Author: Carol Apollonio Flath
Publisher: Slavica Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
A collection of articles representing cutting-edge Russian scholarship on Dostoevsky and his writings, in English translation.
The New Russian Dostoevsky
Author: Carol Apollonio Flath
Publisher: Slavica Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
A collection of articles representing cutting-edge Russian scholarship on Dostoevsky and his writings, in English translation.
Publisher: Slavica Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
A collection of articles representing cutting-edge Russian scholarship on Dostoevsky and his writings, in English translation.
Dostoevsky and The Idea of Russianness
Author: Sarah Hudspith
Publisher: Routledge
ISBN: 1134406886
Category : History
Languages : en
Pages : 239
Book Description
This book examines Dostoevsky's interest in, and engagement with, "Slavophilism", and his views on the religious, spiritual and moral ideas which he considered to be innately Russian.
Publisher: Routledge
ISBN: 1134406886
Category : History
Languages : en
Pages : 239
Book Description
This book examines Dostoevsky's interest in, and engagement with, "Slavophilism", and his views on the religious, spiritual and moral ideas which he considered to be innately Russian.
Western Law, Russian Justice
Author: Gary Rosenshield
Publisher: Univ of Wisconsin Press
ISBN:
Category : Law
Languages : en
Pages : 328
Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Publisher: Univ of Wisconsin Press
ISBN:
Category : Law
Languages : en
Pages : 328
Book Description
Gary Rosenshield offers a new interpretation of Dostoevsky's greatest novel, The Brothers Karamazov. He explores Dostoevsky's critique and exploitation of the jury trial for his own ideological agenda, both in his journalism and his fiction, contextualizing his portrayal of trials and trial participants (lawyers, jurors, defendants, judges) in the political, social, and ideological milieu of his time. Further, the author presents Dostoevsky's critique in terms of the main notions of the critical legal studies movement in the United States, showing how, over one hundred and twenty years ago, Dostoevsky explicitly dealt with the same problems that the law-and-literature movement has been confronting over the past two decades. This book should appeal to anyone with an interest in Russian literature, Russian history and culture, legal studies, law and literature, narratology, or metafiction and literary theory.
Tolstoy or Dostoevsky
Author: George Steiner
Publisher: Open Road Media
ISBN: 1480411914
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The first book of criticism from the acclaimed author of After Babel—a “provocative and probing” look at Russian literature’s most influential writers (The New York Times). “Literary criticism,” writes Steiner, “should arise out of a debt of love.” Abiding by his own rule, Tolstoy or Dostoevsky is an impassioned work, inspired by Steiner’s conviction that the legacies of these two Russian masters loom over Western literature. By explaining how Leo Tolstoy and Fyodor Dostoevsky differ from each other, Steiner demonstrates that when taken together, their work offers the most complete portrayal of life and the tension between the thirst for knowledge on one hand and the longing for mystery on the other. An instant classic for scholars of Russian literature and casual readers alike, Tolstoy or Dostoevsky explores two powerful writers and their opposing modes of approaching the world, and the enduring legacies wrought by their works.
Publisher: Open Road Media
ISBN: 1480411914
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
The first book of criticism from the acclaimed author of After Babel—a “provocative and probing” look at Russian literature’s most influential writers (The New York Times). “Literary criticism,” writes Steiner, “should arise out of a debt of love.” Abiding by his own rule, Tolstoy or Dostoevsky is an impassioned work, inspired by Steiner’s conviction that the legacies of these two Russian masters loom over Western literature. By explaining how Leo Tolstoy and Fyodor Dostoevsky differ from each other, Steiner demonstrates that when taken together, their work offers the most complete portrayal of life and the tension between the thirst for knowledge on one hand and the longing for mystery on the other. An instant classic for scholars of Russian literature and casual readers alike, Tolstoy or Dostoevsky explores two powerful writers and their opposing modes of approaching the world, and the enduring legacies wrought by their works.
Russia in the Age of Alexander II, Tolstoy and Dostoevsky
Author: Walter Moss
Publisher: Anthem Press
ISBN: 1898855595
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
'Russia in the Age of Alexander II, Tolstoy and Dostoevsky' is both history and story, incorporating in its analysis of Alexander II's turbulent reign the lives and ideas of the period's great writers, thinkers and revolutionaries who made this the Golden Age of Russian literature and thought. In his combination of considerable biographical material with the presentation of the main ideas of the era's chief writers and thinkers, Walter G. Moss has written a history that is of interest not only to scholars and students of the period, but also to more general readers.
Publisher: Anthem Press
ISBN: 1898855595
Category : Biography & Autobiography
Languages : en
Pages : 305
Book Description
'Russia in the Age of Alexander II, Tolstoy and Dostoevsky' is both history and story, incorporating in its analysis of Alexander II's turbulent reign the lives and ideas of the period's great writers, thinkers and revolutionaries who made this the Golden Age of Russian literature and thought. In his combination of considerable biographical material with the presentation of the main ideas of the era's chief writers and thinkers, Walter G. Moss has written a history that is of interest not only to scholars and students of the period, but also to more general readers.
Russia's Capitalist Realism
Author: Vadim Shneyder
Publisher: Northwestern University Press
ISBN: 0810142481
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Russia’s Capitalist Realism examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia’s industrial revolution. During Russia’s first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. This book recovers the rich and lively public discourse of this volatile historical period, which Tolstoy, Dostoevsky, and Chekhov transformed into some of the world’s greatest works of literature. Russia’s Capitalist Realism will appeal to readers interested in nineteenth‐century Russian literature and history, the relationship between capitalism and literary form, and theories of the novel.
Publisher: Northwestern University Press
ISBN: 0810142481
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Russia’s Capitalist Realism examines how the literary tradition that produced the great works of Leo Tolstoy, Fyodor Dostoevsky, and Anton Chekhov responded to the dangers and possibilities posed by Russia’s industrial revolution. During Russia’s first tumultuous transition to capitalism, social problems became issues of literary form for writers trying to make sense of economic change. The new environments created by industry, such as giant factories and mills, demanded some kind of response from writers but defied all existing forms of language. This book recovers the rich and lively public discourse of this volatile historical period, which Tolstoy, Dostoevsky, and Chekhov transformed into some of the world’s greatest works of literature. Russia’s Capitalist Realism will appeal to readers interested in nineteenth‐century Russian literature and history, the relationship between capitalism and literary form, and theories of the novel.
Dostoevsky: Letters and Reminiscences
Author: Fyodor Dostoyevsky
Publisher:
ISBN:
Category : Novelists, Russian
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Novelists, Russian
Languages : en
Pages : 306
Book Description
Discovering Sexuality in Dostoevsky
Author: Susanne Fusso
Publisher: Northwestern University Press
ISBN: 0810151901
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.
Publisher: Northwestern University Press
ISBN: 0810151901
Category : Literary Criticism
Languages : en
Pages : 235
Book Description
Most discussions of sexuality in the work of Dostoevsky have been framed in Freudian terms. But Dostoevsky himself wrote about sexuality from a decidedly pre-Freudian perspective. By looking at the views of human sexual development that were available in Dostoevsky's time and that he, an avid reader and observer of his own social context, absorbed and reacted to, Susanne Fusso gives us a new way of understanding a critical element in the writing of one of Russia's literary masters. Beyond discovering Dostoevsky's own views and representations of sexuality as a reflection of his culture and his time, Fusso also explores his artistic treatment of how children and adolescents discover sexuality as part of their growth. Some of the topics Fusso considers are Dostoevsky's search for an appropriate artistic language for sexuality, a young narrator's experimentation with homoerotic desire and unconventional narrative in A Raw Youth; and Dostoevsky's approach to a young man's sexual development in A Raw Youth and The Brothers Karamazov. She also explores his complex treatment of a child's secret sexuality in his account of the Kroneberg child abuse case in A Writer's Diary; and his conception of the ideal family, a type of family that appears in his works mainly by negative example. Focusing mainly on sexual practices considered "deviant" in Dostoevsky's time--both because these are the practices that his young characters confront and because they offer the most intriguing interpretive problems--Fusso decodes the author's texts and their social contexts. In doing so, she highlights one thread in the intricate thematic weave of Dostoevsky's novels and newly illuminates his artistic process.
Dostoevsky at 200
Author: Katherine Bowers
Publisher: University of Toronto Press
ISBN: 1487508638
Category : History
Languages : en
Pages : 264
Book Description
Reconsidering Dostoevsky's legacy 200 years after his birth, this collection addresses how and why his novels contribute so much to what we think of as the modern condition.
Publisher: University of Toronto Press
ISBN: 1487508638
Category : History
Languages : en
Pages : 264
Book Description
Reconsidering Dostoevsky's legacy 200 years after his birth, this collection addresses how and why his novels contribute so much to what we think of as the modern condition.
Dostoevsky and Soviet Film
Author: Nikita M. Lary
Publisher: Cornell University Press
ISBN: 1501744062
Category : History
Languages : en
Pages : 288
Book Description
The Soviets have long struggled with the knotty problem of assimilating Dostoevsky into a revolutionary culture. Yet to filmmakers, he has been a continuing inspiration, a novelist of ideas with an unparalleled gift for visualization. The sensitive medium of film, with its popularity and high official status in the Soviet Union, provides a unique opportunity to study the interplay between art and ideology. Offering a vivid picture of Soviet culture, and comparing and contrasting the aesthetics of Socialist Realism and modernism, this book shrewdly demonstrates that film and Dostoevsky have served each other well. Dostoevsky and Soviet Film blends three major motifs with ease and elegance: an analysis of all films produced in the Soviet Union which used Dostoevsky's fiction, as well as those planned but never realized; a history of the Soviet film industry spanning prerevolutionary days to the present; and an exploration of the dual challenge of art and politics which Soviet film has consistently had to face. N. M. Lary demonstrates the ways in which a number of film artists—Eisenstein, Grigori Kozintsev, Viktor Shklovsky, and Fridrikh Ermler among them—altered and extended the language of film under Dostoevsky's influence. He has included substantial excerpts from Eisenstein's notes from his "Chapter on Dostoevsky," which appear here for the first time in any language, and he also draws upon other theoretical and critical writings, film scripts, project notes, interviews, contemporary reviews, and many autobiographical reminiscences. Besides discussing such Dostoevsky adaptations as Ivan Pyriev's The Brothers Karamazav, Alov and Naumov's suppressed Nasty Story, Kulidzhanov's Crime and Punishment, and Ermler's Great Citizen, Lary offers suggestive critical analyses of Eisenstein's Ivan the Terrible and Kozintsev's King Lear. He provides as well his own provocative readings of Dostoevsky, uncovering new layers of meaning in the texts through his close study of their filmic treatment. Lary's book tells the fascinating story of Dostoevsky and Soviet film as it unfolds both onscreen and off. It not only reveals some hidden sides of Soviet resistance to Dostoevsky's work, but through its insights contributes toward a new understanding of the uses of literature in film.
Publisher: Cornell University Press
ISBN: 1501744062
Category : History
Languages : en
Pages : 288
Book Description
The Soviets have long struggled with the knotty problem of assimilating Dostoevsky into a revolutionary culture. Yet to filmmakers, he has been a continuing inspiration, a novelist of ideas with an unparalleled gift for visualization. The sensitive medium of film, with its popularity and high official status in the Soviet Union, provides a unique opportunity to study the interplay between art and ideology. Offering a vivid picture of Soviet culture, and comparing and contrasting the aesthetics of Socialist Realism and modernism, this book shrewdly demonstrates that film and Dostoevsky have served each other well. Dostoevsky and Soviet Film blends three major motifs with ease and elegance: an analysis of all films produced in the Soviet Union which used Dostoevsky's fiction, as well as those planned but never realized; a history of the Soviet film industry spanning prerevolutionary days to the present; and an exploration of the dual challenge of art and politics which Soviet film has consistently had to face. N. M. Lary demonstrates the ways in which a number of film artists—Eisenstein, Grigori Kozintsev, Viktor Shklovsky, and Fridrikh Ermler among them—altered and extended the language of film under Dostoevsky's influence. He has included substantial excerpts from Eisenstein's notes from his "Chapter on Dostoevsky," which appear here for the first time in any language, and he also draws upon other theoretical and critical writings, film scripts, project notes, interviews, contemporary reviews, and many autobiographical reminiscences. Besides discussing such Dostoevsky adaptations as Ivan Pyriev's The Brothers Karamazav, Alov and Naumov's suppressed Nasty Story, Kulidzhanov's Crime and Punishment, and Ermler's Great Citizen, Lary offers suggestive critical analyses of Eisenstein's Ivan the Terrible and Kozintsev's King Lear. He provides as well his own provocative readings of Dostoevsky, uncovering new layers of meaning in the texts through his close study of their filmic treatment. Lary's book tells the fascinating story of Dostoevsky and Soviet film as it unfolds both onscreen and off. It not only reveals some hidden sides of Soviet resistance to Dostoevsky's work, but through its insights contributes toward a new understanding of the uses of literature in film.