Author: Blake Ells
Publisher: Arcadia Publishing
ISBN: 1625852959
Category : History
Languages : en
Pages : 144
Book Description
FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. Not long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records'studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.
The Muscle Shoals Legacy of FAME
Author: Blake Ells
Publisher: Arcadia Publishing
ISBN: 1625852959
Category : History
Languages : en
Pages : 144
Book Description
FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. Not long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records'studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.
Publisher: Arcadia Publishing
ISBN: 1625852959
Category : History
Languages : en
Pages : 144
Book Description
FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. Not long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records'studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.
Muscle Shoals Legacy of FAME, The
Author: Blake Ells
Publisher: Arcadia Publishing
ISBN: 1626197695
Category : Biography & Autobiography
Languages : en
Pages : 144
Book Description
FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. ot long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records - studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.
Publisher: Arcadia Publishing
ISBN: 1626197695
Category : Biography & Autobiography
Languages : en
Pages : 144
Book Description
FAME Publishing first opened in 1959 and produced hits for great musicians like Etta James, Clarence Carter and Aretha Franklin. ot long after, the city of Muscle Shoals became known as the "Hit Recording Capital of the World." FAME was the foundation that produced Muscle Shoals Sound Studio, the Nutthouse and Sundrop Sound at Single Lock Records - studios that gave a voice to artists like Drive-By Truckers, Jason Isbell and the 400 Unit and John Paul White. A new generation, including the Pollies and Doc Dailey & the Magnolia Devil, today carries the tradition of great music. Through extensive research, and enriched with interviews from those who lived it, local author Blake Ells chronicles the epic story that started with FAME.
The Man from Muscle Shoals
Author: Rick Hall
Publisher: Heritage Builders
ISBN: 9781941437520
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
The story of legendary record producer Rick Hall and his life, from growing up in extreme poverty to building one of the country's most famous recording studios, Fame Studios in Muscle Shoals, Alabama.
Publisher: Heritage Builders
ISBN: 9781941437520
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
The story of legendary record producer Rick Hall and his life, from growing up in extreme poverty to building one of the country's most famous recording studios, Fame Studios in Muscle Shoals, Alabama.
Muscle Shoals Sound Studio
Author: Carla Jean Whitley
Publisher: Arcadia Publishing
ISBN: 1625847173
Category : Music
Languages : en
Pages : 178
Book Description
The chronicle of the legendary Alabama studio brings to life decades of rock, blues, and R&B history from The Rolling Stones to The Black Keys. An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the session musicians known as the Muscle Shoals Rhythm Section—also dubbed “the Swampers.” Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building, including Cher, Lynyrd Skynyrd, and scores of others. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of “Free Bird” and the Rolling Stones wrote “Brown Sugar” and “Wild Horses.” By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.
Publisher: Arcadia Publishing
ISBN: 1625847173
Category : Music
Languages : en
Pages : 178
Book Description
The chronicle of the legendary Alabama studio brings to life decades of rock, blues, and R&B history from The Rolling Stones to The Black Keys. An estimated four hundred gold records have been recorded in the Muscle Shoals area. Many of those are thanks to Muscle Shoals Sound Studio and the session musicians known as the Muscle Shoals Rhythm Section—also dubbed “the Swampers.” Some of the greatest names in rock, R&B and blues laid tracks in the original, iconic concrete-block building, including Cher, Lynyrd Skynyrd, and scores of others. The National Register of Historic Places now recognizes that building, where Lynyrd Skynyrd recorded the original version of “Free Bird” and the Rolling Stones wrote “Brown Sugar” and “Wild Horses.” By combing through decades of articles and music reviews related to Muscle Shoals Sound, music writer Carla Jean Whitley reconstructs the fascinating history of how the Alabama studio created a sound that reverberates across generations.
Muscle Shoals
Author: Laura Flynn Tapia
Publisher: Arcadia Publishing
ISBN: 9780738552651
Category : History
Languages : en
Pages : 136
Book Description
Long known as "the Shoals," Muscle Shoals saw its formal birth as an incorporated city in 1923. It really sprang to life in 1933, when the Tennessee Valley Authority took shape on the Tennessee River and became the nation's largest public power company. The construction crew for the Wilson Dam and power plant was one of the region's first racially integrated workforces. Some truly influential figures of the 20th century came to Muscle Shoals to witness firsthand what was unfolding in this tiny corner of the world. Thomas Edison and Henry Ford found themselves drawn to Wilson Dam and the nitrate plants in the early 1920s, as did the French existentialist Jean-Paul Sartre. At one time, Muscle Shoals was regarded as the hit recording capital of the world. FAME studio musicians referred to as the Muscle Shoals Rhythm Section gained notoriety as a result of the studio's success and are part of the legacy of the Muscle Shoals sound.
Publisher: Arcadia Publishing
ISBN: 9780738552651
Category : History
Languages : en
Pages : 136
Book Description
Long known as "the Shoals," Muscle Shoals saw its formal birth as an incorporated city in 1923. It really sprang to life in 1933, when the Tennessee Valley Authority took shape on the Tennessee River and became the nation's largest public power company. The construction crew for the Wilson Dam and power plant was one of the region's first racially integrated workforces. Some truly influential figures of the 20th century came to Muscle Shoals to witness firsthand what was unfolding in this tiny corner of the world. Thomas Edison and Henry Ford found themselves drawn to Wilson Dam and the nitrate plants in the early 1920s, as did the French existentialist Jean-Paul Sartre. At one time, Muscle Shoals was regarded as the hit recording capital of the world. FAME studio musicians referred to as the Muscle Shoals Rhythm Section gained notoriety as a result of the studio's success and are part of the legacy of the Muscle Shoals sound.
America, the Band
Author: Jude Warne
Publisher: Rowman & Littlefield
ISBN: 1538120968
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
Publisher: Rowman & Littlefield
ISBN: 1538120968
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
As if recovering from a raucous dream of the 1960s, Gerry Beckley, Dewey Bunnell, and Dan Peek arrived on 1970s American radio with a sound that echoed disenchanted hearts of young people everywhere. The three American boys had named their band after a country they’d watched and dreamt of from their London childhood Air Force base homes. What was this country? This new band? Classic and timeless, America embodied the dreams of a nation desperate to emerge from the desert and finally give their horse a name. Celebrating the band’s fiftieth anniversary, Gerry Beckley and Dewey Bunnell share stories of growing up, growing together, and growing older. Journalist Jude Warne weaves original interviews with Beckley, Bunnell, and many others into a dynamic cultural history of America, the band, and America, the nation. Reliving hits like “Ventura Highway,” “Tin Man,” and of course, “A Horse with No Name” from their 19 studio albums and incomparable live recordings, this book offers readers a new appreciation of what makes some music unforgettable and timeless. As America’s music stays in rhythm with the heartbeats of its millions of fans, new fans feel the draw of a familiar emotion. They’ve felt it before in their hearts and thanks to America, they can now hear it, share it, and sing along.
Get a Shot of Rhythm and Blues
Author: Richard Younger
Publisher: University Alabama Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan. Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music infuenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fedgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs. Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later. In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
Publisher: University Alabama Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 256
Book Description
The first book-length biography of an influential country/soul legend whose songs have been recorded by the Beatles, the Rolling Stones, and Bob Dylan. Get a Shot of Rhythm and Blues chronicles the rise, fall, and rebirth of Arthur Alexander, an African American singer-songwriter whose music infuenced many of the rock and soul musicians of the 1960s. Although his name is not well known today, Alexander's musical legacy is vast. His 1962 song "You Better Move On" was the first hit to emerge from the fedgling Muscle Shoals FAME studio in Alabama, and his fusion of country and soul and his heartfelt vocals on such songs as "Anna (Go to Him)" and "Every Day I Have to Cry" were revered by musicians including the Beatles, the Rolling Stones, and Bob Dylan, all of whom recorded his songs. Alexander's story is a tragic one, with a brief, redemptive finale. His meteoric rise after the release of "You Better Move On" gave way to lean years caused both by his drug and alcohol abuse and by the mishandling of his career by producers and managers. In 1977, he quit the music business, but his music lived on. In 1992, Alexander returned to the studio and recorded the critically praised album Lonely Just Like Me. Just three months after the album's release in March 1993, he suffered a heart attack in the offices of his music publisher in Nashville and died three days later. In telling Alexander's story, Richard Younger captures the burgeoning music scenes in Muscle Shoals and Nashville during the 1960s and 1970s and recovers the life of a fascinating musician whose influence was international. Younger's account is enriched by his interviews with more than 200 artists, family members, and friends--such as Rick Hall, Billy Sherrill, Charlie McCoy, Chuck Jackson, Gerry Marsden, and Kris Kristofferson--and includes an abundance of never-before-seen photographs.
Dixie Lullaby
Author: Mark Kemp
Publisher: Simon and Schuster
ISBN: 1416590463
Category : Music
Languages : en
Pages : 336
Book Description
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
Publisher: Simon and Schuster
ISBN: 1416590463
Category : Music
Languages : en
Pages : 336
Book Description
Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.
Skydog
Author: Randy Poe
Publisher: Rowman & Littlefield
ISBN: 1617805181
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
Revised and expanded, with a new afterword by the author, this is the definitive biography of Duane Allman, one of the most revered guitarists of his generation. Skydog reveals the complete story of the legendary guitarist: his childhood and musical awakening; his struggling first bands; his hard-won mastery of the slide guitar; his emergence as a successful session musician; his creation of the Allman Brothers Band; his tragic death at age 24; and his thriving musical legacy.
Publisher: Rowman & Littlefield
ISBN: 1617805181
Category : Biography & Autobiography
Languages : en
Pages : 321
Book Description
Revised and expanded, with a new afterword by the author, this is the definitive biography of Duane Allman, one of the most revered guitarists of his generation. Skydog reveals the complete story of the legendary guitarist: his childhood and musical awakening; his struggling first bands; his hard-won mastery of the slide guitar; his emergence as a successful session musician; his creation of the Allman Brothers Band; his tragic death at age 24; and his thriving musical legacy.
Country Soul
Author: Charles L. Hughes
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277
Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.
Publisher: UNC Press Books
ISBN: 1469622440
Category : Music
Languages : en
Pages : 277
Book Description
In the sound of the 1960s and 1970s, nothing symbolized the rift between black and white America better than the seemingly divided genres of country and soul. Yet the music emerged from the same songwriters, musicians, and producers in the recording studios of Memphis and Nashville, Tennessee, and Muscle Shoals, Alabama--what Charles L. Hughes calls the "country-soul triangle." In legendary studios like Stax and FAME, integrated groups of musicians like Booker T. and the MGs and the Muscle Shoals Rhythm Section produced music that both challenged and reconfirmed racial divisions in the United States. Working with artists from Aretha Franklin to Willie Nelson, these musicians became crucial contributors to the era's popular music and internationally recognized symbols of American racial politics in the turbulent years of civil rights protests, Black Power, and white backlash. Hughes offers a provocative reinterpretation of this key moment in American popular music and challenges the conventional wisdom about the racial politics of southern studios and the music that emerged from them. Drawing on interviews and rarely used archives, Hughes brings to life the daily world of session musicians, producers, and songwriters at the heart of the country and soul scenes. In doing so, he shows how the country-soul triangle gave birth to new ways of thinking about music, race, labor, and the South in this pivotal period.