The Monochrome of Darkness PDF Download
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Author: Channing McClaren
Publisher: Lulu.com
ISBN: 1678041386
Category :
Languages : en
Pages : 127
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Book Description
Author: Channing McClaren
Publisher: Lulu.com
ISBN: 1678041386
Category :
Languages : en
Pages : 127
Get Book Here
Book Description
Author: Channing H McClaren
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 196
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Book Description
This volume is a journey of verses through the uncut dark parts of the writer's mind, its spellbound deathlike hemisphere, its aura, its end.
Author: Channing McClaren
Publisher:
ISBN:
Category :
Languages : en
Pages : 193
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Book Description
This volume is a journey of verses through the uncut dark parts of my mind, its spellbound deathlike hemisphere, its aura, its end. Vol II
Author: Channing McClaren
Publisher:
ISBN:
Category :
Languages : en
Pages : 205
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Book Description
This volume is a journey of verses through the uncut dark parts of the writer's mind, its spellbound deathlike hemisphere, its aura, its end. Continuation of Vol I
Author: Barry Thornton
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 188
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Book Description
Illustrated with his own stunning landscape pictures, each chapter is filled with technical details and personal insights, making this highly readable volume much more than a technical guide.
Author: Channing H McClaren
Publisher:
ISBN:
Category :
Languages : en
Pages : 126
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Book Description
This volume is a journey of verses through the uncut dark parts of my mind, its spellbound deathlike hemisphere, its aura, its end.
Author: CHANNING. MCCLAREN
Publisher:
ISBN: 9781678014742
Category :
Languages : en
Pages :
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Book Description
Author: Stanton Marlan
Publisher: Texas A&M University Press
ISBN: 160344078X
Category : Psychology
Languages : en
Pages : 305
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Book Description
Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,
[email protected].
Author: Noam M. Elcott
Publisher: University of Chicago Press
ISBN: 022632897X
Category : Art
Languages : en
Pages : 319
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Book Description
This ambitious study explores how important darkness--artificial darkness--was, as an actual technology, in producing not just photographs but visual novelties and experiments in cinema in the nineteenth century. The study plays out against a backdrop of urban history, where most scholars have focused on the growth of artificial light and the electrification of cities. Elcott’s study challenges that approach. In considering zones of darkness, it ranges from the sites of production (darkrooms, studios) to those of reception (theaters/cinemas/arcades) that shaped modern media and perceptions. He argues that, in the nineteenth century, the avant-garde was often less interested in the filmed image than in everything surrounding it: the screen, the projected light, the darkness, the experience of disembodiment. He argues that darkness has a history separate from night, evil, or the color black, and has a specifically modern manifestation as a media technology. We are all aware of the "velvet light trap” in photography, but at the heart of this book are technologies of darkness crucial to cinema that were commonly known as "the black screen,” but have, over time, faded from the storied discourse.
Author: Craig Staff
Publisher: Bloomsbury Publishing
ISBN: 0857739719
Category : Art
Languages : en
Pages : 197
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Book Description
The monochrome - a single colour of paint applied over the entirety of a canvas - remains one of the more contentious modernist artistic inventions. But whilst the manufacture of these 'pictures of nothing' was ostensibly straightforward, their subsequent theorisation has been anything but. More than a history, Monochrome: Darkness and Light in Contemporary Art is the first account of the monochrome's lively role in contemporary art. Liberated from the burden of representation, the monochrome first stood for emancipation: an ideological and artistic impulse that characterised the avant-garde of the early twentieth century. Historically, the monochrome embodied the most extreme form of abstraction and pure materiality. Yet more recently, adaptations of the art form have focused on a broader range of cultural and interpretive contexts. Provocative, innovative and timely, this book argues that the latest artistic strategies go beyond stylistic concerns and instead seek to re-engage with ideas around authorship, process and the conditions of the visible as they are given and understood through both light and darkness. Discussing works by artists such as Katie Paterson, Hiroshi Sugimoto, Tom Friedman, Bruno Jakob, Sherrie Levine and Ceal Floyer, the book shows that the debates around an artwork's form and its possibility for meaning that the monochrome first engendered remain very much alive in contemporary visual culture.
