The Musical Iconography of Power in Seventeenth-Century Spain and Her Territories PDF Download
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Author: Sara Gonzalez
Publisher: Routledge
ISBN: 1317319931
Category : History
Languages : en
Pages : 218
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Book Description
As Spain encountered economic and political crises in the seventeenth century, the imagery of musical performance was invoked by the state to represent the power of the monarch and to denote harmony throughout the kingdom. Based on contemporary sources, Gonzalez is able to unravel the complex iconography of Spanish politics.
Author: Sara Gonzalez
Publisher: Routledge
ISBN: 1317319931
Category : History
Languages : en
Pages : 218
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Book Description
As Spain encountered economic and political crises in the seventeenth century, the imagery of musical performance was invoked by the state to represent the power of the monarch and to denote harmony throughout the kingdom. Based on contemporary sources, Gonzalez is able to unravel the complex iconography of Spanish politics.
Author: Timothy M. Foster
Publisher: Routledge
ISBN: 1000485196
Category : History
Languages : en
Pages : 200
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Book Description
This book explores the representation of music in early modern Spanish literature and reveals how music was understood within the framework of the Harmony of the Spheres, emanating from cosmic harmony as directed by the creator. The Harmony of Spheres was not ideologically neutral but rather tied to the earthly power structures of the Church, Crown, and nobility. Music could be "true," taking the listener closer to the divine, or "false," leading the listener astray. As such, music was increasingly seen as a potent weapon to be wielded in service of earthly centers of power, which can be observed in works such as vihuela songbooks, the colonial chronicle of the Inca Garcilaso de la Vega, and in the palace theater of Pedro Calderón de la Barca. While music could be a powerful metaphor mapping onto ideological currents of imperial Spain, this volume shows that it also became a contested site where diverse stakeholders challenged the Harmonic Spheres of Influence. Music and Power in Early Modern Spain is a useful tool for upper-level undergraduates, postgraduates, and scholars interested in musicology, music history, Spanish literature, cultural studies, and transatlantic studies in the early modern period.
Author: Sarah Finley
Publisher: University of Nebraska Press
ISBN: 1496212797
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
Hearing Voices takes a fresh look at sound in the poetry and prose of colonial Latin American poet and nun Sor Juana Inés de la Cruz (1648/51–95). A voracious autodidact, Sor Juana engaged with early modern music culture in a way that resonates deeply in her writing. Despite the privileging of harmony within Sor Juana’s work, however, links between the poet’s musical inheritance and subjects such as acoustics, cognition, writing, and visual art have remained unexplored. These lacunae have marginalized nonmusical aurality and contributed to the persistence of both ocularcentrism and a corresponding visual dominance in scholarship on Sor Juana—and indeed in early modern cultural production in general. As in many areas of her work, Sor Juana’s engagement with acoustical themes restructures gendered discourses and transposes them to a feminine key. Hearing Voices focuses on these aural conceits in highlighting the importance of sound and—in most cases—its relationship with gender in Sor Juana’s work and early modern culture. Sarah Finley explores attitudes toward women’s voices and music making; intersections of music, rhetoric, and painting; aurality in Baroque visual art; sound and ritual; and the connections between optics and acoustics. Finley demonstrates how Sor Juana’s striking aurality challenges ocularcentric interpretations and problematizes paradigms that pin vision to logos, writing, and other empirical models that traditionally favor men’s voices. Sound becomes a vehicle for women’s agency and responds to anxiety about the female voice, particularly in early modern convent culture.
Author: Peter Bennett
Publisher: Cambridge University Press
ISBN: 1108905072
Category : Music
Languages : en
Pages : 339
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Book Description
What role did sacred music play in mediating Louis XIII's grip on power in the early seventeenth century? How can a study of music as 'sounding liturgy' contribute to the wider discourse on absolutism and 'the arts' in early modern France? Taking the scholarship of the so-called 'ceremonialists' as a point of departure, Peter Bennett engages with Weber's seminal formulation of power to consider the contexts in which liturgy, music and ceremonial legitimated the power of a king almost continuously engaged in religious conflict. Numerous musical settings show that David, the psalmist, musician, king and agent of the Holy Spirit, provided the most enduring model of kingship; but in the final decade of his life, as Louis dedicated the Kingdom to the Virgin Mary, the model of 'Christ the King' became even more potent – a model reflected in a flowering of musical publication and famous paintings by Vouet and Champaigne.
Author: Sarah Finley
Publisher: Vanderbilt University Press
ISBN: 0826506860
Category : Music
Languages : en
Pages : 263
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Book Description
Thinkers like W. E. B. Du Bois and Paul Gilroy have long championed sound as an affective register of Black subjectivity, particularly in the African Atlantic. Prior studies in this vein focus on Anglophone or Caribbean contexts, a tendency that furthers Mexico’s marginalization within narratives of the Black and African diaspora and mutes Afro-descendant traditions that date back to the sixteenth century. Indeed, the New Spanish archive contains whispers of the region’s Black sound cultures, including monetary records for the voices of enslaved singers and representations of Black music in casta paintings. Despite such evidence, it is difficult to attend fully to these subaltern voices, for the cultural filters of the lettered elite often mute or misinterpret non-European sounds. Amplifications of Black Sound from Colonial Mexico is the first extensive study of Afro-descendant sonorities in New Spain or elsewhere in colonial Latin America. In this context, it attends to Black sounds through a framework that remixes Jacques Derrida’s reading of the ear’s anatomy with theories like Gilroy’s lower frequencies or Fred Moten’s phonic materiality. Sarah Finley’s aim is to unsettle the divide between self and other so the auditory archive might emerge as a polyphonic record that exceeds dichotomies of sounding object / listening subject. Through sampling the Afro-descendant sounds of this archive, this book recovers and rearticulates Black voices and auditory practices in New Spain.
Author: Allan I. MacInnes
Publisher: Routledge
ISBN: 1317318129
Category : History
Languages : en
Pages : 312
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Book Description
For over seventy years after the ‘Glorious Revolution’ of 1688–90, Jacobitism survived in the face of Whig propaganda. These essays seek to challenge current views of Jacobite historiography. They focus on migrant communities, networking, smuggling, shipping, religious and intellectual support mechanisms, art, architecture and identity.
Author: Douglas J Hamilton
Publisher: Routledge
ISBN: 1317318188
Category : History
Languages : en
Pages : 337
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Book Description
The essays in this collection examine religion, politics and commerce in Scotland during a time of crisis and turmoil. Contributors look at the effect of the Union on Scottish trade and commerce, the Scottish role in tobacco and sugar plantations, Robert Burns’s early poetry on his planned emigration to Jamaica and Scottish anti-abolitionists.
Author: Howard Mayer Brown
Publisher:
ISBN: 9780674731738
Category :
Languages : en
Pages : 238
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Book Description
Author: Gary Tinterow
Publisher: Metropolitan Museum of Art
ISBN: 1588390403
Category : Painting, French
Languages : en
Pages : 610
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Book Description
Here approximately two hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it a foundation for modern art."--BOOK JACKET.
Author: Luis Francisco Martinez Montes
Publisher:
ISBN: 9788494938115
Category :
Languages : en
Pages : 474
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Book Description
From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time.
