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Author: Eduardo Machado
Publisher: Samuel French, Inc.
ISBN: 0573660425
Category : American drama
Languages : en
Pages : 65
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Book Description
"The Modern Ladies of Guanabacoa shows one family's climb to wealth in the Cuba of 1928-31. The play is at once a political drama and social comedy, ranging from melodrama to farce. Questions of power, control and revolution within the family mirror society's wider conflicts. The father is a butcher who rules his wife and four grown children with an iron hand, even as he spends most of his time philandering outside the house. The only daughter, aged 27, is accused of having lost her virginity simply because she may once have kissed the now-deceased man who courted her for seven years. While her three brothers live less-cloistered sex lives, they benefit from a double standard that allows young Cuban men to go whoring to satisfy their "special needs." This play is a part of Machado's Before and After the Revolution series, a group of four plays about the Cuban Revolution. Other plays in the series are: Once Removed, In the Eye of the Hurricane, and Havana is Waiting."--Publisher's website.
Author: Eduardo Machado
Publisher: Samuel French, Inc.
ISBN: 0573660425
Category : American drama
Languages : en
Pages : 65
Get Book Here
Book Description
"The Modern Ladies of Guanabacoa shows one family's climb to wealth in the Cuba of 1928-31. The play is at once a political drama and social comedy, ranging from melodrama to farce. Questions of power, control and revolution within the family mirror society's wider conflicts. The father is a butcher who rules his wife and four grown children with an iron hand, even as he spends most of his time philandering outside the house. The only daughter, aged 27, is accused of having lost her virginity simply because she may once have kissed the now-deceased man who courted her for seven years. While her three brothers live less-cloistered sex lives, they benefit from a double standard that allows young Cuban men to go whoring to satisfy their "special needs." This play is a part of Machado's Before and After the Revolution series, a group of four plays about the Cuban Revolution. Other plays in the series are: Once Removed, In the Eye of the Hurricane, and Havana is Waiting."--Publisher's website.
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Languages : en
Pages :
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Book Description
Author: Eduardo Machado
Publisher: Theatre Communications Group
ISBN: 1559367008
Category : Drama
Languages : en
Pages : 229
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Book Description
Includes The Modern Ladies of Guanabacoa, Fabiola, In the Eye of the Hurricane and Broken Eggs.
Author: Eduardo Machado
Publisher: Penguin
ISBN: 1101217006
Category : Biography & Autobiography
Languages : en
Pages : 376
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Book Description
Born into a well-to-do family in Cuba in 1953, Eduardo Machado saw firsthand the effects of the rising Castro regime. When he and his brother were sent to the United States on one of the Peter Pan flights of 1961, they did not know if they would ever see their parents or their home again. From his experience living in exile in Los Angeles to becoming an actor, director, playwright and professor in New York, Machado explores what it means to say good-bye to the only home one’s ever known, and what it means to be a Latino in America today. Filled with delicious recipes and powerful tales of family, loss, and self discovery, Tastes Like Cuba delivers the story of Eduardo’s rich and delectable life—reminding us that no matter where we go, there is no place that feels (and tastes) better than home.
Author: Anne Bogart
Publisher: Theatre Communications Group
ISBN: 1559363754
Category : Performing Arts
Languages : en
Pages : 521
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Book Description
Remarkable conversations you want to listen in on.
Author: Ricardo L. Ortíz
Publisher: U of Minnesota Press
ISBN: 1452908958
Category : Social Science
Languages : en
Pages : 361
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Book Description
Miami is widely considered the center of Cuban-American culture. However vital to the diasporic communities’ identity, Miami is not the only—or necessarily the most profound—site of cultural production. Looking beyond South Florida, Ricardo L. Ortíz addresses the question of Cuban-American diaspora and cultural identity by exploring the histories and self-sustaining practices of smaller communities in such U.S. cities as Los Angeles, Chicago, and New York. In this wide-ranging work Ortíz argues for the authentically diasporic quality of postrevolutionary, off-island Cuban experience. Highlighting various forms of cultural expression, Cultural Erotics in Cuban America traces underrepresented communities’ responses to the threat of cultural disappearance in an overwhelming and hegemonic U.S. culture. Ortíz shows how the work of Cuban-American writers and artists challenges the heteronormativity of both home and host culture. Focusing on artists who have had an ambivalent, indirect, or nonexistent connection to Miami, he presents close readings of such novelists as Reinaldo Arenas, Roberto G. Fernández, Achy Obejas, and Cristina García, the playwright Eduardo Machado, the poet Rafael Campo, and musical performers Albita Rodríguez and Celia Cruz. Ortíz charts the legacies of sexism and homophobia in patriarchal Cuban culture, as well as their influence on Cuban-revolutionary and Cuban-exile ideologies. Moving beyond the outdated cultural terms of the Cold War, he looks forward to envision queer futures for Cuban-American culture free from the ties to restrictive—indeed, oppressive—constructions of nation, place, language, and desire. Ricardo L. Ortíz is associate professor of English at Georgetown University.
Author: Louis A. Pérez Jr.
Publisher: UNC Press Books
ISBN: 1469601419
Category : History
Languages : en
Pages : 602
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Book Description
With this masterful work, Louis A. Perez Jr. transforms the way we view Cuba and its relationship with the United States. On Becoming Cuban is a sweeping cultural history of the sustained encounter between the peoples of the two countries and of the ways that this encounter helped shape Cubans' identity, nationality, and sense of modernity from the early 1850s until the revolution of 1959. Using an enormous range of Cuban and U.S. sources--from archival records and oral interviews to popular magazines, novels, and motion pictures--Perez reveals a powerful web of everyday, bilateral connections between the United States and Cuba and shows how U.S. cultural forms had a critical influence on the development of Cubans' sense of themselves as a people and as a nation. He also articulates the cultural context for the revolution that erupted in Cuba in 1959. In the middle of the twentieth century, Perez argues, when economic hard times and political crises combined to make Cubans painfully aware that their American-influenced expectations of prosperity and modernity would not be realized, the stage was set for revolution.
Author: Eduardo R. del Rio
Publisher: University of Arizona Press
ISBN: 0816548609
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
Cuban-American writers have been studied primarily within the context of Latino literature as a whole. Seeing a need to distinguish and define this unique literary perspective, Eduardo del Rio selected twelve important well-known authors and conducted interviews. He chose writers who were born in Cuba but have lived in the United States for a significant amount of time and whose works include themes he considers elemental to Cuban-American literature: identity, duality, memory, and exile. But rather than a cohesive, homogeneous group, these conversations unveiled a kaleidoscope of individuality, style, and motive. The authors’ bonds to Cuba inform their creative work in vastly different ways, and attempts to categorize their similarities only highlight the range of character and experience within this assemblage of talented writers. From playwright Dolores Prida to author and literary critic Gustavo Pérez Firmat, these voices run the gamut of both genre and personality. In addition to the essential facts of literary accomplishment, the interviews include a wealth of insight into each writer’s history, motivations, concerns, and relationship to language. These personal details serve to humanize and illuminate the unique circumstances and realities that have shaped both the authors and their work. What del Rio has ultimately brought together is a series of intimate sketches that will not only serve as an important reference for any discussion of the literature but will also help readers to develop for themselves a sense of what Cuban-American writing is, and what it is not. CONTENTS Preface Acknowledgments Introduction Nilo Cruz Roberto Fernández Cristina García Carolina Hospital Eduardo Machado Dionisio Martínez Pablo Medina Achy Obejas Ricardo Pau-Llosa Gustavo Pérez Firmat Dolores Prida Virgil Suárez Epilogue Notes Bibliography Index
Author: Elisa De la Roche
Publisher: Taylor & Francis
ISBN: 9780815319863
Category : History
Languages : en
Pages : 222
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Book Description
First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Lillian Manzor
Publisher: Taylor & Francis
ISBN: 1000625605
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
