Author: Robert Thomas Denommé
Publisher: Librairie Droz
ISBN: 9782600034654
Category :
Languages : en
Pages : 228
Book Description
The Naturalism of Gustave Geffroy
Author: Robert Thomas Denommé
Publisher: Librairie Droz
ISBN: 9782600034654
Category :
Languages : en
Pages : 228
Book Description
Publisher: Librairie Droz
ISBN: 9782600034654
Category :
Languages : en
Pages : 228
Book Description
Gustave Geffroy and the Criticism of Painting
Author: JoAnne Paradise
Publisher: Dissertations-G
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description
Publisher: Dissertations-G
ISBN:
Category : Art
Languages : en
Pages : 608
Book Description
The Temptation of Saint Redon
Author: Stephen F. Eisenman
Publisher: University of Chicago Press
ISBN: 9780226195483
Category : Art
Languages : en
Pages : 322
Book Description
Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there." Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements. Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
Publisher: University of Chicago Press
ISBN: 9780226195483
Category : Art
Languages : en
Pages : 322
Book Description
Bristling with demons, grotesques, and bizarre apparitions, the graphic work of Odilon Redon has often seemed to be the product of a mind unhinged. In The Temptation of Saint Redon, Stephen F. Eisenman argues instead that these works are Redon's conscious and considered response to changing social realities—an attempt to find refuge from the forces of modernization in an imaginative world of the macabre and the fantastic. Eisenman's careful attention to the circumstances of Redon's life (1840-1916) allows him to bring into focus the interconnections between Redon's complex style and the culture and society of his time. Born and raised on a sixteenth-century estate near Bordeaux, Redon was immersed as a child in traditional rural culture. "I spent my entire childhood in the Médoc completely free, among peasant children," he recalled in his memoirs. "I heard them tell supernatural tales—witches still exist there." Indeed, local tales and legends of witches, ghosts, one-eyed monsters, evil eyes, and wood fairies figure prominently in Redon's graphic works, which he called his noirs, or "blacks." After formal training at Bordeaux and Paris in the 1850s and 1860s, Redon began to chart his independent artistic course. Eisenman shows how, rejecting both naturalism and classicism, Redon, a prototypical Symbolist, found in grotesque and epic genres the expression of organic communities and precapitalist societies. He places Redon's desire for this imagined world of superstitious simplicity a desire manifest in his entire mature artistic practice in the context of contemporary avant-garde movements. Redon's great noirs of the 1870s and 1880s, dreamlike configurations of seemingly irreconcilable elements from portraits, still lifes, and landscapes, show an increasingly subtle control of connotation and a complex indebtedness to caricature, allegory, and puns. Many of the noirs also visually interpret works by like-minded authors, including Baudelaire, Flaubert, Poe, and Mallarmé, one of Redon's close friends. Eisenman's analysis of the noirs underscores Redon's interest in creating an imaginative, even fantastic art, that could act directly on the human spirit. In addition to deepening our understanding of Redon and his art, The Temptation of Saint Redon exposes a link between place, politics, personal history, and the artistic imagination.
Tigersprung
Author: Ulrich Lehmann
Publisher: MIT Press
ISBN: 9780262621717
Category : Architecture
Languages : en
Pages : 586
Book Description
The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.
Publisher: MIT Press
ISBN: 9780262621717
Category : Architecture
Languages : en
Pages : 586
Book Description
The history of modernity written as a philosophy if fashion, set in the cultural framework of Paris.
Mad Enchantment
Author: Ross King
Publisher: Bloomsbury Publishing USA
ISBN: 1632860147
Category : Art
Languages : en
Pages : 418
Book Description
From bestselling author Ross King, a brilliant portrait of the legendary artist and the story of his most memorable achievement. Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Monet intended the water lilies to provide "an asylum of peaceful meditation." Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases (featured in black and white images throughout, as well as a 16-pg color insert) belie the intense frustration Monet experienced in trying to capture the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life. Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then seventy-three, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called “the most prodigious eye in the history of painting”--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture.
Publisher: Bloomsbury Publishing USA
ISBN: 1632860147
Category : Art
Languages : en
Pages : 418
Book Description
From bestselling author Ross King, a brilliant portrait of the legendary artist and the story of his most memorable achievement. Claude Monet is perhaps the world's most beloved artist, and among all his creations, the paintings of the water lilies in his garden at Giverny are most famous. Monet intended the water lilies to provide "an asylum of peaceful meditation." Yet, as Ross King reveals in his magisterial chronicle of both artist and masterpiece, these beautiful canvases (featured in black and white images throughout, as well as a 16-pg color insert) belie the intense frustration Monet experienced in trying to capture the fugitive effects of light, water, and color. They also reflect the terrible personal torments Monet suffered in the last dozen years of his life. Mad Enchantment tells the full story behind the creation of the Water Lilies, as the horrors of World War I came ever closer to Paris and Giverny and a new generation of younger artists, led by Henri Matisse and Pablo Picasso, were challenging the achievements of Impressionism. By early 1914, French newspapers were reporting that Monet, by then seventy-three, had retired his brushes. He had lost his beloved wife, Alice, and his eldest son, Jean. His famously acute vision--what Paul Cezanne called “the most prodigious eye in the history of painting”--was threatened by cataracts. And yet, despite ill health, self-doubt, and advancing age, Monet began painting again on a more ambitious scale than ever before. Linking great artistic achievement to the personal and historical dramas unfolding around it, Ross King presents the most intimate and revealing portrait of an iconic figure in world culture.
Naturalist Fiction
Author: David Baguley
Publisher: Cambridge University Press
ISBN: 0521373808
Category : Literary Collections
Languages : en
Pages : 299
Book Description
In Naturalist Fiction, the first major study of naturalist fiction as a distinct literary genre, Professor Baguley focuses mainly on French naturalist literature, analysing a number of key works in detail, as well as drawing on examples from other national traditions, particularly from the English novel.
Publisher: Cambridge University Press
ISBN: 0521373808
Category : Literary Collections
Languages : en
Pages : 299
Book Description
In Naturalist Fiction, the first major study of naturalist fiction as a distinct literary genre, Professor Baguley focuses mainly on French naturalist literature, analysing a number of key works in detail, as well as drawing on examples from other national traditions, particularly from the English novel.
Falconet: His Writings and His Friend Diderot
Author: Anne Betty Weinshenker
Publisher: Librairie Droz
ISBN: 9782600034760
Category : Sculpture
Languages : en
Pages : 188
Book Description
Publisher: Librairie Droz
ISBN: 9782600034760
Category : Sculpture
Languages : en
Pages : 188
Book Description
Lautréamont's Imagery
Author: Peter W. Nesselroth
Publisher: Librairie Droz
ISBN: 9782600034968
Category : French language
Languages : en
Pages : 140
Book Description
Publisher: Librairie Droz
ISBN: 9782600034968
Category : French language
Languages : en
Pages : 140
Book Description
Stage of Dreams : the Dramatic Art of Alfred de Musset (1828-1834)
Author: Herbert S. Gochberg
Publisher: Librairie Droz
ISBN: 9782600034814
Category :
Languages : en
Pages : 228
Book Description
Publisher: Librairie Droz
ISBN: 9782600034814
Category :
Languages : en
Pages : 228
Book Description
The Novels and Stories of Barbey D'Aurevilly
Author: Brian G. Rogers
Publisher: Librairie Droz
ISBN: 9782600034852
Category : BARBEY D'AUREVILLY, J. (JULES), 1808-1889
Languages : en
Pages : 276
Book Description
Publisher: Librairie Droz
ISBN: 9782600034852
Category : BARBEY D'AUREVILLY, J. (JULES), 1808-1889
Languages : en
Pages : 276
Book Description