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Author: Cultural Center of the Philippines
Publisher: Cultural Center of Philippines
ISBN:
Category : Biography & Autobiography
Languages : tl
Pages : 400
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Book Description
Author: Cultural Center of the Philippines
Publisher: Cultural Center of Philippines
ISBN:
Category : Biography & Autobiography
Languages : tl
Pages : 400
Get Book Here
Book Description
Author: Cultural Center of the Philippines
Publisher: Cultural Center of Philippines
ISBN:
Category : Artists
Languages : tl
Pages : 402
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Book Description
Author:
Publisher:
ISBN: 9789712707841
Category : Artists
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 190
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Book Description
Author: Benedicto Cabrera
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 176
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Book Description
Author: Andres Cristobal Cruz
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 96
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Book Description
Author: Larry Alcala
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 132
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Book Description
Author: Leonidas V. Benesa
Publisher:
ISBN:
Category : Art criticism
Languages : en
Pages : 172
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Book Description
Author: Eduardo Masferré
Publisher:
ISBN:
Category : Ethnology
Languages : en
Pages : 188
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Book Description
Author: Neal D. Matherne
Publisher:
ISBN: 9781321088076
Category : Arts
Languages : en
Pages : 202
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Book Description
This work is a critical analysis of art, memory and prestige in the early twentieth- and late twenty-first-century Philippines. I am concerned with the creation of the Philippine nation by various acts of commemoration and recognition (awards, exhibits, and concerts) through which artists are valorized, immortalized and celebrated. I answer three broad questions: (1) how do patron-client and kinship systems determine the national recognition of artists in the post-colonial world? (2) how is music used in the nation-building project? and (3) how is national mythology created and contested through the commemoration of individual artists in the Philippines? I approach Philippine area studies through discussions of the past in ethnomusicology, borrowing theory from memory studies and methodology from historical anthropology while expanding both fields with a consideration of expressive culture. To describe this interaction between state and artist, I focus on the National Artist Award (NAA), the highest honor bestowed upon an artist by the Philippine government. I begin by recounting an aberration of the nominating process: the 2009 National Artist Award controversy. Then-President Gloria Macapagal Arroyo deleted a name from the prestigious NAA nominee list and added artists with suspiciously close ties to her administration. Then, I analyze the 2010 re-performance of National Artist for Music Jose Maceda's Ugnayan , a multi-spatial composition for 20 radio stations. This work was originally performed in 1974 with the explicit support of then-First Lady Imelda Marcos. Finally, I describe a 2012 exhibit featuring the materials of National Artist for Music Felipe De Leon Padilla Sr. I sort through clashing characterizations of De Leon of as a "crisis composer" who served the Philippines at times of foreign and domestic peril. Reading against the grain of these public acts of commemoration and recognition, I provide an account from the "ground up" and consider how the public construction of national artists renders the Philippines into a unified conceptual whole.
