The Movies, Mr. Griffith and Me. By Lillian Gish with Ann Pinchot PDF Download
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Author: Lillian Gish
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
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Book Description
Author: Lillian Gish
Publisher:
ISBN:
Category :
Languages : en
Pages : 388
Get Book Here
Book Description
Author: Gish
Publisher:
ISBN: 9780491001038
Category : Film studies
Languages : en
Pages :
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Book Description
Author: Lillian Gish
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 476
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Book Description
Author: Lillian Gish
Publisher:
ISBN:
Category : Motion picture actors and actresses
Languages : en
Pages : 388
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Book Description
Author: Lillian Gish
Publisher: Englewood Cliffs, N.J. : Prentice-Hall
ISBN: 9780135366493
Category : Motion picture actors and actresses United States Biography
Languages : en
Pages : 388
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Book Description
Author: Lillian Gish
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Stuart Oderman
Publisher: McFarland
ISBN: 1476613699
Category : Performing Arts
Languages : en
Pages : 409
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Book Description
With a theatrical career spanning nearly 100 years, Gish saw motion pictures evolve from flickers to blockbusters. Usually playing someone needing to be rescued or protected, her trademark delicacy and vulnerability belied a strong and complex woman whose fatherless childhood taught her frugality, love for her mother and her sister, Dorothy, and a distrust of men. The author, who was her friend, chronicles the hardships, heartaches, and fierce determination that shaped her all her days. With rare photographs and intimate recollections of Lillian, Dorothy, and many other important figures.
Author: Paolo Cherchi Usai
Publisher: Bloomsbury Publishing
ISBN: 1839020180
Category : Performing Arts
Languages : en
Pages : 224
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Book Description
No other silent film director has been so extensively studied as D. W. Griffith. However, only a small group of his more than 500 films has been the subject of a systematic analysis and the vast majority of his other works stills await proper examination. For the first time in film studies, the complete creative output of Griffith - from Professional Jealousy (1907) to The Struggle (1931) - will be explored in this multi-volume collection of contributions from an international team of leading scholars in the field.
Author: Anthony Slide
Publisher: University Press of Kentucky
ISBN: 0813127084
Category : Biography & Autobiography
Languages : en
Pages : 461
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Book Description
" From his unique perspective of friendship with many of the actors and actresses about whom he writes, silent film historian Anthony Slide creates vivid portraits of the careers and often eccentric lives of 100 players from the American silent film industry. He profiles the era’s shining stars such as Lillian Gish and Blanche Sweet; leading men including William Bakewell and Robert Harron; gifted leading ladies such as Laura La Plante and Alice Terry; ingénues like Mary Astor and Mary Brian; and even Hollywood’s most famous extra, Bess Flowers. Although each original essay is accompanied by significant documentation and an extensive bibliography, Silent Players is not simply a reference book or encyclopedic recitation of facts culled from the pages of fan magazines and trade periodicals. It contains a series of insightful portraits of the characters who symbolize an original and pioneering era in motion history and explores their unique talents and extraordinary private lives. Slide offers a potentially revisionist view of many of the stars he profiles, repudiating the status of some and restoring to fame others who have slipped from view. He personally interviewed many of his subjects and knew several of them intimately, putting him in a distinctive position to tell their true stories.
Author: Paul McEwan
Publisher: University of Texas Press
ISBN: 1477325514
Category : Performing Arts
Languages : en
Pages : 323
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Book Description
For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith’s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life. In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film culture and the notion that films can be works of art. Some critics tried to set aside the film’s racism and concentrate on the form, while others tried to relegate that racism safely to the past. McEwan argues that from the earliest film retrospectives in the 1920s to the rise of remix culture in the present day, controversies about this film and its meaning have profoundly shaped our understandings of film, race, and art.
