The Metropolitan Museum of Art Bulletin, v. 22, no. 10 (June, 1964) PDF Download
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Author: Thomas P. F. Hoving
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Thomas P. F. Hoving
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
Author: John J. McKendry
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 40
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392406
Category : Painting
Languages : en
Pages : 344
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Book Description
Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610
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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870995162
Category : Art
Languages : en
Pages : 637
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Book Description
Author:
Publisher:
ISBN:
Category : Catalogs, Union
Languages : en
Pages : 772
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870990063
Category : Art, American
Languages : en
Pages : 206
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Book Description
Chiefly illustrated catalog of an exhibition held in celebration of the hundredth anniversary of the Metropolitan Museum of Art, held at the Metropolitan Museum of Art from April 16 through September 7, 1970.
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 488
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Book Description
Author: Albert Boime
Publisher: Princeton University Press
ISBN: 0691239703
Category : Art
Languages : en
Pages : 250
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Book Description
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism.
Author: Rhode Island School of Design. Museum of Art
Publisher: University of Pennsylvania Press
ISBN: 0911517553
Category : Art
Languages : en
Pages : 296
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Book Description
This documents the distinguished collection of European art—from the late eighteenth through the early twentieth centuries—that forms a significant part of the collections belonging to the Museum of Art, Rhode Island School of Design. This book includes stunning canvases by Gericault, Delacroix, Degas, Manet, Monet, Cezanne, Renoir, Picasso, and Matisse. What makes the collection so noteworthy are the extraordinary works by unknown artists and the unknown works by known artists.
