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Author:
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 36
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Book Description
Author:
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 36
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Book Description
Author: Merryn Williams
Publisher:
ISBN:
Category : Coal miners
Languages : en
Pages : 40
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Book Description
Author: Michael Robertson
Publisher: Princeton University Press
ISBN: 0691202869
Category : Biography & Autobiography
Languages : en
Pages : 330
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Book Description
The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.
Author: Arnold Kettle
Publisher: Heinemann Educational Publishers
ISBN:
Category : English
Languages : en
Pages : 376
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Author: Peter Widdowson
Publisher: Routledge
ISBN: 1136490604
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.
Author: Margaret Fuller
Publisher:
ISBN:
Category : Social history
Languages : en
Pages : 250
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Book Description
Author: Heidi Kaufman
Publisher: Cambridge University Press
ISBN: 9780271035260
Category : Literary Criticism
Languages : en
Pages : 262
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Book Description
Examines the embedding of Jewish history and culture in depictions of English racial and national identity in nineteenth-century novels.
Author: Phil Maciak
Publisher: Columbia University Press
ISBN: 0231547005
Category : Performing Arts
Languages : en
Pages : 431
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Book Description
At the turn of the twentieth century, American popular culture was booming with opportunities to see Jesus Christ. From the modernized eyewitness gospel of Ben-Hur to the widely circulated passion play films of Edison, Lumière, and Pathé; from D. W. Griffith’s conjuration of a spectral white savior in Birth of a Nation to W. E. B. Du Bois’s “Black Christ” story cycle, Jesus was constantly and inventively visualized across media, and especially in the new medium of film. Why, in an era traditionally defined by the triumph of secular ideologies and institutions, were so many artists rushing to film Christ’s miracles and use his story and image to contextualize their experiences of modernity? In The Disappearing Christ, Phillip Maciak examines filmic depictions of Jesus to argue that cinema developed as a model technology of secularism, training viewers for belief in a secular age. Negotiating between the magic trick and the documentary image, the conflicting impulses of faith and skepticism, the emerging aesthetic of film in this period visualized the fraught process of secularization. Cinematic depictions of an appearing and disappearing Christ became a powerful vehicle for Americans to navigate a rapidly modernizing society. Studying these films alongside a multimedia, interdisciplinary archive of novels, photographs, illustrations, and works of theology, travel writing, and historiography, The Disappearing Christ offers a new narrative of American cultural history at the intersection of cinema studies and religious studies.
Author: Catherine Delafield
Publisher: Routledge
ISBN: 1317201337
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
First published in 2009, this book investigates the cultural significance of nineteenth-century women’s writing and reading practices. Beginning with an examination of non-fictional diaries and the practice of diary writing, it assesses the interaction between the fictional diary and other forms of literary production such as epistolary narrative, the periodical, the factual document and sensation fiction. The discrepancies between the private diary and its use as a narrative device are explored through the writings of Frances Burney, Elizabeth Gaskell, Anne Brontë, Dinah Craik, Wilkie Collins and Bram Stoker. It also considers women as writers, readers and subjects and demonstrates ways in which women could become performers of their own story through a narrative method which was authorized by their femininity and at the same time allowed them to challenge the myth of domestic womanhood. This book will be of interest to those studying 19th century literature and women in literature.
Author: Sophie Gilmartin
Publisher: Cambridge University Press
ISBN: 9780521560948
Category : Language Arts & Disciplines
Languages : en
Pages : 320
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Book Description
This 1999 study explores the importance of ideas and narratives of ancestry and kinship in constructing Victorian identity.
