The Novels and Selected Works of Mary Shelley Vol 4 PDF Download
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Author: Nora Crook
Publisher: Routledge
ISBN: 1000748863
Category : Education
Languages : en
Pages : 358
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748863
Category : Education
Languages : en
Pages : 358
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mary Wollstonecraft Shelley
Publisher:
ISBN:
Category :
Languages : en
Pages : 367
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Book Description
Mary Shelley's Frankenstein is the single most widely read work of the English Romantic period, yet the author's other works remain relatively unknown. This is the first collection of all her novels, travel writing, journalism and prefaces. The edition makes a major contribution to the study of nineteenth-century English literature.
Author: Nora Crook
Publisher: Routledge
ISBN: 1000748839
Category : Fiction
Languages : en
Pages : 327
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Book Description
These eight volumes contain the works of Mary Shelley and include introductions and prefatory notes to each volume. Included in this edition are "Frankenstein" (1818), "Matilda" ((1819), "Valperga" (1823), "The Last Man" (1826), "Perkin Warbeck" (1830) and "Lodore" (1835).
Author: Mary Wollstonecraft Shelley
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 368
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Book Description
The Last Man is a post-apocalyptic science fiction novel by Mary Shelley, which was first published in 1826. The book tells of a future world that has been ravaged by a plague. The novel was harshly reviewed at the time, and was virtually unknown until a scholarly revival beginning in the 1960s. It is notable in part for its semi-biographical portraits of Romantic figures in Shelley's circle particularly Shelley's late husband Percy Bysshe Shelley and Lord Byron
Author: Mary Wollstonecraft Shelley
Publisher: Wordsworth Editions
ISBN: 9781840224030
Category : Fiction
Languages : en
Pages : 436
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Book Description
Presents an apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, this novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with a futuristic theme, it incorporates portraits of Shelley and Byron, yet rejects Romanticism, and its faith in art and nature.
Author: Harriet Devine Jump
Publisher: Routledge
ISBN: 1000748308
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
This volume sheds light on contemporary perception of William Godwin, Mary Wollstonecraft and Mary Shelley, a biographically and intellectually compelling literary family of the Romantic period. The writings reveal the personalities of the subjects, and the motives and agendas of the biographers.
Author: Humberto Garcia
Publisher: JHU Press
ISBN: 1421403536
Category : Literary Criticism
Languages : en
Pages : 367
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Book Description
A corrective addendum to Edward Said’s Orientalism, this book examines how sympathetic representations of Islam contributed significantly to Protestant Britain’s national and imperial identity in the eighteenth century. Taking a historical view, Humberto Garcia combines a rereading of eighteenth-century and Romantic-era British literature with original research on Anglo-Islamic relations. He finds that far from being considered foreign by the era’s thinkers, Islamic republicanism played a defining role in Radical Enlightenment debates, most significantly during the Glorious Revolution, French Revolution, and other moments of acute constitutional crisis, as well as in national and political debates about England and its overseas empire. Garcia shows that writers such as Edmund Burke, Lady Mary Wortley Montagu, Samuel Taylor Coleridge, Robert Southey, and Percy and Mary Shelley not only were influenced by international events in the Muslim world but also saw in that world and its history a viable path to interrogate, contest, and redefine British concepts of liberty. This deft exploration of the forgotten moment in early modern history when intercultural exchange between the Muslim world and Christian West was common resituates English literary and intellectual history in the wider context of the global eighteenth century. The direct challenge it poses to the idea of an exclusionary Judeo-Christian Enlightenment serves as an important revision to post-9/11 narratives about a historical clash between Western democratic values and Islam.
Author: Sophie Thomas
Publisher: Routledge
ISBN: 1135899304
Category : Literary Criticism
Languages : en
Pages : 285
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Book Description
This book investigates the productive crosscurrents between visual culture and literary texts in the Romantic period, focusing on the construction and manipulation of the visual, the impact of new visual media on the literary and historical imagination, and on fragments and ruins as occupying the shifting border between the visible and the invisible. It examines a broad selection of instances that reflect debates over how seeing should itself be viewed: instances, from Daguerre's Diorama, to the staging of Coleridge's play Remorse, to the figure of the Medusa in Shelley's poetry and at the Phantasmagoria, in which the very act of seeing is represented or dramatized. In reconsidering literary engagements with the expanding visual field, this study argues that the popular culture of Regency Britain reflected not just emergent and highly capitalized forms of mass entertainment, but also a lively interest in the aesthetic and conceptual dimensions of looking. What is commonly thought to be the Romantic resistance to the visible gives way to a generative fascination with the visual and its imaginative--even spectacular--possibilities.
Author: Norbert Lennartz
Publisher: Springer Nature
ISBN: 3030355462
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This book features a collection of essays, shedding subversively new light on Romanticism and its canon of big-six, white, male Romantics by focusing on marginalised, forgotten and lost writers and their long-neglected works. Probing the realms of literary and cultural lostness, this book identifies different strata of oblivion and shows how densely the net of contacts and rivalries was woven around the ostensibly monolithic stars of the Romantic age. It reveals how the lost poets inspired the production of anthologised poetry, that they served as indispensable muses, sidekicks and interlocutors of the big six and that their relevance for the literary scene has been continuously underrated. This is also surprisingly true for some creators of famous one-hit wonders (Frankenstein, The Vampyre) who were suddenly rocketed to fame or notoriety, but could not help seeing their other works of fiction turning into abortive flops.
