The Oklahoma Cowboy Band PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Oklahoma Cowboy Band PDF full book. Access full book title The Oklahoma Cowboy Band by Carla Chlouber. Download full books in PDF and EPUB format.
Author: Carla Chlouber
Publisher: Arcadia Publishing
ISBN: 1439635218
Category : Photography
Languages : en
Pages : 128
Get Book
Book Description
The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty’s Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill’s Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as “the Uke Buster.” Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band’s cowboy themes and songs, and Otto Gray’s lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.
Author: Carla Chlouber
Publisher: Arcadia Publishing
ISBN: 1439635218
Category : Photography
Languages : en
Pages : 128
Get Book
Book Description
The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty’s Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill’s Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as “the Uke Buster.” Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band’s cowboy themes and songs, and Otto Gray’s lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.
Author: Carla Chlouber
Publisher: Arcadia Library Editions
ISBN: 9781531632847
Category : History
Languages : en
Pages : 130
Get Book
Book Description
The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGinty's Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Bill's Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as "the Uke Buster." Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the band's cowboy themes and songs, and Otto Gray's lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.
Author: Carla Chlouber
Publisher: Arcadia Publishing
ISBN: 9780738552453
Category : History
Languages : en
Pages : 132
Get Book
Book Description
The Oklahoma Cowboy Band was the first western string band in the nation to broadcast over the radio and appear on vaudeville, drawing large audiences throughout the Midwest and Northeast. The band began in Ripley as Billy McGintyas Cowboy Band and first played over radio station KFRU in Bristow in May 1925. Billy McGinty was a Rough Rider with Theodore Roosevelt and performed in Buffalo Billas Wild West Show. The public responded to the broadcast of his band with a steady stream of telegrams, telephone calls, and letters asking for more of that old-time cowboy music. Soon Otto Gray and his wife, Mommie, of Stillwater joined the band, with both performing rope tricks, Mommie singing sad songs, and their son, Owen, performing comedy routines as athe Uke Buster.a Renamed Otto Gray and His Oklahoma Cowboys, the band traveled for a decade to such cities as St. Louis, Chicago, Cincinnati, Indianapolis, Pittsburgh, and Syracuse. Its custom-built Cadillacs drew crowds wherever the band went. By the early 1930s, other acts were copying the bandas cowboy themes and songs, and Otto Grayas lawyers threatened legal action. The lawyers met with only limited success, though, and today the cowboy image is firmly established in country music, thanks in large part to the early success of Billy McGinty, Otto Gray, and the Oklahoma Cowboy Band.
Author: Michael A. Amundson
Publisher: University of Oklahoma Press
ISBN: 0806157771
Category : History
Languages : en
Pages : 209
Get Book
Book Description
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
Author: Billy McGinty
Publisher: Arthur H. Clark Company
ISBN:
Category : Country music
Languages : en
Pages : 330
Get Book
Book Description
Into action with the Rough Riders -- The push to Santiago and San Juan Hill -- Surrender, occupation, and homeward bound -- Footloose and free -- The Buffalo Bill Show -- Cowboys, characters, and show shenanigans -- Back home in Oklahoma -- To the last man
Author: Tony Hillerman
Publisher:
ISBN: 9780914001126
Category : Brigands and robbers
Languages : en
Pages : 0
Get Book
Book Description
Buster Mesquite and some of his desert animal friends form a musical group that helps break up a band of robbers.
Author: John Avery Lomax
Publisher:
ISBN:
Category : Ballads, American
Languages : en
Pages : 450
Get Book
Book Description
Author: Craig Maki
Publisher: University of Michigan Press
ISBN: 0472052012
Category : Music
Languages : en
Pages : 339
Get Book
Book Description
The richness of Detroit’s music history has by now been well established. We know all about Motown, the MC5, and Iggy and the Stooges. We also know about the important part the Motor City has played in the history of jazz. But there are stories about the music of Detroit that remain untold. One of the lesser known but nonetheless fascinating histories is contained within Detroit’s country music roots. At last, Craig Maki and Keith Cady bring to light Detroit’s most important country and western and bluegrass stars, such as Chief Redbird, the York Brothers, and Roy Hall. Beyond the individuals, Maki and Cady also map out the labels, radio programs, and performance venues that sustained Detroit’s vibrant country and bluegrass music scene. In the process, Detroit Country Music examines how and why the city’s growth in the early twentieth century, particularly the southern migration tied to the auto industry, led to this vibrant roots music scene. This is the first book—the first resource of any kind—to tell the story of Detroit’s contributions to country music. Craig Maki and Keith Cady have spent two decades collecting music and images, and visiting veteran musicians to amass more than seventy interviews about country music in Detroit. Just as astounding as the book’s revelations are the photographs, most of which have never been published before. Detroit Country Music will be essential reading for music historians, record collectors, roots music fans, and Detroit music aficionados.
Author: John Patience
Publisher:
ISBN: 9780710506801
Category : Music
Languages : en
Pages : 16
Get Book
Book Description
Spike doesn't like his music lessons until he hears a Cowboy band playing music that he enjoys.
Author: Bathroom Readers' Institute
Publisher: Simon and Schuster
ISBN: 1607106051
Category : Humor
Languages : en
Pages : 442
Get Book
Book Description
An entertaining trivia compendium flush with fun facts about all things music. From boogie-woogie to Beethoven, from Prince to Pavarotti, from the bards of Broadway to the rebels of rock ’n’ roll—it’s all here. Uncle John has created this harmonious collection of tuneful tales for music lovers everywhere. Uncle John has proven once again that he is in tune with our legion of loyal readers. This 516-page musical masterpiece dedicated to all things noteworthy ranges from silly one-hit wonders to culture-changing musical milestones. You’ll get a glimpse into the future of music and go back to the days when prehistoric man first started communicating in song. So, plug in your amp, turn the dial up to eleven, and have a blast reading about: · The origins of nearly every genre and style of music—including rock, country, jazz, the blues, rhythm-and-blues, hip hop, punk, folk, polka, opera, Muzak, disco, and even marching bands · Musical legends, from “outsiders” like the Shaggs and the Carter family, to giants like the Beatles, Elvis, and Weird Al Yankovic · The stories of legendary music venues like the Grand Ole Opry, the Apollo, and the Fillmore · How a computer glitch led to Right Said Fred’s 1991 hit “I’m Too Sexy” · Why waltzing was considered as scandalous in its early days as rock was in its early days · The birth of the banjo, the electric guitar, karaoke, and the Stradivarius violin · How John Williams struck a universal chord with his score for Star Wars · Go underground to play the world’s largest natural musical instrument · What happened at Woodstock and other weird concert mishaps And much, much more
