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Author: Clare Harris
Publisher: University of Chicago Press
ISBN: 0226317471
Category : Art
Languages : en
Pages : 344
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Book Description
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
Author: Clare Harris
Publisher: University of Chicago Press
ISBN: 0226317471
Category : Art
Languages : en
Pages : 344
Get Book Here
Book Description
For millions of people around the world, Tibet is a domain of undisturbed tradition, the Dalai Lama a spiritual guide. By contrast, the Tibet Museum opened in Lhasa by the Chinese in 1999 was designed to reclassify Tibetan objects as cultural relics and the Dalai Lama as obsolete. Suggesting that both these views are suspect, Clare E. Harris argues in The Museum on the Roof of the World that for the past one hundred and fifty years, British and Chinese collectors and curators have tried to convert Tibet itself into a museum, an image some Tibetans have begun to contest. This book is a powerful account of the museums created by, for, or on behalf of Tibetans and the nationalist agendas that have played out in them. Harris begins with the British public’s first encounter with Tibetan culture in 1854. She then examines the role of imperial collectors and photographers in representations of the region and visits competing museums of Tibet in India and Lhasa. Drawing on fieldwork in Tibetan communities, she also documents the activities of contemporary Tibetan artists as they try to displace the utopian visions of their country prevalent in the West, as well as the negative assessments of their heritage common in China. Illustrated with many previously unpublished images, this book addresses the pressing question of who has the right to represent Tibet in museums and beyond.
Author: John Vincent Bellezza
Publisher: Rowman & Littlefield
ISBN: 1442234628
Category : History
Languages : en
Pages : 363
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Book Description
This unique book reveals the existence of an advanced civilization where none was known before, presenting an entirely new perspective on the culture and history of Tibet. In his groundbreaking study of an epic period in Tibet few people even knew existed, John Vincent Bellezza details the discovery of an ancient people on the most desolate reaches of the Tibetan plateau, revolutionizing our ideas about who Tibetans really are. While many associate Tibet with Buddhism, it was also once a land of warriors and chariots, whose burials included megalithic arrays and golden masks. This first Tibetan civilization, known as Zhang Zhung, was a cosmopolitan one with links extending across Eurasia, bringing it in line with many of the major cultural innovations of the Late Bronze Age and Iron Age. Based on decades of research, The Dawn of Tibet draws on a rich trove of archaeological, textual, and ethnographic materials collected and analyzed by the author. Bellezza describes the vast network of castles, temples, megaliths, necropolises, and rock art established on the highest and now depopulated part of the Tibetan plateau. He relates literary tales of priests and priestesses, horned deities, and the celestial afterlife to the actual archaeological evidence, providing a fascinating perspective on the origins and development of civilization. The story builds to the present by following the colorful culture of the herders of Upper Tibet, an ancient people whose way of life is endangered by modern development. Tracing Bellezza’s epic journeys across lands where few Westerners have ventured, this book provides a compelling window into the most inaccessible reaches of Tibet and a civilization that flourished long before Buddhism took root.
Author: Anne Frej
Publisher:
ISBN: 9781938086939
Category : Photography
Languages : en
Pages : 276
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Book Description
Travels across the Roof of the World provides a sweeping yet intimate view of the breathtaking peaks, splendid valleys, and extraordinary people of this vast region, from the Pamir Mountains in Kyrgyzstan through Afghanistan's fabled Hindu Kush, the Karakoram in Pakistan, and the Great Himalaya Range that stretches across northern India, Nepal, Tibet, and Bhutan.Unique in scope among photo books on the Himalaya, Travels across the Roof of the World chronicles William and Anne Frej's more than twenty pilgrimages throughout the area spanning forty years and 3,000 miles through some of the world's most remote and difficult-to-reach country. Inspired by the devotion to the practice of Tibetan Buddhism they encountered in the villagers they met on their first trek to Nepal in 1981, they set out on a quest to document Asia's highest peaks as well as the lives of the resilient people living in these remote mountain communities.When they began, trekkers from the West through these regions were few. Even now, trips are demanding--but not nearly as harsh as the daily lives of the residents, who continue to exist in a kind of stunning isolation that has allowed them to maintain the rich cultural traditions and spiritual practices that have sustained them over many centuries. Edwin Bernbaum's essay adds to the depth of the pictures, with his focus on the symbolism, religious importance, and associated legends of these sacred places. The authors also share extensive vignettes about the places they saw and how they have changed over time.
Author: Ian Alteveer
Publisher: Metropolitan Museum of Art
ISBN: 1588395197
Category : Art
Languages : en
Pages : 66
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Book Description
"This catalogue is published in conjunction with "The Roof Garden Commission: Imran Qureshi" on view at The Metropolitan Museum of Art, New York, from May 14 through November 3, 2013."
Author: Beatrice Galilee
Publisher: Metropolitan Museum of Art
ISBN: 1588396215
Category : Art
Languages : en
Pages : 70
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Book Description
Celebrated Argentinian artist Adrián Villar Rojas is known for his site-specific sculptural installations. For The Theater of Disappearance, the artist mines The Met’s collection, drawing on the five thousand years of world history within its galleries, to create an elaborate ahistorical work. Set atop the Iris and B. Gerald Cantor Roof Garden, Villar Rojas’s installation transforms the space into a performative diorama, where banquet tables occupy an oversize black-and-white checkerboard floor punctuated by sculptures that fuse together human figures and artifacts found within the museum. The resulting juxtapositions put forth a radical reinterpretation of museum practices. This illustrated book is the fifth edition in a series that documents and contextualizes The Met’s annual rooftop commissions. The introductory essay by Beatrice Galilee explores the conceptual framework that informs Villar Rojas’s remarkable commission as well as his interventions around the world. While exploring the Museum, Villar Rojas took thousands of photographs of objects and moments of interest. A selection of these images is featured here alongside the artist’s commentary, offering a unique visual diary of Villar Rojas’s thought process as he developed this arresting installation.
Author: Henrietta Lidchi
Publisher: Manchester University Press
ISBN: 1526139227
Category : Art
Languages : en
Pages : 490
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Book Description
At a time of heightened international interest in the colonial dimensions of museum collections, Dividing the Spoils provides new perspectives on the motivations and circumstances whereby collections were appropriated and acquired during colonial military service. Combining approaches from the fields of material anthropology, imperial and military history, this book argues for a deeper examination of these collections within a range of intercultural histories that include alliance, diplomacy, curiosity and enquiry, as well as expropriation and cultural hegemony. As museums across Europe reckon with the post-colonial legacies of their collections, Dividing the Spoils explores how the amassing of objects was understood and governed in British military culture, and considers how objects functioned in museum collections thereafter, suggesting new avenues for sustained investigation in a controversial, contested field.
Author: Carla M. Sinopoli
Publisher: U OF M MUSEUM ANTHRO ARCHAEOLOGY
ISBN: 0915703807
Category : Social Science
Languages : en
Pages : 321
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Book Description
In the fall of 1932, University of Michigan naturalist Walter N. Koelz traveled to northwest India to lead a scientific collecting expedition in the rugged Himalayan regions of Western Tibet. Some eighteen months later he returned to the United States with a remarkable collection of biological specimens and an array of objects—Buddhist paintings, ritual objects, textiles, and household goods—acquired from monasteries, households, and merchants. This book presents the diary entries Koelz wrote at the end of each day throughout his expedition, recounting in detail each day’s travels, bookended by a chapter contextualizing his acquisition of sacred Buddhist objects and an appendix that presents previously unpublished thangka paintings that he collected.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 892
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Book Description
Author: Haidy Geismar
Publisher: UCL Press
ISBN: 1787358690
Category : Social Science
Languages : en
Pages : 366
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Book Description
Nothing lasts forever. This common experience is the source of much anxiety but also hope. The concept of impermanence or continuous change opens up a range of timely questions and discussions that speak to globally shared experiences of transformation and concerns for the future. Impermanence engages with an emergent body of social theory emphasizing flux and transformation, and brings this into a dialogue with other traditions of thought and practice, notably Buddhism that has sustained a long-lasting and sophisticated meditation on impermanence. In cases drawn from all over the world, this volume investigates the significance of impermanence in such diverse contexts as social death, atheism, alcoholism, migration, ritual, fashion, oncology, museums, cultural heritage and art. The authors draw on a wide range of disciplines, including anthropology, archaeology, art history, Buddhist studies, cultural geography and museology. This volume also includes numerous photographs, artworks and poems that evocatively communicate notions and experiences of impermanence.
Author: Elizabeth Burns Coleman
Publisher: ANU E Press
ISBN: 1920942483
Category : Religion
Languages : en
Pages : 248
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Book Description
This cross-disciplinary exploration of the role of the sacred, blasphemy and sacrilege in a multicultural society brings together philosophers, theologians, lawyers, historians, curators, anthropologists and sociologists, as well as Christian, Jewish and Islamic and secular perspectives. In bringing together different disciplinary and cultural approaches, the book provides a way of broadening our conceptions of what might count as sacred, sacrilegious and blasphemous, in moral and political terms. In addition, it provides original research data on blasphemy, sacrilege and religious tolerance from a range of disciplines.
