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Author: Kalle Sognnes
Publisher: British Archaeological Reports Oxford Limited
ISBN: 9781407315164
Category : Art
Languages : en
Pages : 197
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Book Description
This book examines the Northern (Stone Age) rock art of centralNorway, which is dominated by images of marine and terrestrial motifs. Itfocuses on how these images were drawn and are classified, on the topographicallocation of the sites, on their dating and cultural context, and on the relationship between rock art andmaterial culture, and offers possible interpretations.
Author: Kalle Sognnes
Publisher: British Archaeological Reports Oxford Limited
ISBN: 9781407315164
Category : Art
Languages : en
Pages : 197
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Book Description
This book examines the Northern (Stone Age) rock art of centralNorway, which is dominated by images of marine and terrestrial motifs. Itfocuses on how these images were drawn and are classified, on the topographicallocation of the sites, on their dating and cultural context, and on the relationship between rock art andmaterial culture, and offers possible interpretations.
Author: James Dodd
Publisher: Archaeopress Publishing Ltd
ISBN: 1784919713
Category : Social Science
Languages : en
Pages : 306
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Book Description
This volume celebrates the work of Dr. Phil. h.c. Gerhard Milstreu in his 40th year as director of Tanum Museum of Rock Carving and Rock Art Research Centre, Sweden. A feast of scholarly contributions pay respect to and acknowledge Gerhard’s achievements in the fields of rock art documentation, research, international collaboration and outreach.
Author: Richard Bradley
Publisher: Cambridge University Press
ISBN: 1108887872
Category : Social Science
Languages : en
Pages : 159
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Book Description
The Element summarises the state of knowledge about four styles of prehistoric rock art in Europe current between the late Mesolithic period and the Iron Age. They are the Levantine, Macroschematic and Schematic traditions in the Iberian Peninsula; the Atlantic style that extended between Portugal, Spain, Britain and Ireland; Alpine rock art; and the pecked and painted images found in Fennoscandia. They are interpreted in relation to the landscapes in which they were made. Their production is related to monument building, the decoration of portable objects, trade and long distance travel, burial rites, and warfare. A final discussion considers possible connections between these separate traditions and the changing subject matter of rock art in relation to wider developments in European prehistoric societies.
Author: Christopher Chippindale
Publisher: Cambridge University Press
ISBN: 9780521576192
Category : Art
Languages : en
Pages : 398
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Book Description
Pictures, painted and carved in caves and on open rock surfaces, are amongst our loveliest relics from prehistory. This pioneering set of sparkling essays goes beyond guesses as to what the pictures mean, instead exploring how we can reliably learn from rock-art as a material record of distant times: in short, rock-art as archaeology. Sometimes contact-period records offer some direct insight about indigenous meaning, so we can learn in that informed way. More often, we have no direct record, and instead have to use formal methods to learn from the evidence of the pictures themselves. The book's eighteen papers range wide in space and time, from the Palaeolithic of Europe to nineteenth-century Australia. Using varied approaches within the consistent framework of informed and proven methods, they make key advances in using the striking and reticent evidence of rock-art to archaeological benefit.
Author: Chris Fowler
Publisher: OUP Oxford
ISBN: 0191666890
Category : Social Science
Languages : en
Pages : 1303
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Book Description
The Neolithic --a period in which the first sedentary agrarian communities were established across much of Europe--has been a key topic of archaeological research for over a century. However, the variety of evidence across Europe, the range of languages in which research is carried out, and the way research traditions in different countries have developed makes it very difficult for both students and specialists to gain an overview of continent-wide trends. The Oxford Handbook of Neolithic Europe provides the first comprehensive, geographically extensive, thematic overview of the European Neolithic --from Iberia to Russia and from Norway to Malta --offering both a general introduction and a clear exploration of key issues and current debates surrounding evidence and interpretation. Chapters written by leading experts in the field examine topics such as the movement of plants, animals, ideas, and people (including recent trends in the application of genetics and isotope analyses); cultural change (from the first appearance of farming to the first metal artefacts); domestic architecture; subsistence; material culture; monuments; and burial and other treatments of the dead. In doing so, the volume also considers the history of research and sets out agendas and themes for future work in the field.
Author: Courtney Nimura
Publisher: Oxbow Books
ISBN: 1785701207
Category : Art
Languages : en
Pages : 249
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Book Description
Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.
Author: Paul G. Bahn
Publisher: Archaeopress Publishing Ltd
ISBN: 1789699630
Category : Social Science
Languages : en
Pages : 370
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Book Description
Like previous series entries, this volume covers rock art research and management all over the world over a 5-year period, in this case 2015-19. Contributions once again show the wide variety of approaches that have been taken in different parts of the world and reflect the expansion and diversification of perspectives and research questions.
Author: Heidrun Stebergløkken
Publisher: Archaeopress Publishing Ltd
ISBN: 1784911593
Category : Social Science
Languages : en
Pages : 200
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Book Description
Ritual landscapes and borders are recurring themes running through Professor Kalle Sognnes' long research career. This anthology contains 13 articles written by colleagues from his broad network in appreciation of his many contributions to the field of rock art research.
Author: Joakim Goldhahn
Publisher: Oxbow Books Limited
ISBN: 9781842174050
Category : Europe, Northern
Languages : en
Pages : 0
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Book Description
'Changing Pictures' aims to return to traditional interpretative notions regarding the meaning & significance of rock art.
Author: Fredrik Fahlander
Publisher: Oxbow Books
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
A consideration of the rock art of the Mälaren bay region exploring the potential efficacy of petroglyphs as physical devices through organization, design, and articulation. The Bronze Age (1700–500 BCE) petroglyphs of southern Scandinavia comprise a unique tradition of rock art in northern Eurasia. Despite a limited repertoire of motifs such as cupmarks, boats, anthropomorphs, zoomorphs, podomorphs and circles, it shows great variability in design, elaboration and articulation. This book is a study of the Mälaren region in southern-central Sweden that includes one of the most prominent rock art clusters of southwest Uppland as well as the hinterland of Södermanland county. The rock art in this region is studied on three scales: regional, local and particular. This allows for comparisons between dense and small sites, an exploration of how the Bronze Age rock art tradition developed over time in the area, and equally how the design and articulation of certain motifs relate to contemporary settlements, waterways and varying environmental settings. Patterns and structures in the distribution and articulation of the petroglyphs show that the different motifs are not only visual expressions but very much material enactments. The motifs often physically relate to each other, the flows of water, and the microtopography and mineral contents of the rocks. The study is therefore not as much about rock art as images and symbols as it is about the ecology of rock art – the web of social and physical relations in which it was enacted and employed. From this perspective, the petroglyphs are seen as petrofacts, that is something akin to tools or devices articulated in various ways to affect humans, other-than-humans and the animacies of the coastal milieus where they were made.
