Author:
Publisher:
ISBN:
Category : New Canaan (Conn.)
Languages : en
Pages : 718

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Author: United States National Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 952

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Author:
Publisher: Sandwich Historical Society
ISBN:
Category :
Languages : en
Pages : 88

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Author: James Campbell
Publisher: Lulu.com
ISBN: 0992875137
Category : Art
Languages : en
Pages : 536

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Book Description
This volume is the fourth in the series. Each contains the papers presented at the annual conferences of the Construction History Society. This volume contains papers on the history and development of concrete construction, on the education of architects, on the development of scaffolding and roof construction and much more.

Author: Warren Allen Smith
Publisher: Lulu.com
ISBN: 1105647439
Category : History
Languages : en
Pages : 323

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Book Description
New Canaan, Connecticut, is one of the richest towns in the U.S. The book is a compilation of 140 arbitrarily chosen individuals who have been past or present residents, from moralist Anthony Comstalk, the first female ambulance surgeon, and the inventor of the Tommy Gun, to David Letterman, Paul Simon, and Brian Williams. All is documented and includes tales never before published. Major architects, critics, authors, painters, business CEOs (IBM, GE, JetBlue, Perkin-Elmer), inventors, cartoonists, sculptors, teachers, and humanities leaders lived in the small town with a private railroad track directly to Grand Central in New York City. The compilation includes negative as well as positive views.

Author:
Publisher: Sandwich Historical Society
ISBN:
Category :
Languages : en
Pages : 72

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Author:
Publisher: Sandwich Historical Society
ISBN:
Category :
Languages : en
Pages : 36

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Author: Lorenzo Ottaviani
Publisher: The Monacelli Press, LLC
ISBN: 1580933858
Category : Architecture
Languages : en
Pages : 241

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Book Description
Architects Philip Johnson, Marcel Breuer, Landis Gores, Eliot Noyes, Edward Durell Stone, and others created an extraordinary collection of modern houses in New Canaan, Connecticut, in the 1940s and 1950s. The bucolic New England town—a suburb of Manhattan—became the site of fervent experimentation by some of the leading lights of the movement in the United States, the architects known as the Harvard Five, whose modern aesthetic could be traced to the Bauhaus school of design. There they promoted their core principles: simplicity, openness, and sensitivity to site and nature, and built glass, wood, steel, and fieldstone houses that established architectural modernism as the ideal of domesticity in the twentieth century. Architects Jeffrey Matz and Cristina A. Ross, photographer Michael Biondo, and graphic designer Lorenzo Ottaviani present this vanishing generation of iconic American houses as more than an issue of restoration or preservation, but as an evolving legacy that adapts to contemporary life. Selecting a representative group of sixteen houses covering the period between the 1950s and 1978, they portray each one in great detail, with floor plans, timelines, and both archival and luminous new photography—from the clean, minimalist look of the initial construction, to subsequent additions by some of the most significant architects of our time including Toshiko Mori, Roger Ferris, and Joeb Moore. Voices of the architects and builders, original owners and current occupants combine to describe how the houses are enjoyed and lived in today, and how the modernist residence is more than just a philosophy of design and construction, but also a philosophy of living.

Author: American Historical Association
Publisher:
ISBN:
Category : History
Languages : en
Pages : 808

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Author: Amy Werbel
Publisher: Columbia University Press
ISBN: 023154703X
Category : History
Languages : en
Pages : 589

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Book Description
Anthony Comstock was America’s first professional censor. From 1873 to 1915, as Secretary of the New York Society for the Suppression of Vice, Comstock led a crusade against lasciviousness, salaciousness, and obscenity that resulted in the confiscation and incineration of more than three million pictures, postcards, and books he judged to be obscene. But as Amy Werbel shows in this rich cultural and social history, Comstock’s campaign to rid America of vice in fact led to greater acceptance of the materials he deemed objectionable, offering a revealing tale about the unintended consequences of censorship. In Lust on Trial, Werbel presents a colorful journey through Comstock’s career that doubles as a new history of post–Civil War America’s risqué visual and sexual culture. Born into a puritanical New England community, Anthony Comstock moved to New York in 1868 armed with his Christian faith and a burning desire to rid the city of vice. Werbel describes how Comstock’s raids shaped New York City and American culture through his obsession with the prevention of lust by means of censorship, and how his restrictions provided an impetus for the increased circulation and explicitness of “obscene” materials. By opposing women who preached sexual liberation and empowerment, suppressing contraceptives, and restricting artistic expression, Comstock drew the ire of civil liberties advocates, inspiring more open attitudes toward sexual and creative freedom and more sophisticated legal defenses. Drawing on material culture high and low, including numerous examples of the “obscenities” Comstock seized, Lust on Trial provides fresh insights into Comstock’s actions and motivations, the sexual habits of Americans during his era, and the complicated relationship between law and cultural change.