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Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 196
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Author:
Publisher:
ISBN:
Category : Cinematography
Languages : en
Pages : 196
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Author:
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 1066
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Author: Paolo Cherchi Usai
Publisher: Bloomsbury Publishing
ISBN: 1911239139
Category : Performing Arts
Languages : en
Pages : 465
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Book Description
Paolo Cherchi Usai provides a comprehensive introduction to the study, research and preservation of silent cinema from its heyday in the early 20th century to its present day flourishing. He traces the history of the moving image in its formative years, from Edison's and Lumière's first experiments to the dawn of 'talkies'; provides a clear guide to the basics of silent film technology; introduces the technical and creative roles involved in its production, and presents silent cinema as a performance event, rather than a passive viewing experience. This new, greatly expanded edition takes the reader on a new journey, exploring silent cinema in the broader context of technology, culture, and society, from the invention of celluloid film and its related machinery to film studios, laboratories, theatres and audiences. Among the people involved in the creation of a new art form were filmmakers, actors and writers, but also engineers, entrepreneurs, and projectionists. Their collective efforts, and the struggle to preserve their creative work by archives and museums, are interwoven in a compelling story covering three centuries of media history, from the magic lantern to the reinvention of silent cinema in digital form. The new edition also includes comprehensive resource information for the study, research, preservation and exhibition of silent cinema.
Author:
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Category : Electricity
Languages : en
Pages : 716
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Author:
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ISBN:
Category :
Languages : en
Pages : 376
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Author:
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ISBN:
Category :
Languages : en
Pages : 732
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Author:
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ISBN:
Category :
Languages : en
Pages : 394
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Author: Richard Wallace
Publisher: Indiana University Press
ISBN: 0861969847
Category : Art
Languages : en
Pages : 241
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Book Description
Ten years ago, a technological revolution swept through cinemas around the world, as analogue projectors were replaced with digital equipment. It was not just the plastic medium of film that was removed from projection boxes during this transformation; most cinemas took this opportunity to also evict the human projectionists who were hitherto in charge of screenings. Projectionists had been hidden from the sight of audiences for most of the history of photographic moving image projection, and their redundancies went largely unnoticed and unremarked upon. This book focuses attention on what has been happening behind film spectators' heads for the past 130 years, and attempts to write the history of cinema in Britain from the perspective of its habitually overlooked and undervalued projectionists, beginning in the silent era and continuing to the present day. Drawing upon extensive archival research and lengthy interviews with former projectionists, it documents the key facets and challenges of their work, and how these evolved in response to previous waves of significant technological change. It evaluates how projectionists helped to design and maintain key aesthetic characteristics of the 20th century big screen experience. It shows how the institution of cinema in Britain has been historically underpinned by the harsh exploitation of projectionists by many employers, detailing inadequate wage levels and poor working conditions that formerly provoked government investigation, and explaining why these problems were never successfully ameliorated by trade unions. It also charts in depth the recent fateful transition to digital projection, delineating how and why projectionists were so swiftly and ruthlessly consigned to the past, and assessing whether this form of entertainment should be considered diminished by their super session.
Author:
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Category :
Languages : en
Pages : 164
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Author:
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Category : Union catalogs
Languages : en
Pages : 712
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