity in the Middle Ages. Chaucer's fabliaux are essentially the same genre as the Old French fabliaux, and hence their humor is essentially the same. Our own enjoyment of them is in its own way quite refined and even analogous to certain spiritual experiences. In focusing on the comic climax of the fabliaux, I necessarily talk about their structure, which has its own function within the story regardless of what influenced it or caused it to be there and regardless of what it reflects.
Author: Thomas Darlington Cooke
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 234
Get Book Here
Book Description
This study is about the comic structure of the fabliaux. The survival of approximately 160 Old French fabliaux, some in several versions and in different manuscripts, attests to their widespread popularity in the Middle Ages. Chaucer's fabliaux are essentially the same genre as the Old French fabliaux, and hence their humor is essentially the same. Our own enjoyment of them is in its own way quite refined and even analogous to certain spiritual experiences. In focusing on the comic climax of the fabliaux, I necessarily talk about their structure, which has its own function within the story regardless of what influenced it or caused it to be there and regardless of what it reflects.
Author: David Biggs
Publisher: University of Toronto Press
ISBN: 9780802008749
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
An annotated bibliography describing editing and critical works on three of Chaucer's tales. The authors make extensive use of the standard bibliographies of English literature, medieval studies, and Chaucerian studies.
Author:
Publisher: W. W. Norton & Company
ISBN: 0871406926
Category : Poetry
Languages : en
Pages : 1017
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Book Description
Winner • Modern Language Association’s Scaglione Prize for Translation Bawdier than The Canterbury Tales, The Fabliaux is the first major English translation of the most scandalous and irreverent poetry in Western literature. Composed between the twelfth and fourteenth centuries, these virtually unknown erotic and satiric poems lie at the root of the Western comic tradition. Passed down by the anticlerical middle classes of medieval France, The Fabliaux depicts priapic priests, randy wives, and their cuckolded husbands in tales that are shocking even by today’s standards. Chaucer and Boccaccio borrowed heavily from these riotous tales, which were the wit of the common man rebelling against the aristocracy and Church in matters of food, money, and sex. Containing 69 poems with a parallel Old French text, The Fabliaux comes to life in a way that has never been done in nearly eight hundred years.
Author: Erik Hertog
Publisher: Leuven University Press
ISBN: 9789061864622
Category : Language Arts & Disciplines
Languages : en
Pages : 314
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Book Description
The presence of so many fabliaux in Chaucer's Canterbury Tales is intriguing in its own right, given the fact that there are no real fabliaux in Middle English befor Chaucer. But these stories are also interesting as instances of a concept and practice thas has received little critical attention so far, namely 'analogy', the writing and, above all, recognition of 'similar' stories. How to account for the literary practice that enables us to perceive stories as similar, c.q. analogous? This original study sets out to explore this phenomenon, first tentatively vis-?)vis other terms and practices (Translation, Borrowing, Adaptation, Version) and then, in the major part of the book, in a pragmatic-structuralist analysis of four salient components of narrative--Plot, Character, Thematics, and Genre--each illustrated with examples taken from Chaucer's fabliaux and their analogues in various European languages.In each of the four chapters the key-issue is Categorisation and Hertog traces its evolution and usefulness a a concept from Wittgenstein's family resemblances' and Zadeh's 'fuzzy set theory' to E. Rosch's Prototype theory. The conclusion draws attention to two aspects which set Chaucer's fabliaux very much apart from the other analogues: their contextuality within the polylogue of the Canterbury Tales, and secondly, their explicit intertextuality which invites us to look anew at the assumptions of traditional source-criticism. The study ends with some theoretical reflections on analogy and an attempt at definition.The book will interest not only Chaucerians and other medievalists but also scholars in literarry theory and interpretation.
Author: Daron Burrows
Publisher: Peter Lang
ISBN: 9783039100729
Category : History
Languages : en
Pages : 272
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Book Description
The Old French fabliaux may be notorious for their bawdy content, but few aspects of these medieval comic narratives are as astonishing as their depiction of the parish priest, whose fiscal and sexual transgressions are on occasion so enormous that lay protagonists are driven to inflict graphic punishments ranging from public exposure and communal beating to castration and murder. In this study, Burrows draws on social psychological research into the cognitive and socio-motivational components of stereotyping to explore the forces underlying the creation and development of the fabliau priest. Through an assessment of the constituent elements of the figure against a background of a range of literary and historical sources, Burrows demonstrates that the literary figure is the product of the specific socio-historical context of contemporaneous changes in relationships between Church and laity in which anticlerical stereotyping, in a manner comparable to other instances of outgroup derogation, can be attributed to a quest for positive social identity and ingroup solidarity on the part of an inscribed lay audience.
Author: Mary Jane Stearns Schenck
Publisher: John Benjamins Publishing
ISBN: 9027217343
Category : Literary Criticism
Languages : en
Pages : 183
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Book Description
This is an interesting book that provides a sane analysis of the relation between form and meaning in the fabliaux. It will henceforth be standard reading for those dealing with what nevertheless remains one of the most problematic genres of Old French Literature for the modern scholar.Keith Busby, "Speculum A Journal of Medieval Studies," Jan. 1990
Author: Norris J. Lacy
Publisher: Routledge
ISBN: 1135812470
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
First published in 1993. This volume is th author's observations of his reading of Fabliaux in order to observe their materials, methods and to evaluate the effect of those methods. He looks at 150 texts in order to uncover the indivdual fabliau, rather than treat them as a whole genre.
Author: Jörg O. Fichte
Publisher: Boydell & Brewer
ISBN: 9780859912358
Category : Fiction
Languages : en
Pages : 170
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Book Description
Studies principally concerned with the nature and source of Chaucerian comedy: 'There is much to profit by here. 'STUDIES IN THE AGE OF CHAUCER
Author: Charles Muscatine
Publisher: Univ of California Press
ISBN:
Category : Comparative literature
Languages : en
Pages : 312
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Book Description
