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Author: Gabriel Eljaiek-Rodríguez
Publisher: Springer
ISBN: 3319972502
Category : Performing Arts
Languages : en
Pages : 235
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Book Description
The Migration and Politics of Monsters in Latin America proposes a cinematic cartography of contemporary Latin American horror films that take up the idea of the American continent as a space of radical otherness, or monstrosity, and use it for political purposes. The book explores how Latin American film directors migrate foreign horror tropes to create cinematographic horror hybrids that reclaim and transform monstrosity as a form of historical rewriting. By emphasizing the specificities of the Latin American experience, this book contributes to broad scholarship on horror cinema, at the same time connecting the horror tradition with contemporary discussions on violence, migration, fear of immigrants, and the rewriting of colonial discourses.
Author: Gabriel Eljaiek-Rodríguez
Publisher:
ISBN: 9783319972510
Category : Culture
Languages : en
Pages : 231
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Book Description
The Migration and Politics of Monsters in Latin America proposes a cinematic cartography of contemporary Latin American horror films that take up the idea of the American continent as a space of radical otherness, or monstrosity, and use it for political purposes. The book explores how Latin American film directors migrate foreign horror tropes to create cinematographic horror hybrids that reclaim and transform monstrosity as a form of historical rewriting. By emphasizing the specificities of the Latin American experience, this book contributes to broad scholarship on horror cinema, at the same time connecting the horror tradition with contemporary discussions on violence, migration, fear of immigrants, and the rewriting of colonial discourses.
Author: Gabriel Eljaiek-Rodríguez
Publisher: Springer
ISBN: 3319972502
Category : Performing Arts
Languages : en
Pages : 235
Get Book
Book Description
The Migration and Politics of Monsters in Latin America proposes a cinematic cartography of contemporary Latin American horror films that take up the idea of the American continent as a space of radical otherness, or monstrosity, and use it for political purposes. The book explores how Latin American film directors migrate foreign horror tropes to create cinematographic horror hybrids that reclaim and transform monstrosity as a form of historical rewriting. By emphasizing the specificities of the Latin American experience, this book contributes to broad scholarship on horror cinema, at the same time connecting the horror tradition with contemporary discussions on violence, migration, fear of immigrants, and the rewriting of colonial discourses.
Author: Milton Fernando Gonzalez Rodriguez
Publisher: Bloomsbury Publishing USA
ISBN: 1501384694
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.
Author: Sandra Casanova-Vizcaíno
Publisher: Routledge
ISBN: 1315307650
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This book explores the Gothic mode as it appears in the literature, visual arts, and culture of different areas of Latin America. Focusing on works from authors in Mexico, Central America, the Caribbean, the Andes, Brazil, and the Southern Cone, the essays in this volume illuminate the existence of native representations of the Gothic, while also exploring the presence of universal archetypes of terror and horror. Through the analysis of global and local Gothic topics and themes, they evaluate the reality of a multifaceted territory marked by a shifting colonial and postcolonial relationship with Europe and the United States. The book asks questions such as: Is there such a thing as "Latin American Gothic" in the same sense that there is an "American Gothic" and "British Gothic"? What are the main elements that particularly characterize Latin American Gothic? How does Latin American Gothic function in the context of globalization? What do these elements represent in relation to specific national literatures? What is the relationship between the Gothic and the Postcolonial? What can Gothic criticism bring to the study of Latin American cultural manifestations and, conversely, what can these offer the Gothic? The analysis performed here reflects a body of criticism that understands the Gothic as a global phenomenon with specific manifestations in particular territories while also acknowledging the effects of "Globalgothic" on a transnational and transcultural level. Thus, the volume seeks to open new spaces and areas of scholarly research and academic discussion both regionally and globally with the presentation of a solid analysis of Latin American texts and other cultural phenomena which are manifestly related to the Gothic world.
Author: Alison Peirse
Publisher: Rutgers University Press
ISBN: 197880511X
Category : Performing Arts
Languages : en
Pages : 270
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Book Description
Women Make Horror studies women practitioners in the film industry and sets right the assumptions about women and the horror genre. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre.
Author: María Soledad Paz-Mackay
Publisher:
ISBN: 9781498597418
Category : Children in motion pictures
Languages : en
Pages : 274
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Book Description
This book analyzes the representation of children in 21st-century Latin American cinema by bringing attention to the political act of choosing children as protagonists. It provides a platform to understand the mechanisms in contemporary filmmaking that challenge the displacement created by the conventional subordinated role of children in cinema.
Author: Simon Bacon
Publisher: Springer Nature
ISBN: 3031362535
Category :
Languages : en
Pages : 1746
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Book Description
Author: Taryne Jade Taylor
Publisher: Taylor & Francis
ISBN: 1000934136
Category : Literary Collections
Languages : en
Pages : 1068
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Book Description
The Routledge Handbook of CoFuturisms delivers a new, inclusive examination of science fiction, from close analyses of single texts to large-scale movements, providing readers with decolonized models of the future, including print, media, race, gender, and social justice. This comprehensive overview of the field explores representations of possible futures arising from non-Western cultures and ethnic histories that disrupt the “imperial gaze”. In four parts, The Routledge Handbook of CoFuturisms considers the look of futures from the margins, foregrounding the issues of Indigenous groups, racial, ethnic, religious, and sexual minorities, and any people whose stakes in the global order of envisioning futures are generally constrained due to the mechanics of our contemporary world. The book extends current discussions in the area, looking at cutting-edge developments in the discipline of science fiction and diverse futurisms as a whole. Offering a dynamic mix of approaches and expansive perspectives, this volume will appeal to academics and researchers seeking to orient their own interventions into broader contexts.
Author: Gabriel Eljaiek-Rodriguez
Publisher: Anthem Press
ISBN: 1785278339
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
The Colombian Gothic in Cinema and Literature traces the aesthetic and political development of the Gothic genre in Colombia. Gabriel Eljaiek-Rodríguez shows how, in the hands of Colombian writers and filmmakers, Gothic tropes are taken to their extremes to reflect particularly Colombian issues, like the ongoing armed conflict in the country since the 1950s as various left wing guerillas, government factions and paramilitary groups escalated violence. In this context, collectives such as the “Cali group” challenge both the centrality of US and European Gothics as well as the centrality of Bogota-centered perspectives of Colombian politics and conflict. The book demonstrates how writers and filmmakers transform the European and American Gothic to show genealogical links between colonization, imperialism and domestic elites’ maintenance of social inequalities.
Author: Dawn Keetley
Publisher: University of Wales Press
ISBN: 1786839806
Category : Literary Criticism
Languages : en
Pages : 322
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Book Description
While the undisputed heyday of folk horror was Britain in the 1960s and 1970s, the genre has not only a rich cinematic and literary prehistory, but directors and novelists around the world have also been reinventing folk horror for the contemporary moment. This study sets out to rethink the assumptions that have guided critical writing on the genre in the face of such expansions, with chapters exploring a range of subjects from the fiction of E. F. Benson to Scooby-Doo, video games, and community engagement with the Lancashire witches. In looking beyond Britain, the essays collected here extend folk horror's geographic terrain to map new conceptualisations of the genre now seen emerging from Italy, Ukraine, Thailand, Mexico and the Appalachian region of the US.
