Metafiction

Metafiction PDF Author: Patricia Waugh
Publisher: Routledge
ISBN: 1136493891
Category : Literary Criticism
Languages : en
Pages : 187

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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Metafiction

Metafiction PDF Author: Patricia Waugh
Publisher: Routledge
ISBN: 1136493891
Category : Literary Criticism
Languages : en
Pages : 187

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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The Metafictional Muse

The Metafictional Muse PDF Author: Larry McCaffery
Publisher: University of Pittsburgh Pre
ISBN: 0822976358
Category : Literary Criticism
Languages : en
Pages : 313

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Book Description
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.

Metafiction

Metafiction PDF Author: Mark Currie
Publisher: Routledge
ISBN: 1317893867
Category : Literary Criticism
Languages : en
Pages : 400

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Book Description
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.

Metafiction and the Postwar Novel

Metafiction and the Postwar Novel PDF Author: Andrew Dean
Publisher: Oxford University Press
ISBN: 0198871406
Category : Literary Criticism
Languages : en
Pages : 193

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Book Description
Metafiction and the Postwar Novel is a full-length reassessment of one of the definitive literary forms of the postwar period, sometimes known as 'postmodern metafiction'. In the place of large-scale theorizing, this book centres on the intimacies of writing situations - metafiction as it responds to readers, literary reception, and earlier works in a career. The emergence of archival materials and posthumously published works helps to bring into view the stakes of different moments of writing. It develops new terms for discussing literary self-reflexivity, derived from a reading of Don Quixote and its reception by J.L. Borges - the 'self of writing' and the 'public author as signature'. Across three comprehensive chapters, Metafiction and Postwar Fiction shows how some of the most highly-regarded postwar writers were motivated to incorporate reflexive elements into their writing - and to what ends. The first chapter, on South African novelist J. M. Coetzee, shows with a new clarity how his fictions drew from and relativized academic literary theory and the conditions of writing in apartheid South Africa. The second chapter, on New Zealand writer Janet Frame, draws widely from her fictions, autobiographies, and posthumously published materials. It demonstrates the terms in which her writing addresses a readership seemingly convinced that her work expressed the interior experience of 'madness'. The final chapter, on American writer Philip Roth, shows how his early reception led to his later, and often explosive, reconsiderations of identity and literary value in postwar America.

Black Metafiction

Black Metafiction PDF Author: Madelyn Jablon
Publisher: University of Iowa Press
ISBN: 9780877456568
Category : Literary Criticism
Languages : en
Pages : 228

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Book Description
Examines the tradition of self-consciousness in African American literature. The book points to the shortcomings of theories of metafiction founded on studies of Anglo-American literature. It analyzes and evaluates these theories, providing a model for the evaluation of other Eurocentric theories.

Animal Money

Animal Money PDF Author: Michael Cisco
Publisher: Lazy Fascist Press
ISBN: 9781621052128
Category : Fiction
Languages : en
Pages : 0

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Book Description
A living form of money results in the unraveling of the world.

Christie Malry's Own Double-entry

Christie Malry's Own Double-entry PDF Author: Bryan Stanley Johnson
Publisher: New Directions Publishing
ISBN: 9780811209540
Category : Fiction
Languages : en
Pages : 196

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Book Description
A disaffected young man, Christie Malry, is a simple man who learns the principles of double-entry book-keeping while taking an evening class in accountancy and working in the local bank. He begins to apply these principles to his own life, revenging himself against society in an increasingly violent manner for perceived 'debits'. Debit: the unpleasantness of the bank manager is the first on an ever-growing list; Credit: scratching the façade of the office block. All accounts are settled in the most alarming way.

Beyond the Metafictional Mode

Beyond the Metafictional Mode PDF Author: Robert C. Spires
Publisher: University Press of Kentucky
ISBN: 0813164540
Category : Literary Criticism
Languages : en
Pages : 168

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Book Description
The term metafiction invaded the vocabulary of literary criticism around 1970, yet the textual strategies involved in turning fiction back onto itself can be traced through several centuries. In this theoretical/critical study Robert C. Spires examines the nature of metafiction and chronicles its evolution in Spain from the time of Cervantes to the 1970s, when the obsession with novelistic self-commentary culminated in an important literary movement. The critical portions of this study focus primarily on twentieth-century works. Included are analyses of Unamuno's Niebla, Jarnés's Locura y muerte de nadie and La novia del viento, Torrente Ballester's Don Juan, Cunquiero's Un hombre que se parecía a Orestes, and three novels from the "self-referential" movement of the 1970s, Juan Goytisolo's Juan sin Tierra, Luis Goytisolo's La colera de Aquiles, and Martín Gaite's El cuarto de atrás. Seeking a stronger theoretical basis for his critical readings, Spires offers a sharpened definition of the term metafiction. The mode arises, he declares, through an intentional violation of the boundaries that normally separate the worlds of the author, the fiction, and the reader. Building on theoretical foundations laid by Frye, Scholes, Genette, and others, Spires also proposes a literary paradigm that places metafiction in a position intermediate between fiction and literary theory. These theoretical formulations place Spires's book in the forefront of critical thought. At the same time, his full-scale analyses of Spanish metafictional works will be welcomed by Hispanists and other students of world literature.

The Cambridge Companion to American Fiction After 1945

The Cambridge Companion to American Fiction After 1945 PDF Author: John N. Duvall
Publisher: Cambridge University Press
ISBN: 0521196310
Category : Literary Criticism
Languages : en
Pages : 293

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Book Description
A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.

The Women I Love

The Women I Love PDF Author: Francesco Pacifico
Publisher: Farrar, Straus and Giroux
ISBN: 0374720886
Category : Fiction
Languages : en
Pages : 164

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Book Description
A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico’s The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women—illuminating the possibility of equity between people in love, in bed, in work, and in life.