The Mystic in the Theatre: Eleonora Duse

The Mystic in the Theatre: Eleonora Duse PDF Author: Eva Le Gallienne
Publisher: London : Bodley Head
ISBN:
Category :
Languages : en
Pages : 200

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The Mystic in the Theatre: Eleonora Duse

The Mystic in the Theatre: Eleonora Duse PDF Author: Eva Le Gallienne
Publisher: London : Bodley Head
ISBN:
Category :
Languages : en
Pages : 200

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Book Description


Mysticism in the Theater

Mysticism in the Theater PDF Author: Tom Block
Publisher: Routledge
ISBN: 1000543781
Category : Performing Arts
Languages : en
Pages : 215

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Book Description
Mysticism in the Theater introduces theater makers to the power and possibility of using historical mystical ideas to influence all aspects of a production. Historical mysticism represents ideas developed by recognized spiritual thinkers in all religions and time periods: individuals who stilled their ego, and perceived the unity of all, hidden within the apparent multiplicity of existence. This unique manner of spiritual inlay allows theatrical presentations to find the height of artistic expression: art at the intersection of our historical moment and the eternal. This study introduces theater makers to the history of mystical inspiration within performance work and develops strategies for inserting mystical ideas into their productions. The book ties this model into theatre’s history, as mystical ideas and quotes have been inserted into productions from Greek theatre through Shakespeare and into the present day. This book explores how teachings and ideas of specific historical mystical thinkers might influence all aspects of contemporary theatrical productions including writing, directing, acting, stagecraft/set design, lighting design, costume design, sound design, and choreography.

The Mystic in the Theatre: Eleonora Duse. Second Printing

The Mystic in the Theatre: Eleonora Duse. Second Printing PDF Author: Eva Le Gallienne
Publisher:
ISBN:
Category :
Languages : en
Pages : 185

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Eleonora Duse

Eleonora Duse PDF Author: Helen Sheehy
Publisher: Knopf
ISBN: 030748422X
Category : Biography & Autobiography
Languages : en
Pages : 549

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Book Description
A new biography, the first in two decades, of the legendary actress who inspired Anton Chekhov, popularized Henrik Ibsen, and spurred Stanislavski to create a new theory of acting based on her art and to invoke her name at every rehearsal. Writers loved her and wrote plays for her. She be-friended Rainer Maria Rilke and inspired the young James Joyce, who kept a portrait of her on his desk. Her greatest love, the poet d’Annunzio, made her the heroine of his novel Il fuoco (The Flame). She radically changed the art of acting: in a duel between the past and the future, she vanquished her rival, Sarah Bernhardt. Chekhov said of her, “I’ve never seen anything like it. Looking at Duse, I realized why the Russian theatre is such a bore.” Charlie Chaplin called her “the finest thing I have seen on the stage.” Gloria Swanson and Lillian Gish watched her perform with adoring attention, John Barrymore with awe. Shaw said she “touches you straight on the very heart.” When asked about her acting, Duse responded that, quite simply, it came from life. Except for one short film, Duse’s art has been lost. Despite dozens of books about her, her story is muffled by legend and myth. The sentimental image that prevails is of a misty, tragic heroine victimized by men, by life; an artist of unearthly purity, without ambition. Now Helen Sheehy, author of the much admired biography of Eva Le Gallienne, gives us a different Duse—a woman of strength and resolve, a woman who knew pain but could also inflict it. “Life is hard,” she said, “one must wound or be wounded.” She wanted to reveal on the stage the truth about women’s lives and she wanted her art to endure. Drawing on newly discovered material, including Duse’s own memoir, and unpublished letters and notes, Sheehy brings us to an understanding of the great actress’s unique ways of working: Duse acting out of her sense of her character’s inner life, Duse anticipating the bold aspects of modernism and performing with a sexual freedom that shocked and thrilled audiences. She edited her characters’ lines to bare skeletons, asked for the simplest sets and costumes. Where other actresses used hysterics onstage, Duse used stillness. Sheehy writes about the Duse that the actress herself tried to hide—tracing her life from her childhood as a performing member of a family of actors touring their repertory of drama and commedia dell’arte through Italy. We follow her through her twenties and through the next four decades of commissioning and directing plays, running her own company, and illuminating a series of great roles that included Emile Zola’s Thérèse Raquin, Marguerite in Dumas’s La Dame aux camélias, Nora in Ibsen’s A Doll’s House, and Hedda in his Hedda Gabler. When she thought her beauty was fading at fifty-one, she gave up the stage, only to return to the theatre in her early sixties; she traveled to America and enchanted audiences across the country. She died as she was born—on tour. Sheehy’s illuminating book brings us as close as we have ever been to the woman and the artist.

Eleonora Duse: The mystic in the theatre

Eleonora Duse: The mystic in the theatre PDF Author: Eva Le Gallienne
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Secrets of Acting Shakespeare

Secrets of Acting Shakespeare PDF Author: Patrick Tucker
Publisher: Routledge
ISBN: 1135862265
Category : Performing Arts
Languages : en
Pages : 308

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Book Description
Secrets of Acting Shakespeare isn't a book that gently instructs. It's a passionate, yes-you-can designed to prove that anybody can act Shakespeare. By explaining how Elizabethan actors had only their own lines and not entire playscripts, Patrick Tucker shows how much these plays work by ear. Secrets of Acting Shakespeare is a book for actors trained and amateur, as well as for anyone curious about how the Elizabethan theater worked.

American Mystic

American Mystic PDF Author: Arunachala Ramana
Publisher: eBook Partnership
ISBN: 0968365868
Category :
Languages : en
Pages : 384

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Book Description
American Mystic is dedicated to all those seeking true and lasting happiness. Ramana's story is gripping, frankly told, providing a fascinating glimpse into American culture and history beginning in the Great Depression and ending in the new millennium. His struggles, adventures and inner search, culminated on June 4, 1973 in his having a homecoming, an Awakening with a capital A. How many people can actually say that they have "e;awakened"e; or "e;found happiness?"e; Ramana did - and in these memoirs, he shares his journey and his thoughts about how this can happen for all of us. American Mystic is in the tradition of great spiritual memoirs, such as "e;Autobiography of a Yogi"e; by Paramahansa Yogananda or "e;Meetings with Remarkable Men"e; by Gurdjieff, giving us an inside and intimate view of the spiritual journey.

Playing to the Gods

Playing to the Gods PDF Author: Peter Rader
Publisher: Simon and Schuster
ISBN: 1476738394
Category : Biography & Autobiography
Languages : en
Pages : 304

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Book Description
The riveting story of the rivalry between the two most renowned actresses of the nineteenth century: legendary Sarah Bernhardt, whose eccentricity on and off the stage made her the original diva, and mystical Eleonora Duse, who broke all the rules to popularize the natural style of acting we celebrate today. Audiences across Europe and the Americas clamored to see the divine Sarah Bernhardt swoon—and she gave them their money’s worth. The world’s first superstar, she traveled with a chimpanzee named Darwin and a pet alligator that drank champagne, shamelessly supplementing her income by endorsing everything from aperitifs to beef bouillon, and spreading rumors that she slept in a coffin to better understand the macabre heroines she played. Eleonora Duse shied away from the spotlight. Born to a penniless family of itinerant troubadours, she disappeared into the characters she portrayed—channeling their spirits, she claimed. Her new, empathetic style of acting revolutionized the theater—and earned her the ire of Sarah Bernhardt in what would become the most tumultuous theatrical showdown of the nineteenth century. Bernhardt and Duse seduced each other’s lovers, stole one another’s favorite playwrights, and took to the world’s stages to outperform their rival in her most iconic roles. A scandalous, enormously entertaining history full of high drama and low blows, Playing to the Gods is the perfect “book for all of us who binge-watched Feud” (Daniel de Visé, author of Andy & Don: The Making of a Friendship and a Classic American TV Show).

Theatre of the Gods

Theatre of the Gods PDF Author: M. Suddain
Publisher: Random House
ISBN: 1448130921
Category : Fiction
Languages : en
Pages : 644

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Book Description
This is the story of M. Francisco Fabrigas, explorer, philosopher, heretical physicist, who took a shipful of children on a frightening voyage to the next dimension, assisted by a teenaged Captain, a brave deaf boy, a cunning blind girl, and a sultry botanist, all the while pursued by the Pope of the universe and a well-dressed mesmerist. Dark plots, demonic cults, murderous jungles, quantum mayhem, the birth of creation, the death of time, and a creature called the Sweety: all this and more waits beyond the veil of reality.

Religion, Theatre, and Performance

Religion, Theatre, and Performance PDF Author: Lance Gharavi
Publisher: Routledge
ISBN: 1136483403
Category : Performing Arts
Languages : en
Pages : 279

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Book Description
The intersections of religion, politics, and performance form the loci of many of the most serious issues facing the world today, sites where some of the world’s most pressing and momentous events are contested and played out. That this circumstance warrants continued, thoughtful, and imaginative engagement from those within the fields of theatre and performance is one of the guiding principles of this volume. This collection features a diverse set of perspectives, written by some of the top scholars in the relevant fields, on the many modern intersections of religion with theatre and performance. Contributors argue that religion can no longer be conceived of as a cultural phenomenon that is safely sequestered in the "private sphere." It is instead an explicitly public force that stimulates and complicates public actions, and thus a crucial component of much performance. From mystic theologies of acting to the neuroscience of spirituality in rituals to the performance of secularism, these essays address a broad variety of religious traditions, sharing a common conception of religion as a crucial object of discourse—one that is formed by, and significantly formative of, performance.