The Real Negro PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Real Negro PDF full book. Access full book title The Real Negro by Shelly Eversley. Download full books in PDF and EPUB format.
Author: Shelly Eversley
Publisher: Routledge
ISBN: 1135883343
Category : Literary Criticism
Languages : en
Pages : 120
Get Book Here
Book Description
In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature. Eversley argues that the modern emergence of the interest in 'the real Negro' transforms the question of what race an author belongs into a question of what it takes to belong to
Author: Elizabeth Lay Green
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 100
Get Book Here
Book Description
Author: Shelly Eversley
Publisher: Routledge
ISBN: 1135883343
Category : Literary Criticism
Languages : en
Pages : 120
Get Book Here
Book Description
In this book, Shelly Eversley historicizes the demand for racial authenticity - what Zora Neale Hurston called 'the real Negro' - in twentieth-century American literature. Eversley argues that the modern emergence of the interest in 'the real Negro' transforms the question of what race an author belongs into a question of what it takes to belong to
Author: Kenneth W. Warren
Publisher: Harvard University Press
ISBN: 0674268261
Category : Social Science
Languages : en
Pages : 193
Get Book Here
Book Description
African American literature is over. With this provocative claim Kenneth Warren sets out to identify a distinctly African American literature—and to change the terms with which we discuss it. Rather than contest other definitions, Warren makes a clear and compelling case for understanding African American literature as creative and critical work written by black Americans within and against the strictures of Jim Crow America. Within these parameters, his book outlines protocols of reading that best make sense of the literary works produced by African American writers and critics over the first two-thirds of the twentieth century. In Warren’s view, African American literature begged the question: what would happen to this literature if and when Jim Crow was finally overthrown? Thus, imagining a world without African American literature was essential to that literature. In support of this point, Warren focuses on three moments in the history of Phylon, an important journal of African American culture. In the dialogues Phylon documents, the question of whether race would disappear as an organizing literary category emerges as shared ground for critical and literary practice. Warren also points out that while scholarship by black Americans has always been the province of a petit bourgeois elite, the strictures of Jim Crow enlisted these writers in a politics that served the race as a whole. Finally, Warren’s work sheds light on the current moment in which advocates of African American solidarity insist on a past that is more productively put behind us.
Author: Gene Andrew Jarrett
Publisher: John Wiley & Sons
ISBN: 1118651197
Category : Literary Criticism
Languages : en
Pages : 484
Get Book Here
Book Description
Through a series of essays that explore the forms, themes, genres, historical contexts, major authors, and latest critical approaches, A Companion to African American Literature presents a comprehensive chronological overview of African American literature from the eighteenth century to the modern day Examines African American literature from its earliest origins, through the rise of antislavery literature in the decades leading into the Civil War, to the modern development of contemporary African American cultural media, literary aesthetics, and political ideologies Addresses the latest critical and scholarly approaches to African American literature Features essays by leading established literary scholars as well as newer voices
Author: James Amos Porter
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
Get Book Here
Book Description
A benchmark in African American art history, originally published in 1943, later reissued in 1969. The present edition adds a new introduction by David C. Driskell that places the book and Porter's work in context. With four color and 79 bandw illustrations on glossy stock. Annotation copyright by Book News, Inc., Portland, OR
Author: Alain Locke
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 508
Get Book Here
Book Description
Author: Maryemma Graham
Publisher: Cambridge University Press
ISBN: 0521872170
Category : Literary Criticism
Languages : en
Pages : 861
Get Book Here
Book Description
A major new history of the literary traditions, oral and print, of African-descended peoples in the United States.
Author: Sterling Allen Brown
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 209
Get Book Here
Book Description
Author: William J. Maxwell
Publisher: Columbia University Press
ISBN: 9780231114257
Category : Education
Languages : en
Pages : 294
Get Book Here
Book Description
Maxwell uncovers both black literature's debt to Communism and Communism's debt to black literature, reciprocal obligations first incurred during the Harlem Renaissance.
Author: Elizabeth McHenry
Publisher: Duke University Press
ISBN: 1478021810
Category : Social Science
Languages : en
Pages : 199
Get Book Here
Book Description
In To Make Negro Literature Elizabeth McHenry traces African American authorship in the decade following the 1896 legalization of segregation. She shifts critical focus from the published texts of acclaimed writers to unfamiliar practitioners whose works reflect the unsettledness of African American letters in this period. Analyzing literary projects that were unpublished, unsuccessful, or only partially achieved, McHenry recovers a hidden genealogy of Black literature as having emerged tentatively, laboriously, and unevenly. She locates this history in books sold by subscription, in lists and bibliographies of African American authors and books assembled at the turn of the century, in the act of ghostwriting, and in manuscripts submitted to publishers for consideration and the letters of introduction that accompanied them. By attending to these sites and prioritizing overlooked archives, McHenry reveals a radically different literary landscape, revising concepts of Black authorship and offering a fresh account of the development of “Negro literature” focused on the never published, the barely read, and the unconventional.
