The New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts, 1450-1700 PDF Download
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Author: Pieter Bruegel
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Pieter Bruegel
Publisher:
ISBN:
Category :
Languages : en
Pages : 304
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Book Description
Author: Joseph Leo Koerner
Publisher: Princeton University Press
ISBN: 0691253005
Category : Art
Languages : en
Pages : 432
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Book Description
A bold new interpretation of two northern Renaissance masters In this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us. Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy. An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Pieter Bruegel
Publisher: Metropolitan Museum of Art
ISBN: 0870999915
Category : Art, Flemish
Languages : en
Pages : 337
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Book Description
Pieter Bruegel the Elder (1525/30-1569) was a remarkable draftsman and designer of prints as well as a great painter. His independent drawings and designs for engravings and etchings, which were carried out by the leading printmakers of his day, have fascinated scholars and the general public alike since they were created. They have recently been the subject of research that has given rise to a reevaluation of the parameters of Bruegel's oeuvre. The new scholarship has been brought to bear in the texts of the present volume, which accompanies a major exhibition of 140 of Bruegel's prints and drawings to be shown at the Museum Boijmans Van Beuningen, Rotterdam, from May to August 2001 and at The Metropolitan Museum of Art, New York, from September to December 2001. An international group of experts discusses the new Bruegel who has emerged from recent studies, in essays on the artist's life, his contributions as a draftsman and as a printmaker, the survival of his art, and his relationship to the humanism of his day. They also illuminate his genius in entries on all the works in the exhibition. Every work is illustrated and rich comparative illustrations are included. Provenances an
Author:
Publisher: BRILL
ISBN: 9004367578
Category : Art
Languages : en
Pages : 298
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Book Description
Pieter Bruegel the Elder and Religion offers new insight into the religious dimension of Bruegel’s art. With a number of highly original and thorough case studies, the volume illuminates Bruegel’s inventive and multifaceted engagement with the contemporary religious concepts and practices of his day and age. Religion remains a vital question in the life and career of Bruegel, because it was so long believed to be more or less absent from his work. As a pioneer of the new genres of landscape and peasant scenes, Bruegel was heralded as a ground-breaking “secular” painter. This volume highlights the most recent scholarship on the artist, offering a much more nuanced portrait of Bruegel’s engagement with the dynamic religious landscape of the mid-sixteenth century. Contributors are: Jessica Buskirk, Ralph Dekoninck, Bertram Kaschek, Walter S. Melion, Jürgen Müller, Anna Pawlak, Gerd Schwerhoff, Larry Silver, and Michel Weemans.
Author: ToddM. Richardson
Publisher: Routledge
ISBN: 1351554026
Category : Art
Languages : en
Pages : 269
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Book Description
Pieter Bruegel the Elder: Art Discourse in the Sixteenth-Century Netherlands examines the later images by Bruegel in the context of two contemporary discourses - art theoretical and convivial. The first concerns the purely visual interactions between artists and artistic practices that unfold in pictures, which often transgress the categorical boundaries modern scholars place on their work, such as sacred and profane, antique and modern, and Italian and Northern. In this context, the images themselves - those of Bruegel, his contemporaries and predecessors - make up the primary source material from which the author argues. The second deals with the dialogue that occurred between viewers in front of pictures and the way in which pictorial strategies facilitated their visual experience and challenged their analytical capabilities. In this regard, the author expands his base of primary sources to include convivial texts, dialogues and correspondences, and texts by rhetoricians and Northern humanists addressing art theoretical issues. Challenging the conventional wisdom that the artist eschewed Italianate influences, this study demonstrates how Bruegel's later peasant paintings reveal a complicated artistic dialogue in which visual concepts and pictorial motifs from Italian and classical ideas are employed for a subject that was increasingly recognized in the sixteenth century as a specifically Northern phenomenon. Similar to the Dutch rhetorician societies and French Pl?de poets who cultivated the vernacular language using classical Latin, the function of this interpictorial discourse, the author argues, was not simply to imitate international trends, a common practice during the period, but to use it to cultivate his own visual vernacular language. Although the focus is primarily on Bruegel's later work, the author's conclusions are applied to sketch a broader understanding of both the artist himself and the vibrant artistic dialogue occurring in the Netherl
Author: Leopoldine van Hogendorp Prosperetti
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754660903
Category : Art
Languages : en
Pages : 314
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Book Description
In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti discloses the nature of the philosophical culture of Antwerp at the time, show its importance in the lives of cultivated citizens, and reveals the patterns of thought and visual stratagems by which his landscapes underwrite the pursuit of wisdom. The book presents a new model for the interpretation of a range of visual genres, including various types of landscape, that were popular in the Antwerp picture trade.
Author: Leopoldine Prosperetti
Publisher: Routledge
ISBN: 1351561154
Category : Art
Languages : en
Pages : 335
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Book Description
In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti illuminates how the work of this painter relates to a philosophical culture prevailing in the Antwerp of his time. She shows that no matter what scenery, figures or objects stock the pictorial field, Brueghel's diverse pictures have something in common: they all embed visual trajectories that allow for the viewer to craft out of the raw material of the picture a moment of spiritual repose. Rooted in the art of Hieronymus Bosch and Pieter Bruegel the Elder these vistas are shown to meet the expectation of viewers to discover in their mazes a rhetorically conceived path to wisdom. The key issue is the ambition of pictorial images to bring into practice the humanist belief that philosophy and rhetoric are inseparable. This original study analyzes the patterns of thought and recurrent optical tropes that constitute a visual poetics for shifting genres - no longer devotional, yet sharing in the meditative goal of redirecting the soul toward an intuitive knowledge of what is good in life. This book reveals how everyday life is the preferred vehicle for delivering the results of philosophical pursuits. One chapter is dedicated to Brueghel's innovative attention to the experience of traveling in a variety of wheeled vehicles along the roads of his native Brabant. He is unique, and surprisingly modern, in giving contemporary viewers an accurate account of all the different types of conveyances that clutter the roads. It makes for lively versions of one of his favorite themes: The Traveled Road. By taking the pursuit of wisdom as its theme, the book succeeds in presenting a new model for the interpretation of a range of visual genres in the Antwerp picture trade.
Author: Boudewijn Bakker
Publisher: Routledge
ISBN: 135156112X
Category : Art
Languages : en
Pages : 949
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Book Description
Offering a corrective to the common scholarly characterization of seventeenth-century Dutch landscape painting as modern, realistic and secularized, Boudewijn Bakker here explores the long history and purpose of landscape in Netherlandish painting. In Bakker's view, early Netherlandish as well as seventeenth-century Dutch painting can be understood only in the context of the intellectual climate of the day. Concentrating on landscape painting as the careful depiction of the visible world, Bakker's analysis takes in the thought of figures seldom consulted by traditional art historians, such as the fifteenth-century philosopher Dionysius the Carthusian, the sixteenth-century religious reformer John Calvin, the geographer Abraham Ortelius and the seventeenth-century poet Constantijn Huygens. Probing their conception of nature as 'the first Book of God' and art as its representation, Bakker identifies a world view that has its roots in the traditional Christian perceptions of God and creation. Landscape and Religion from Van Eyck to Rembrandt imposes a new layer of interpretation on the richly varied landscapes of the great masters. In so doing it adds a new dimension to the insights offered by modern art-historical research. Further, Bakker's explorations of early modern art and literature provide essential background for any student of European intellectual history.
Author: Professor Robert Henke
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409468291
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
The essays in this volume investigate English, Italian, Spanish, German, and Czech early modern theatre, placing Shakespeare and his English contemporaries in the theatrical contexts of early modern Europe. Contributors examine the movement of theatrical units, genres, performance practices and dramatic texts across geo-linguistic borders. Mobility is examined from both material and symbolic angles, revealing a tension between transnational movement and resistance to border-crossing. .
Author: Celeste Brusati
Publisher: BRILL
ISBN: 9004215158
Category : History
Languages : en
Pages : 773
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Book Description
This book examines scriptural authority and its textual and visual instruments, asking how words and images interacted to represent and by representing to constitute authority, both sacred and secular, in Northern Europe between 1400 and 1700.
