Author: Jan van der Straet
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 340

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Book Description

Author: Friedrich Wilhelm Heinrich Hollstein
Publisher:
ISBN: 9789077551707
Category : Etching, Flemish
Languages : en
Pages : 319

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Book Description

Author: F. W. H. Hollstein
Publisher:
ISBN: 9789077551714
Category : Engraving, Dutch
Languages : en
Pages : 306

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Book Description

Author: Jan van der Straet
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 280

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Book Description

Author: Wierix family
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 272

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Book Description

Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 264

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Book Description

Author: Zsuzsanna van Ruyven-Zeman
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 60

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Book Description

Author: Carel van Mander
Publisher:
ISBN:
Category : Engraving, Dutch
Languages : en
Pages : 344

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Book Description

Author: F. W. H. Hollstein
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 272

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Book Description

Author: Victoria Sancho Lobis
Publisher: Yale University Press
ISBN: 0300247079
Category : Art
Languages : en
Pages : 357

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Book Description
An extraordinary history of Netherlandish drawing, focused on the training and skill of artists during the long 17th century With a lively narrative thread and thematic chapters, this book offers an exceptional introduction to Dutch and Flemish drawing during the long 17th century. Victoria Sancho Lobis discusses the many roles of drawing in artistic training, its function in the production of works in other media, and its emergence as a medium in its own right. Beautifully illustrated with some 120 drawings by artists including Rembrandt van Rijn, Peter Paul Rubens, Hendrick Goltzius, Gerrit von Honthorst, and Jacob De Gheyn, this book surveys current methodologies of studying these works and features a brief history of Dutch papermaking and watermarks as well as a glossary. Paying careful attention to materials and techniques, and informed by recent conservation treatments, Lobis explains how to look at these drawings as records of experimentation and skill, true windows into the artist’s mind.