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Author: Kathleen Harmon
Publisher: Liturgical Press
ISBN: 0814663117
Category : Religion
Languages : en
Pages : 100
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Book Description
Music and liturgy seem inseparable, yet we seldom pause to ponder their relationship in depth. In this volume, Kathleen Harmon offers her own insights by creatively exploring the complex interplay between congregational singing and the liturgical celebration of the paschal mystery: ' Harmon asserts that liturgical music, in the form of communal singing, is a vehicle through which the ritual reenactment of the paschal mystery is effected. ' She addresses concrete and practical pastoral applications of the relationship between music and liturgy. She focuses on how the liturgical singing of the assembly creates the collective consciousness of church as the Body of Christ. ' Music, then, is much more than just a component of liturgy; it is, in Harmon's view, absolutely constitutive both of liturgy's deepest essence and its fullest realization. Professional music scholars, graduate students, music directors, and anyone else seeking a sophisticated analysis of liturgical music will find this volume a rich sourcebook of new ideas. Kathleen Harmon, SNDdeN, is the music director for programs of the Institute for Liturgical Ministry in Dayton, Ohio and contributor to Living Liturgy: Spirituality, Celebration, and Catechesis for Sundays and Solemnities, an annual resource published by Liturgical Press. She is also a columnist for Liturgical Ministry and serves as director of music for St. Paul Parish in Englewood, Ohio.
Author: Kathleen Harmon
Publisher: Liturgical Press
ISBN: 0814663117
Category : Religion
Languages : en
Pages : 100
Get Book Here
Book Description
Music and liturgy seem inseparable, yet we seldom pause to ponder their relationship in depth. In this volume, Kathleen Harmon offers her own insights by creatively exploring the complex interplay between congregational singing and the liturgical celebration of the paschal mystery: ' Harmon asserts that liturgical music, in the form of communal singing, is a vehicle through which the ritual reenactment of the paschal mystery is effected. ' She addresses concrete and practical pastoral applications of the relationship between music and liturgy. She focuses on how the liturgical singing of the assembly creates the collective consciousness of church as the Body of Christ. ' Music, then, is much more than just a component of liturgy; it is, in Harmon's view, absolutely constitutive both of liturgy's deepest essence and its fullest realization. Professional music scholars, graduate students, music directors, and anyone else seeking a sophisticated analysis of liturgical music will find this volume a rich sourcebook of new ideas. Kathleen Harmon, SNDdeN, is the music director for programs of the Institute for Liturgical Ministry in Dayton, Ohio and contributor to Living Liturgy: Spirituality, Celebration, and Catechesis for Sundays and Solemnities, an annual resource published by Liturgical Press. She is also a columnist for Liturgical Ministry and serves as director of music for St. Paul Parish in Englewood, Ohio.
Author: Chris E. W. Green
Publisher: Rowman & Littlefield
ISBN: 1978716397
Category : Religion
Languages : en
Pages : 251
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Book Description
The Spirit and the Song:Pneumatological Reflections on Popular Music explores pertinent pneumatological issues that arise in music. It offers three distinct contributions: first, it asks what, if anything, music tells listeners about God’s Spiritedness. Can the experience of music speak to human spiritedness, the world’s transcendentality, or a person’s own self-transcendence in ways nothing else does or can? Second, this book explores how the Spirit functions within, and even determines, culture through music. Because music is a profound human expression, it can find itself in a rich dialogue with the Spirit. Third and finally, this book explores the contested status of music in Christian spiritual traditions. It deals with music as inspired by the Spirit, music as participation in Spiritedness, and music as temptation of “the flesh.” As such, this book also engages music’s placement in Christian spiritual traditions. The contributors of this book ask how Christian convictions about and experiences of the Spirit might shape the way one thinks about music.
Author: William L. Hooper
Publisher: Wipf and Stock Publishers
ISBN: 153269072X
Category : Religion
Languages : en
Pages : 312
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Book Description
This book is a study of how congregational song developed and has been used in the worship of Western churches in general and specifically churches in the United States. Beginning with the worship of ancient peoples, the Hebrews, and early Christians and continuing to the present, the author examines historically how song has been and is used as an intentional sacred ritual action, like prayer or Scripture reading. Written primarily as an introductory text for college and seminary students, the overall goal is to make a historical journey with the people, events, and ideas from which have evolved the various types of song we have in American worship today. To help readers think more deeply about the material, study questions are given at the end of each chapter.
Author: Rodney Wallace Kennedy
Publisher: Wipf and Stock Publishers
ISBN: 1621898431
Category : Religion
Languages : en
Pages : 185
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Book Description
Concerned to think intentionally about liturgy in Baptist life and thought, this book aims to address the practices of Christian worship in a theological light, examining how each brings individual Christian believers and communities of faith to a greater understanding and embodiment of the gospel. In this mode, worship becomes a seamless garment that forms disciples of Christ and opens out toward the world. In short, theology, worship, and mission all intersect in the liturgical life of the body of Christ. In addition to theological engagement with liturgical practices, Gathering Together links reflection to praxis by offering sample patterns as a guide for reenvisioning the shape of Baptist (and other free church) worship.
Author: Matthew Hoch
Publisher: Rowman & Littlefield
ISBN: 1442257008
Category : Music
Languages : en
Pages : 253
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Book Description
Sacred music traditions vary profoundly from one religion to the next. Even within the Christian faith, one can hear a wide variety of music among and within different denominations. Catholics, mainline Protestants, and Evangelicals have all developed unique traditions. Many people are not exposed to multiple faith experiences in their upbringings, which can make exploring an unfamiliar sacred music style challenging. Because of this, singers and teachers regularly encounter religious singing styles to which they have not yet been exposed. In So You Want to Sing Sacred Music,multiplecontributors offer a broad overview of sacred singing in the Judeo-Christian tradition. Evan Kent, Anthony Ruff, Matthew Hoch, and Sharon L. Radionoff share their expertise on topics as diverse as Jewish cantorial music, Gregorian chant, post-Vatican II Catholic music, choral traditions, and contemporary Christian music. This plethora of styles represents the most common traditions encountered by amateur and emerging professional singers when exploring sacred performance opportunities. In each chapter, contributors consider liturgical origins, musical characteristics, training requirements, repertoire, and resources for each of these traditions. The writers—all professional singers and teachers with rich experience singing these styles—also discuss vocal technique as it relates to each style. Contributors also offer professional advice for singers seeking work within each tradition’s institutional settings, surveying the skills needed while offering practical advice for auditioning and performing successfully in the world of sacred music. So You Want to Sing Sacred Music is a helpful resource for any singer looking to add sacred performance to their portfolio or seeking opportunities and employment where sacred music is practiced and performed. Additional chapters by Scott McCoy, Wendy LeBorgne, and Matthew Edwards address universal questions of voice science and pedagogy, vocal health, and audio enhancement technology. The So You Want to Sing seriesis produced in partnership with the National Association of Teachers of Singing. Like all books in the series, So You Want to Sing Sacred Music features online supplemental material on the NATS website. Please visit www.nats.org to access style-specific exercises, audio and video files, and additional resources.
Author: David Haas
Publisher: LiturgyTrainingPublications
ISBN: 1616711361
Category : Church music
Languages : en
Pages : 258
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Book Description
Author: Jason McFarland
Publisher: Liturgical Press
ISBN: 0814662625
Category : Religion
Languages : en
Pages : 353
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Book Description
How does the entrance song of the Mass function within the Roman Rite? What can it express theologically? What should Roman Catholics sing at the beginning of Mass? In this groundbreaking study, Jason McFarland answers these and other important questions by exploring the history and theology of the entrance song of Mass. After a careful history of the entrance song, he investigates its place in church documents. He proposes several models of the entrance song for liturgical celebration today. Finally, he offers a skillful theological analysis of the entrance song genre, focusing on the song for the Holy Thursday Evening Mass-arguably the most important entrance song of the entire liturgical year. Announcing the Feast provides the most comprehensive treatment of the Roman Rite entrance song to date. It is unique in that it bridges the disciplines of liturgical studies, musicology, and theological method.
Author: Kathleen Harmon
Publisher: Liturgical Press
ISBN: 0814648959
Category : Religion
Languages : en
Pages : 104
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Book Description
Like its predecessor, this revised edition of The Ministry of Music explores liturgical singing in terms of how it enables the gathered assembly to enter more fully into ritual enactment of the paschal mystery. The “whats” and “how-tos” of music ministry are developed from this perspective. How does communal liturgical singing enable us to participate in and surrender to the paschal mystery? What musical and pastoral choices best enable the singing to fulfill this role? And how does the singing form us in a paschal mystery spirituality that shapes daily Christian living and makes the relationship between liturgy and life more evident? This edition incorporates new understandings of the ministry of liturgical music generated by Sing to the Lord: Music in Divine Worship (STL). New material addresses the underlying theology shaping STL, provides schemas for using both the Proper chants and vernacular songs at the Entrance and Communion, discusses the value of singing the dialogues, and explores silence as a necessary component of music-making and liturgical prayer. The Collegeville Ministry series provides practical, effective help for those serving the parish through various ministries. Brand-new volumes complement the already popular existing volumes that have been completely updated and expanded. The Collegeville Ministry series offers inexpensive, yet comprehensive, training on the various liturgical roles. Each booklet is prepared by a specialist in the field and provides down to earth suggestions for making ministry more meaningful for the ministers and those they serve.
Author: Clifford J. Green, Guy C. Carter
Publisher: Fortress Press
ISBN: 1451469640
Category : Religion
Languages : en
Pages : 244
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Book Description
In the early twenty-first century, interest in the life and work of Dietrich Bonhoeffer is increasing significantly. In this environment, how should we understand and interpret Bonhoeffer? Interpreting Bonhoeffer explores the many questions surrounding the complexities of Bonhoeffer's life, work, and historical context and what they might mean for how we understand and interpret Bonhoeffer now and in the future.
Author: Lieke Wijnia
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110559250
Category : Social Science
Languages : en
Pages : 289
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Book Description
In The Netherlands, the arts have gained a sacralized status, while religion is increasingly viewed through the lens of heritage. The dynamic resonance of sacred forms this results in, is exemplary for the postsecular. Exploring this resonance, this book offers a strong counterweight to the popular trope of the arts having replaced religion in secularized societies. Instead it approaches artistic performance, religion, and its heritage as mutually engaging sacred forms. Lieke Wijnia thoroughly connects theoretical perspectives on the sacred with ethnographic research at the annual festival Musica Sacra Maastricht. She explores the continued relevance of a broad conceptual approach to the sacred, as well as the practical side to negotiating the sacred at the festival. The resulting analyses shed new light on topics like musical performance as generator of the sacred, how art and heritage impact the continuity of religion in secularized societies, and the fragility of artistic performance in the contemporary fragmented framework of the sacred. This book offers an innovative and interdisciplinary interpretation of the continuing significant role of art and religion in postsecular societies.
