Author: Benjamin Halligan
Publisher: Routledge
ISBN: 1136311033
Category : Music
Languages : en
Pages : 279

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Book Description
The Music Documentary offers a wide-range of approaches, across key moments in the history of popular music, in order to define and interrogate this prominent genre of film-making. The writers in this volume argue persuasively that the music documentary must be considered as an essential cultural artefact in documenting stars and icons, and musicians and their times – particularly for those figures whose fame was achieved posthumously. In this collection of fifteen essays, the reader will find comprehensive discussions of the history of music documentaries, insights in their production and promotion, close studies of documentaries relating to favourite bands or performers, and approaches to questions of music documentary and form, from the celluloid to the digital age.

Author: Timothy D. Taylor
Publisher: Duke University Press
ISBN: 0822349469
Category : Business & Economics
Languages : en
Pages : 428

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Book Description
This reader collects primary documents on the phonograph, cinema, and radio before WWII to show how Americans slowly came to grips with the idea of recorded and mediated sound. Through readings from advertisements, newspaper and magazine articles, popular fiction, correspondence, and sheet music, one gains an understanding of how early-20th-century Americans changed from music makers into consumers.

Author: Matt Schrader
Publisher:
ISBN: 9780692827079
Category : Film composers
Languages : en
Pages : 350

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Book Description
The world's finest film composers uncover the secrets behind film music, from crafting emotions and making it in Hollywood, to the tricks of giving an audience goosebumps. Summary Composers Hans Zimmer (The Lion King, Gladiator, Pirates of the Caribbean, The Dark Knight, Inception), Quincy Jones (The Color Purple, The Pawnbroker, In Cold Blood), Randy Newman (Toy Story, Monsters, Inc., The Natural), Howard Shore (The Lord of the Rings, The Hobbit, Seven), Trent Reznor (The Social Network, Gone Girl, Nine Inch Nails), Tom Holkenborg (Mad Max: Fury Road, Batman v. Superman) and more. Plus, hear rare insight from director James Cameron and the legacy of James Horner, along with one of the final interviews conducted with legendary director Garry Marshall. Modern maestros reveal their creative secrets. Composer David Arnold: Bond, the British sound and using music from dreams. Director James Cameron: How score shapes a film and working with James Horner. Composer Quincy Jones: Music's evolution and emotive power on us. Composer Randy Newman: Great film music in history and scoring for animated films. Composer Rachel Portman: Using music to your advantage and female film composers. Composer Howard Shore: The great epic film score and connecting all the dots. Composer Hans Zimmer: The joy (and vulnerability) of musical experimentation. Director Garry Marshall: How to use music to fill, fix and enhance film. Composer Bear McCreary: Creating an efficient, tight-knit film composing team. Goosebumps and exploring music's cutting edge. Composers Trent Reznor & Atticus Ross: Production value and the film score as an album. Composer Brian Tyler: Growth, excitement and striving for perfection. Composer Mychael Danna: Musical styles across different nationalities. Composer Tom Holkenborg: Intensity and goosebumps. Composer Harry Gregson-Williams: Traditional score meets technology. Composer Steve Jablonsky: Reinventing electronic sounds. Composer John Debney: Inspirations from childhood to the scoring stage. Composer Trevor Rabin: Wrestling with the clock and working with producers. Composer Patrick Doyle: Life and passion reflecting through music. Inspiration and film music's worldwide impact across languages. Composer Mervyn Warren: A record producer approach to film scores. Composer John Powell: Flipping the film score on its head. Composer Alexandre Desplat: International influence and the beauty of music. Composer Elliot Goldenthal: Deadline pressure and mastering a sound. Composer Henry Jackman: The British film score invasion and melody. Composer Marco Beltrami: Finding the right sound and music for thrillers. Composer Mark Mothersbaugh: The rockstar-turned-composer. For bulk pricing discounts for educational institutions, please contact [email protected].

Author: Brian Winston
Publisher: Bloomsbury Publishing
ISBN: 1838718745
Category : Performing Arts
Languages : en
Pages : 893

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Book Description
Powerfully posing questions of ethics, ideology, authorship and form, documentary film has never been more popular than it is today. Edited by one of the leading British authorities in the field, The Documentary Film Book is an essential guide to current thinking on documentary film. In a series of fascinating essays, key international experts discuss the theory of documentary, outline current understandings of its history (from pre-Flaherty to the post-Griersonian world of digital 'i-Docs'), survey documentary production (from Africa to Europe, and from the Americas to Asia), consider documentaries by marginalised minority communities, and assess its contribution to other disciplines and arts. Brought together here in one volume, these scholars offer compelling evidence as to why, over the last few decades, documentary has come to the centre of screen studies.

Author: Howard Goodall
Publisher: Simon and Schuster
ISBN: 1639361219
Category : Music
Languages : en
Pages : 469

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Book Description
Why did prehistoric people start making music? What does every postwar pop song have in common? A “masterful” tour of music through the ages (Booklist, starred review). Music is an intrinsic part of everyday life, and yet the history of its development from single notes to multi-layered orchestration can seem bewilderingly specialized and complex. In his dynamic tour through 40,000 years of music, from prehistoric instruments to modern-day pop, Howard Goodall does away with stuffy biographies, unhelpful labels, and tired terminology. Instead, he leads us through the story of music as it happened, idea by idea, so that each musical innovation—harmony, notation, sung theater, the orchestra, dance music, recording, broadcasting—strikes us with its original force. He focuses on what changed when and why, picking out the discoveries that revolutionized man-made sound and bringing to life musical visionaries from the little-known Pérotin to the colossus of Wagner. Along the way, he also gives refreshingly clear descriptions of what music is and how it works: what scales are all about, why some chords sound discordant, and what all post-war pop songs have in common. The story of music is the story of our urge to invent, connect, rebel—and entertain. Howard Goodall's beautifully clear and compelling account is both a hymn to human endeavor and a groundbreaking map of our musical journey.

Author: Tamara Saviano
Publisher: John and Robin Dickson Texas M
ISBN: 9781648430909
Category : Biography & Autobiography
Languages : en
Pages : 416

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Book Description
Winner, 2016 the Belmont Book Award, Sponsored by the International Country Music Conference For more than forty years, Guy Clark wrote and recorded unforgettable songs. His lyrics and melodies paint indelible portraits of the people, places, and experiences that shaped him. He has served as model, mentor, supporter, and friend to at least two generations of the world's most talented and influential singer-songwriters. In Without Getting Killed or Caught: The Life and Music of Guy Clark, writer, producer, and music industry insider Tamara Saviano chronicles the story of this legendary artist from her unique vantage point as his former publicist and producer of the Grammy-nominated album This One's for Him: A Tribute to Guy Clark. Part memoir, part biography, Saviano's skillfully constructed narrative weaves together the extraordinary songs, larger-than-life characters, previously untold stories, and riveting emotions that make up the life of this modern-day poet and troubadour. "Detailed, enlightening account. She maneuvers the story elegantly from biography to memoir."--The Wall Street Journal "Any well-written biography will lay out accomplishments and milestones accurately, but only the exceptional ones transport you deep inside their subject's world, so that when you put the book down it takes you a minute to re-adjust."--Mojo

Author: Thomas F. Cohen
Publisher: Columbia University Press
ISBN: 1906660220
Category : Literary Criticism
Languages : en
Pages : 162

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Book Description
Playing to the Camera is the first full-length study devoted to the musical performance documentary. Its scope ranges from rock concert films to experimental video art featuring modernist music. Unlike the "music under" produced for films by unseen musicians, on-screen "live" performances show us the bodies that produce the sounds we hear. Exploring the link between moving images and musical movement as physical gesture, this volume asks why performance is so often derided as mere skill whereas composition is afforded the status of art, a question that opens onto a broader critique of attitudes regarding mental and physical labor in Western culture.--Publisher's website.

Author: Andy Greenwald
Publisher: St. Martin's Griffin
ISBN: 1466834927
Category : Music
Languages : en
Pages : 337

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Book Description
Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.

Author: Rik Emmett
Publisher: ECW Press
ISBN: 1773058428
Category : Poetry
Languages : en
Pages : 129

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Book Description
Poetry from beloved lead guitarist of the multi-platinum record selling legendary band Triumph Reinvention is a largely autobiographical collection of poetry — a project that followed on the heels of Rik Emmett retiring from a touring musician’s and college educator’s life in early 2019. Inside all of the slashes that define him — singer/songwriter/guitarist/rock star/teacher/columnist — writing has always been his strongest avocation, and the poetic style of “Ultra Talk,” in particular, offered a welcome spark for a songwriter’s freedom of expression. This creative license is organized under seven headings – The Humanities, Life & Death, There’s Politics in Everything, Double Helix, Soapbox Sermonettes, Time Time Time, and Ars Nova 2020. Rik’s poetry (literally) reinvents his own retirement, and it’s not just some aging dilettante’s bucket list fancy. He discovered a sincere way to tie up a lot of loose ends, fulfill dormant promise, and eschew show biz tangents. Reinvention, his first book, makes some sense of a life that always went in a lot of different directions at once. Finally, he’s given himself permission to chase a mode of self-expression with less commercial potential … than jazz guitar recordings.

Author: Stacy Combs Lynch
Publisher: Writers & Readers Publishing
ISBN:
Category : Music
Languages : en
Pages : 140

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Book Description