The Numismatic Iconography of Justinian II (685-695, 795-711 A.D.). PDF Download
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Author: James Douglas Breckenridge
Publisher:
ISBN:
Category : Coins, Byzantine
Languages : en
Pages : 104
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Book Description
Author: James Douglas Breckenridge
Publisher:
ISBN:
Category : Coins, Byzantine
Languages : en
Pages : 104
Get Book Here
Book Description
Author: James Douglas Breckenridge
Publisher:
ISBN:
Category : Coins, Byzantine
Languages : en
Pages : 142
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Book Description
Justinian II was the first Byzantine emperor to place the image of Christ on his regular official coinage. When he took this step, furthermore, he used not one but two quite different representations of the physical appearance of Christ. The precedent thus created was ignored by his successors, however, and the Christ-image disappeared again from the Byzantine coinage for a century and a half, while the Eastern Empire was torn by the Iconoclastic Controversy; then, almost immediately upon the Restoration of the Images in the middle of the ninth century, one of Justinian II's two coin types of Christ was copied almost line for line by the die-cutters of Michael III, and thereafter became the prototype of one of the Christ representations which became normal on imperial Byzantine coins from the ninth century on. -- Introduction.
Author: Dorothy Hannah Cox
Publisher:
ISBN:
Category : Coins, Byzantine
Languages : en
Pages : 124
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Book Description
Author: James Douglas Breckenridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Book Description
Author: James Douglas Breckenridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jeffrey F. Hamburger
Publisher: Princeton University Press
ISBN: 0691124760
Category : Art
Languages : en
Pages : 464
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Book Description
The Mind's Eye focuses on the relationships among art, theology, exegesis, and literature--issues long central to the study of medieval art, yet ripe for reconsideration. Essays by leading scholars from many fields examine the illustration of theological commentaries, the use of images to expound or disseminate doctrine, the role of images within theological discourse, the development of doctrine in response to images, and the place of vision and the visual in theological thought. At issue are the ways in which theologians responded to the images that we call art and in which images entered into dialogue with theological discourse. In what ways could medieval art be construed as argumentative in structure as well as in function? Are any of the modes of representation in medieval art analogous to those found in texts? In what ways did images function as vehicles, not merely vessels, of meaning and signification? To what extent can exegesis and other genres of theological discourse shed light on the form, as well as the content and function, of medieval images? These are only some of the challenging questions posed by this unprecedented and interdisciplinary collection, which provides a historical framework within which to reconsider the relationship between seeing and thinking, perception and the imagination in the Middle Ages.
Author: Franz Füeg
Publisher:
ISBN: 9780970926876
Category : CD-ROMs
Languages : en
Pages : 193
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Book Description
Author: Mike Humphreys
Publisher: BRILL
ISBN: 9004462007
Category : Art
Languages : en
Pages : 648
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Book Description
Twelve scholars contextualize and critically examine the key debates about the controversy over icons and their veneration that would fundamentally shape Byzantium and Orthodox Christianity.
Author: Cecily J. Hilsdale
Publisher: Cambridge University Press
ISBN: 1107033306
Category : Art
Languages : en
Pages : 425
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Book Description
Questions how political decline refigures the visual culture of empire by examining the imperial image and the gift in later Byzantium (1261-1453). Provides a more nuanced account of medieval artistic cultural exchange that considers the temporal dimensions of power and the changing fates of empires.
Author: Angelika Neuwirth
Publisher: BRILL
ISBN: 9047430328
Category : Religion
Languages : en
Pages : 872
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Book Description
Although recent scholarship has increasingly situated the Qur'ān in the historical context of Late Antiquity, such a perspective is only rarely accompanied by the kind of microstructural literary analysis routinely applied to the Bible. The present volume seeks to redress this lack of contact between literary and historical studies. Contributions to the first part of the volume address various general aspects of the Qur’an’s political, economic, linguistic, and cultural context, while the second part contains a number of close readings of specific Qur’ānic passages in the light of Judeo-Christian tradition and ancient Arabic poetry, as well as discussions of the Qur’ān’s internal chronology and transmission history. Throughout, special emphasis is given to methodological questions.
