Author: Michael Norton
Publisher: Medieval Institute Publications
ISBN: 1580442633
Category : History
Languages : en
Pages : 285
Book Description
The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.
Liturgical Drama and the Reimagining of Medieval Theater
Author: Michael Norton
Publisher: Medieval Institute Publications
ISBN: 1580442633
Category : History
Languages : en
Pages : 285
Book Description
The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.
Publisher: Medieval Institute Publications
ISBN: 1580442633
Category : History
Languages : en
Pages : 285
Book Description
The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.
The Music of the Medieval Liturgical Drama
Author: Margaret Mary McShane
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 888
Book Description
The Music of the Medieval Church Dramas
Author: William Lawrence Smoldon
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
Publisher: London ; New York : Oxford University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 484
Book Description
The Music of the Medieval Liturgical Drama in France and England
Author: Susan Rankin
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 321
Book Description
The Music of the Medieval Liturgical Drama in France and England
Author: Susan Rankin
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 184
Book Description
Publisher:
ISBN:
Category : Drama, Medieval
Languages : en
Pages : 184
Book Description
Performing Medieval Music Drama
Author: Audrey Ekdahl Davidson
Publisher: Medieval Institute Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 64
Book Description
Publisher: Medieval Institute Publications
ISBN:
Category : Literary Criticism
Languages : en
Pages : 64
Book Description
The Production of Medieval Church Music-drama
Author: Fletcher Collins
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
The Liturgical Drama in Medieval Spain
Author: Richard B. Donovan
Publisher: PIMS
ISBN: 9780888440044
Category : Literary Collections
Languages : en
Pages : 244
Book Description
Publisher: PIMS
ISBN: 9780888440044
Category : Literary Collections
Languages : en
Pages : 244
Book Description
Ethelwold and Medieval Music-drama at Winchester
Author: George B. Bryan
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 158
Book Description
Medieval drama has been the subject of more intensive scholarly examination within the past decade than at any other time since its origin. In this book, the original medieval drama, the «Visitatio Sepulchri» of the «Regularis Concordia» and the «Winchester Troper» is delineated in terms of the environment in which it was created: the Monastic Revival of tenth-century England. The Easter music-drama is seen in the context of medieval English society, continental monastic reformation, liturgical practices, the fine arts, and learning. The writer concludes that the author of the «Visitatio Sepulchri» was Ethelwold, Bishop of Winchester, who at some time between 950 and 970 formulated the music-drama, drawing from secular theatrical conditions and adapting them to contemporary liturgical and devotional requirements. He presented his creation to the English monastic community as an act of worship, not as a separate dramatic entity but as a vital part of the extended ritual of Holy Week. Hence the music-drama must be studied in terms of music and liturgy as well as its literary text; failure to do so diminishes its dramatic magnitude and its powers of exciting worshipful awe of the transcendental reality of the Resurrection.
Publisher: Peter Lang Group Ag, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 158
Book Description
Medieval drama has been the subject of more intensive scholarly examination within the past decade than at any other time since its origin. In this book, the original medieval drama, the «Visitatio Sepulchri» of the «Regularis Concordia» and the «Winchester Troper» is delineated in terms of the environment in which it was created: the Monastic Revival of tenth-century England. The Easter music-drama is seen in the context of medieval English society, continental monastic reformation, liturgical practices, the fine arts, and learning. The writer concludes that the author of the «Visitatio Sepulchri» was Ethelwold, Bishop of Winchester, who at some time between 950 and 970 formulated the music-drama, drawing from secular theatrical conditions and adapting them to contemporary liturgical and devotional requirements. He presented his creation to the English monastic community as an act of worship, not as a separate dramatic entity but as a vital part of the extended ritual of Holy Week. Hence the music-drama must be studied in terms of music and liturgy as well as its literary text; failure to do so diminishes its dramatic magnitude and its powers of exciting worshipful awe of the transcendental reality of the Resurrection.
The Staging of Drama in the Medieval Church
Author: Dunbar H. Ogden
Publisher:
ISBN:
Category : History
Languages : en
Pages : 266
Book Description
Using original rubrics from some 1,200 manuscripts, this book demonstrates performance of the liturgical drama from the tenth through the sixteenth centuries. It lays out the staging space and traces the movements of the performers on architectural ground plans. The rubrics reveal a wealth of information about the creating of character through ecclesastical vestments and other costumes. It also includes a surprising range of directives for voice, gesture, and dumb show. The book provides a major theatrical source book for students and scholars in the field of drama.
Publisher:
ISBN:
Category : History
Languages : en
Pages : 266
Book Description
Using original rubrics from some 1,200 manuscripts, this book demonstrates performance of the liturgical drama from the tenth through the sixteenth centuries. It lays out the staging space and traces the movements of the performers on architectural ground plans. The rubrics reveal a wealth of information about the creating of character through ecclesastical vestments and other costumes. It also includes a surprising range of directives for voice, gesture, and dumb show. The book provides a major theatrical source book for students and scholars in the field of drama.