Neoclassical Tragedy in Elizabethan England PDF Download
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Author: Howard B. Norland
Publisher: Associated University Presse
ISBN: 9780874130454
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.
Author: Howard B. Norland
Publisher: Associated University Presse
ISBN: 9780874130454
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.
Author: James William Johnson
Publisher: Princeton University Press
ISBN: 1400877482
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
This book reexamines some of the prevalent critical assumptions about English Neo-Classical thought and literature and tests them by viewing Neo-Classicism within its intellectual tradition and its self-defined limits. Originally published in 1967. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: James Edward Tobin
Publisher: Biblo & Tannen Publishers
ISBN: 9780819601889
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Author: George Winchester Stone
Publisher: SIU Press
ISBN: 9780809307432
Category : Drama
Languages : en
Pages : 980
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Book Description
Representative selections from Restoration and eighteenth-century drama, comedy, satire, tragedy, and farce are prefaced by descriptions of the theaters, acting styles, methods of play production, and audiences.
Author: Clarence Corleon Green
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 245
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Book Description
Author: Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109291
Category : Drama
Languages : en
Pages : 484
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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
Author: Lisa A. Freeman
Publisher: University of Pennsylvania Press
ISBN: 0812201949
Category : Drama
Languages : en
Pages : 307
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Book Description
If the whole world acted the player, how did the player act the world? In Character's Theater, Lisa A. Freeman uses this question to test recent critical discussion of eighteenth-century literature and culture. Much current work, she observes, focuses on the concept of theatricality as both the governing metaphor of social life and a primary filter of psychic perception. Hume's "theater of the mind," Adam Smith's "impartial spectator," and Diderot's "tableaux" are all invoked by theorists to describe a process whereby the private individual comes to internalize theatrical logic and apprehend the self as other. To them theatricality is a critical mechanism of modern subjectivity but one that needs to be concealed if the subject's stability is to be maintained. Finding that much of this discussion about the "Age of the Spectator" has been conducted without reference to the play texts or actual theatrical practice, Freeman turns to drama and discovers a dynamic model of identity based on eighteenth-century conceptualizations of character. In contrast to the novel, which cultivated psychological tensions between private interiority and public show, dramatic characters in the eighteenth century experienced no private thoughts. The theater of the eighteenth century was not a theater of absorption but rather a theater of interaction, where what was monitored was not the depth of character, as in the novel, but the arc of a genre over the course of a series of discontinuous acts. In a genre-by-genre analysis of plays about plays, tragedy, comedies of manners, humours, and intrigue, and sentimental comedy, Freeman offers an interpretive account of eighteenth-century drama and its cultural work and demonstrates that by deploying an alternative model of identity, theater marked a site of resistance to the rise of the subject and to the ideological conformity enforced through that identity formation.
Author: Michelle Zerba
Publisher: Princeton University Press
ISBN: 1400859387
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Michelle Zerba engages current debates about the relationship between literature and theory by analyzing responses of theorists in the Western tradition to tragic conflict. Isolating the centrality of conflict in twentieth-century definitions of tragedy, Professor Zerba discusses the efforts of modern critics to locate in Aristotle's Poetics the origins of this focus on agon. Through a study of ethical and political ideas formative of the Poetics, she demonstrates why Aristotle and his Renaissance and Neoclassical beneficiaries exclude conflict from their accounts of tragedy. The agonistic element, the book argues, first emerges in dramatic criticism in nineteenth-century Romantic theories of the sublime and, more influentially, in Hegel's lectures on drama and history. This turning point in the history of speculation about tragedy is examined with attention to a dynamic between the systematic aims of theory and the subversive conflicts of tragic plays. In readings of various Classical and Renaissance dramatists, Professor Zerba reveals that strife in tragedy undermines expectations of coherence, closure, and moral stability, on which theory bases its principles of dramatic order. From Aristotle to Hegel, the philosophical interest in securing these principles determines attitudes toward conflict. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author:
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 32
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Book Description
Author: Allardyce Nicoll
Publisher: Cambridge University Press
ISBN: 9780521109307
Category : Drama
Languages : en
Pages : 436
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Book Description
Nicoll's History, which tells the story of English drama from the reopening of the theatres at the time of the Restoration right through to the end of the Victorian period, was viewed by Notes and Queries (1952) as 'a great work of exploration, a detailed guide to the untrodden acres of our dramatic history, hitherto largely ignored as barren and devoid of interest'.
