Author: Anatole Leikin
Publisher: Routledge
ISBN: 1317023404
Category : Music
Languages : en
Pages : 220

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Book Description
Chopin's twenty-four Préludes remain as mysterious today as when they were newly published. What prompted Franz Liszt and others to consider Chopin's Préludes to be compositions in their own right rather than introductions to other works? What did set Chopin's Préludes so drastically apart from their forerunners? What exactly was 'the morbid, the feverish, the repellent' that Schumann heard in Opus 28, in that 'wild motley' of 'strange sketches' and 'ruins'? Why did Liszt and another, anonymous, reviewer publicly suggest that Lamartine's poem Les Préludes served as an inspiration for Chopin's Opus 28? And, if that is indeed the case, how did the poem affect the structure and the thematic contents of Chopin's Préludes? And, lastly, is Opus 28 a random assortment of short pieces or a cohesive cycle? In this monograph, richly illustrated with musical examples, Anatole Leikin combines historical perspectives, hermeneutic and thematic analyses, and a range of practical implications for performers to explore these questions and illuminate the music of one of the best loved collections of music for the piano.

Author: Anatole Leikin
Publisher: Routledge
ISBN: 1317023412
Category : Music
Languages : en
Pages : 204

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Book Description
Chopin's twenty-four Préludes remain as mysterious today as when they were newly published. What prompted Franz Liszt and others to consider Chopin's Préludes to be compositions in their own right rather than introductions to other works? What did set Chopin's Préludes so drastically apart from their forerunners? What exactly was 'the morbid, the feverish, the repellent' that Schumann heard in Opus 28, in that 'wild motley' of 'strange sketches' and 'ruins'? Why did Liszt and another, anonymous, reviewer publicly suggest that Lamartine's poem Les Préludes served as an inspiration for Chopin's Opus 28? And, if that is indeed the case, how did the poem affect the structure and the thematic contents of Chopin's Préludes? And, lastly, is Opus 28 a random assortment of short pieces or a cohesive cycle? In this monograph, richly illustrated with musical examples, Anatole Leikin combines historical perspectives, hermeneutic and thematic analyses, and a range of practical implications for performers to explore these questions and illuminate the music of one of the best loved collections of music for the piano.

Author: Frí©dí©ric Chopin
Publisher: Alfred Music
ISBN: 1457442787
Category : Music
Languages : en
Pages : 82

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Book Description
The 24 Preludes, one in each major and minor key, are among Chopin's most masterful works. Ranging from miniatures for intermediate-level students to lengthier works for advanced pianists, the Preludes were written in a monastery during the winter of 1839. The preface to this historically informed edition contains a thorough discussion of pedaling, tempo, ornamentation and rubato in Chopin's piano music in general and the preludes specifically.

Author: Diana J. Ridenour
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 160

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Book Description

Author: Jonathan D. Bellman
Publisher: Princeton University Press
ISBN: 1400889006
Category : Music
Languages : en
Pages : 385

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Book Description
A new look at the life, times, and music of Polish composer and piano virtuoso Fryderyk Chopin Fryderyk Chopin (1810–49), although the most beloved of piano composers, remains a contradictory figure, an artist of virtually universal appeal who preferred the company of only a few sympathetic friends and listeners. Chopin and His World reexamines Chopin and his music in light of the cultural narratives formed during his lifetime. These include the romanticism of the ailing spirit, tragically singing its death-song as life ebbs; the Polish expatriate, helpless witness to the martyrdom of his beloved homeland, exiled among friendly but uncomprehending strangers; the sorcerer-bard of dream, memory, and Gothic terror; and the pianist's pianist, shunning the appreciative crowds yet composing and improvising idealized operas, scenes, dances, and narratives in the shadow of virtuoso-idol Franz Liszt. The international Chopin scholars gathered here demonstrate the ways in which Chopin responded to and was understood to exemplify these narratives, as an artist of his own time and one who transcended it. This collection also offers recently rediscovered artistic representations of his hands (with analysis), and—for the first time in English—an extended tribute to Chopin published in Poland upon his death and contemporary Polish writings contextualizing Chopin's compositional strategies. The contributors are Jonathan D. Bellman, Leon Botstein, Jean-Jacques Eigeldinger, Halina Goldberg, Jeffrey Kallberg, David Kasunic, Anatole Leikin, Eric McKee, James Parakilas, John Rink, and Sandra P. Rosenblum. Contemporary documents by Karol Kurpiński, Adam Mickiewicz, and Józef Sikorski are included.

Author: Brian Ganz
Publisher: Hal Leonard Corporation
ISBN: 1480317306
Category : Music
Languages : en
Pages : 246

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Book Description
(Schirmer Performance Editions). Schirmer Performance Editions are designed for piano students and their teachers as well as for professional pianists. Pedagogical in nature, these editions offer insightful interpretive suggestions, pertinent fingering, and historical and stylistic commentary. Prepared by renowned artists/teachers, these publications provide an accurate, well-informed score resource for pianists. The name Frederic Chopin (1810-1849) is synonymous with the piano. Indeed, every one of his compositions includes the instrument. His Preludes , several of which are of only moderate difficulty, show superb polish and inventive detail. Shaped by the tastes of the Parisian aristocratic salon, these pieces make the most of a pianist's technical and musical abilities, both in passages of virtuosity and in the variety of possibilities for emotional expression. Includes audio recordings. Editor & recording artist: Brian Ganz

Author: Frédéric Chopin
Publisher:
ISBN:
Category : Instrumental
Languages : en
Pages : 0

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Book Description

Author: Frédéric Chopin
Publisher: Alfred Music
ISBN: 9781457473418
Category : Music
Languages : en
Pages : 44

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Book Description
Edited and fingered by Ed Mertke. Chopin's 24 Preludes, Op. 28, are a set of short pieces for piano, one in each of the twenty-four keys, originally published in 1839. The Prelude in C-sharp minor, Op. 45 (sometimes listed as Prelude No. 25), was composed in 1841. Although the term "prelude" is generally used to describe an introductory piece, Chopin's preludes stand as self-contained units, each conveying a specific idea or emotion.

Author: Paul Kildea
Publisher: W. W. Norton & Company
ISBN: 0393652238
Category : Music
Languages : en
Pages : 288

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Book Description
The captivating story of Frédéric Chopin and the fate of both his Mallorquin piano and musical Romanticism from the early nineteenth to the mid-twentieth century. In November 1838, Frédéric Chopin, George Sand, and her two children sailed to Majorca to escape the Parisian winter. They settled in an abandoned monastery at Valldemossa in the mountains above Palma where Chopin finished what would eventually be recognized as one of the great and revolutionary works of musical Romanticism: his twenty-four Preludes. There was scarcely a decent piano on the island (these were still early days in the evolution of the modern instrument), so Chopin worked on a small pianino made by a local craftsman, Juan Bauza, which remained in their monastic cell for seventy years after he and Sand had left. Chopin’s Piano traces the history of Chopin’s twenty-four Preludes through the instruments on which they were played, the pianists who interpreted them, and the traditions they came to represent. Yet it begins and ends with the Majorcan pianino, which assumed an astonishing cultural potency during the Second World War as it became, for the Nazis, a symbol of the man and music they were determined to appropriate as their own. After Chopin, the unexpected hero of Chopin’s Piano is the great keyboard player Wanda Landowska, who rescued the pianino from Valldemossa in 1913, and who would later become one of the most influential artistic figures of the twentieth century. Paul Kildea shows how her story—a compelling account based for the first time on her private papers—resonates with Chopin’s, simultaneously distilling part of the cultural and political history of mid-twentieth century Europe and the United States. After Landowska’s flight to America from Paris, which the Germans would occupy only days later, her possessions—including her rare music manuscripts and beloved keyboards—were seized by the Nazis. Only some of these belongings survived the war; those that did were recovered by the Allied armies’ Monuments Men and restituted to Landowska’s house in France. In scintillating prose, and with an eye for exquisite detail, Kildea beautifully interweaves these narratives, which comprise a journey through musical Romanticism—one that illuminates how art is transmitted, interpreted, and appropriated between generations.

Author: Jeffrey Kresky
Publisher: Greenwood
ISBN:
Category : Music
Languages : en
Pages : 168

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Book Description
In Chopin's set of 24 interconnected Preludes (Op. 28), we are presented with 24 distinct compositional surfaces, aiming at as many distinguishable emotional expressions. As such, the Preludes stand as a virtual survey of the developing musical manners of the 19th century, the stylistic period in which "mood" was promoted most energetically and frankly. Under separate analytic investigation, the technical means to these expressive ends can be discovered and assessed; yet, at the same time, the Preludes can be studied as a total entity, related by precise balances of mood and key, as well as certain subtler interconnecting details. This book is a detailed guide through the Preludes, both individually and as a group.