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Author: Marcus Lafayette Swan
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 268
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Book Description
First published in 1867 in Knoxville and based on an even earlier publication of 1848, The New Harp of Columbia is a genuine item of Tennesseana and Americana. This book follows tradition by including old psalm and hymn tunes, anthems and fuguing pieces by the early Americans, many folk hymns, and numerous compositions by the complier himself. In addition to the songs themselves, this carefully produced facsimile edition included a new introduction tracing the history of harp singing and the origins of the book itself, an analysis of the songs, a description of a typical sing, and tables of the most popular songs and the annual sings in East Tennessee.
Author: Marcus Lafayette Swan
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 268
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Book Description
First published in 1867 in Knoxville and based on an even earlier publication of 1848, The New Harp of Columbia is a genuine item of Tennesseana and Americana. This book follows tradition by including old psalm and hymn tunes, anthems and fuguing pieces by the early Americans, many folk hymns, and numerous compositions by the complier himself. In addition to the songs themselves, this carefully produced facsimile edition included a new introduction tracing the history of harp singing and the origins of the book itself, an analysis of the songs, a description of a typical sing, and tables of the most popular songs and the annual sings in East Tennessee.
Author: M. L. Swan
Publisher:
ISBN: 9781572331280
Category : Music
Languages : en
Pages : 287
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Book Description
In the small towns and rural areas of early America, church-sponsored “singing schools” proliferated as a way of both improving congregational singing and drawing communities together. Congregants attending these schools were taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch—a method that worked well with singers having little understanding of standard musical notation. These schools eventually became major social events that drew hundreds of attendees, and today countless enthusiasts carry on the shape-note tradition. The New Harp of Columbia, originally published in Knoxville in 1867, was a shape-note tunebook used in East Tennessee singing schools. It was based on an even earlier publication, The Harp of Columbia (1848). In 1978, the University of Tennessee Press published a facsimile edition of The New Harp with an introduction by Dorothy D. Horn, Ron Petersen, and Candra Phillips that detailed the history of shape-note singing as well as the story of the tunebook itself and its original compilers, W. H. Swan and M. L. Swan. That edition went out of print in 1999. Now, for this “restored edition” of the tunebook, the Press has reprinted not only the full text of its 1978 facsimile edition but has included additional tunes that were part of the original 1848 Harp of Columbia. A few verses to some songs favored by contemporary singers have also been added, and a new foreword by Larry Olszewski and Bruce Wheeler brings the story of the tunebook and its users up to date. Included in the book are old psalm and hymn tunes, anthems, fuguing pieces, and folk hymns—a total of more than two hundred pieces that represent a fascinating slice of Americana. As a reviewer for the Journal of Church Music noted of the 1978 facsimile: “[The book is] a worthwhile addition to any church musician's library, especially those interested in the development of American sacred music over the past two centuries.” This publication marks a significant new step in preserving an important musical tradition.
Author: Marion J. Hatchett
Publisher: Univ. of Tennessee Press
ISBN: 9781572332034
Category : History
Languages : en
Pages : 532
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Book Description
"The shape-note tradition first flourished in the small towns and rural areas of early America. Church-sponsored "singing schools" taught a form of musical notation in which the notes were assigned different shapes to indicate variations in pitch; this method worked well with congregants who had little knowledge of standard musical notation. Today many enthusiasts carry on the shape-note tradition, and The New Harp of Columbia (recently published in a "restored edition" by the University of Tennessee Press) is one of five shape-note singing-manuals still in use."--Jacket.
Author: Marcus Lafayette Swan
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 232
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Book Description
Author: William Walker
Publisher: Legare Street Press
ISBN: 9781013622182
Category :
Languages : en
Pages : 348
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Laura Clawson
Publisher: University of Chicago Press
ISBN: 0226109631
Category : Music
Languages : en
Pages : 224
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Book Description
The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences. Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.
Author: Julia Doe
Publisher: University of Chicago Press
ISBN: 022674339X
Category : History
Languages : en
Pages : 327
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Book Description
Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
Author:
Publisher:
ISBN: 9780881410549
Category : Clergy
Languages : en
Pages : 0
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Book Description
"The Harp of Glory is a major hymn sounding the praises of the Theotokos, from the heart of the Ethiopian Orthodox Church in its Golden Age. It is a text hardly known in the Orthodox or Western churches, even though it is truly a religious and literary treasure of world significance. It approaches closely to the character and genius of the Byzantine Akathist to the Mother of God (which it seems to know in part) but is so profoundly rooted in a different indigenous experience that it surely deserves the title of "An African Akathist." This beautiful lyrical poem will be of interest to all who follow the rise of biblical exegesis in the ancient church, and forms of the great devotion to the Mother of God that is characteristic of the eastern churches. It is also an exquisitely crafted love song to the Virgin (troubadour style), from a monk scholar-musician wandering the highlands of Ethiopia, long ago."--Publisher's website.
Author: Marguerite Young
Publisher: Knopf
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 628
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Book Description
An extraordinary literary accomplishment, thirty-five years in the making, from the greatly admired author of Miss Macintosh, My Darling ("A work of stunning magnitude and beauty" --"New York Times Book Review): a biography of Eugene Victor Debs, the country's first great labor leader. To set the stage for her protagonist, in whose struggles she saw acted out all of the conflicted forces that shaped industrial America, and to trace the roots of the American labor and socialist movements, the author opens up a sweep of history and an epic cast of characters. Here are Generals Sheridan and Custer, heroes of the Civil War, fighting the Indians in the West and the workers in the mines, the factories, and on the railroads . . . Alan Pinkerton, the radical weaver from Scotland who came to the New World and created an agency dedicated to destroying labor organizations. Presidents Lincoln, Grant, Cleveland, and Wilson appear. We see the dreamers, the reformers, the crusaders, among them Susan B. Anthony and Sojourner Truth. Here are Henry James Sr., who educated his children according to the tenets of Fourier; James Whitcomb Riley, author of "Little Orphan Annie"; James McNeill Whistler, whose father built a railroad for the czar of Russia; Samuel Gompers, head of the Federation of Labor; the governor of Illinois . . . who refused to call in the army to break the Pullman Strike, or the "Debs Strike" as it came to be called. Men and women, high and low, are caught by the author in the struggle to maintain ideals, in the fight for the rights and dignity of the individual that forged the American identity and ever afterward characterized the American culture. Marguerite Young takesus into the world of the men who led the American multitudes west before the Civil War--and shows how these pioneers were influenced by the French Revolution's Saint-Simon and Fourier, and then by the German idealists Heinrich Heine, Karl Marx, and Wilhelm Weitling who visited secular and religious settlements across the United States. All these threads come together in the life and personality of Eugene Debs: his childhood in Terre Haute, Indiana, in the pastoral America that faded into a distant golden memory after the Civil War, when the town became a center of transportation for industrial expansion. We see Debs finding employment in the railroad yards, becoming caught up in the plight of his fellow workers, editing the union paper, traveling across the country, gathering the knowledge and acquiring the consciousness that inspired him to espouse collective action on behalf of labor, to found the Industrial Workers of the World, and to run as the Socialist candidate for president of the United States five times--three times from prison. We see the fierce struggle between the classes--and Debs in the thick of the fight--as the American promise opens up for the men and women in the factories, in the mills, in the stockyards. We see Debs the worker becoming a political leader, becoming a reformer, becoming the voice of the workingman, becoming the founder of American Socialism. Debs, reviled and loved, Debs with the look of a plain man, an austere country doctor, becoming a mythic hero of the age. A mesmerizing dual portrait of a man and a century.
Author: Clint Harp
Publisher: Atria Books
ISBN: 1501188992
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
A moving and inspirational memoir from the beloved maverick carpenter on HGTV’s smash hit Fixer Upper that shows how to turn your hobbies and craft into a career and celebrates the power of meaningful work. Now known to the countless fans of Fixer Upper as Chip and Joanna Gaines’s go-to table maker and acclaimed artisan, Clint Harp hasn’t always lived the DIY dream we see on the show. Ten years ago, he was dutifully working at a sales job that, while it provided security for his family, did nothing to help him achieve his unfulfilled dreams of building furniture. With the support of his wife, the encouragement of a mentor, and a life full of lessons, he finally took the leap, quitting his job and setting out on the quest to become a carpenter. Without formal training, financing, workspace, or customers, the Harps were quickly on the edge of financial collapse. Then Clint met Chip Gaines at a gas station—a chance encounter that marked the next chapter on a wild ride Clint could never have imagined possible. Spanning Clint’s remarkable journey—from a childhood learning carpentry and hard work at his grandfather’s knee, through his struggles to balance pursuing his dreams with supporting his family, to his partnership with Chip and Joanna Gaines and the many adventures and misadventures of filming Fixer Upper—Handcrafted is part memoir and part manual for dreamers of all backgrounds. “From the floor of his first shop to the foundations of Habitat for Humanity houses, to building furniture for the world to see, Clint Harp is living a handcrafted life” (President Jimmy Carter).
