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Author: M. B. I︠A︡mpolʹskiĭ
Publisher: Univ of California Press
ISBN: 0520085302
Category : Literary Criticism
Languages : en
Pages : 339
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Book Description
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
Author: M. B. I︠A︡mpolʹskiĭ
Publisher: Univ of California Press
ISBN: 0520085302
Category : Literary Criticism
Languages : en
Pages : 339
Get Book Here
Book Description
"Iampolski deals with concepts and ideas that are highly complex and frequently very abstract, yet his discussion—and the progression of his analyses—is always precise and easy to follow. . . . Each of his points is grounded in a careful examination of a specific text, and most of the texts are well-known to American audiences."—Vladimir Padunov, University of Pittsburgh
Author: Harold Schweizer
Publisher: Bucknell University Press
ISBN: 9780838754177
Category : Suffering in art
Languages : en
Pages : 144
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Book Description
These essays examine the relationship between history and suffering, and ask what forms of narrative could articulate such a relationship. They refer to writers from Sophocles to Celan, from Wordsworth to Thomas Bernhard and from Proust to Benjamin Fondane.
Author: Mikhail Iampolski
Publisher: Univ of California Press
ISBN: 9780520914728
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
The concept of intertextuality has proven of inestimable value in recent attempts to understand the nature of literature and its relation to other systems of cultural meaning. In The Memory of Tiresias, Mikhail Iamposlki presents the first sustained attempt to develop a theory of cinematic intertextuality. Building on the insights of semiotics and contemporary film theory, Iampolski defines cinema as a chain of transparent, mimetic fragments intermixed with quotations he calls "textual anomalies." These challenge the normalization of meaning and seek to open reading out onto the unlimited field of cultural history, which is understood in texts as a semiotically active extract, already inscribed. Quotations obstruct mimesis and are consequently transformed in the process of semiosis, an operation that Iampolski defines as reading in an aura of enigma. In a series of brilliant analyses of films by D.W. Griffith, Sergei Eisenstein, and Luis Buñuel, he presents different strategies of intertextual reading in their work. His book suggests the continuing centrality of semiotic analysis and is certain to interest film historians and theorists, as well as readers in cultural and literary studies.
Author: Aldo Tagliabue
Publisher: Barkhuis
ISBN: 9492444216
Category : History
Languages : en
Pages : 252
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Book Description
After many decades of neglect, the last forty years have seen a renewed scholarly appreciation of the literary value of the Greek novel. Within this renaissance of interest, four monographs have been published to date which focus on individual novels; I refer to the specialist studies of Achilles Tatius by Morales and Laplace and those of Chariton of Aphrodisias by Smith and Tilg. This book adds to this short list and takes as its singular focus Xenophon’s Ephesiaca. Among the five fully extant Greek novels, the Ephesiaca occupies the position of being an anomaly, since scholars have conventionally considered it to be either a poorly written text or an epitome of a more sophisticated lost original. This monograph challenges this view by arguing that the author of the Ephesiaca is a competent writer in artistic control of his text, insofar as his work has a coherent and emplotted focus on the protagonists’ progression in love and also includes references to earlier texts of the classical canon, not least Homer’s Odyssey and the Platonic dialogues on Love. At the same time, the Ephesiaca exhibits stylistically an overall simplicity, contains many repetitions and engages with other texts via a thematic, rather than a pointed, type of intertextuality; these and other features make this text different from the other extant Greek novels. This book explains this difference with the help of Couégnas’ view of ‘paraliterature,' a term that refers not to its status as ‘non-literature’ but rather to literature of a different kind, that is simple, action-oriented, and entertaining. By offering a definition of the Ephesiaca as a paraliterary narrative, this monograph sheds new light on this novel and its position within the Greek novelistic corpus, whilst also offering a more nuanced understanding of intertextuality and paraliterature.
Author: Ed Madden
Publisher: Associated University Presse
ISBN: 9780838639375
Category : Literary Criticism
Languages : en
Pages : 414
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Book Description
"Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed andembodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has come to function as a cultural shorthand for queer sexualities." "This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian andmodernist writers reimagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or perfonnative power in figures of sexual difference - most often a feminized, often homosexual malebody, which this study links to the developing discourses of homosexuality and sexual identity."--BOOK JACKET.
Author: Georgia Frank
Publisher: Univ of California Press
ISBN: 9780520924352
Category : History
Languages : en
Pages : 246
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Book Description
Pilgrims in the deserts of Egypt and the holy land during the fourth and fifth centuries A.D. often reported visiting holy people as part of their tours of holy places. This is the first comprehensive study of pilgrimage to these famous ascetics of late antique Christianity. Through an original analysis of pilgrim writings of this period, Georgia Frank discovers a literary imagination at work, one that both recorded and shaped the experience of pilgrimage to living saints. Taking an important new approach to these texts, Frank finds in them a record of the writers’ and readers’ spiritual expectations and uses these fresh insights to add substantially to our understanding of the purposes and practices of pilgrimage. Frank focuses in particular on two important and well-known early texts—The History of the Monks in Egypt (ca. 400) and Palladius’s The Lausiac History (ca. 420), situating these narratives in their literary, historical, and spiritual contexts. She compares these narratives to exotic travel writing and to tales of otherworldly journeys. Bringing in contemporary theory, she demonstrates the importance of sight as a means of spiritual progress and explores the relation between the function of sight in these narratives and in other expressions of visual piety in late antiquity Christianity, such as the veneration of relics and, eventually, icons. With its unique focus on the sensory dimensions of pilgrimage—especially visuality—this absorbing book widens our understanding of early Christian pilgrims and those who read their accounts. At the same time, it also sheds new light on the relation between religious experience and the senses, on literary representations of visual experience, and on the literature of pious travel.
Author: Martin M. Winkler
Publisher: Cambridge University Press
ISBN: 1108127436
Category : History
Languages : en
Pages : 425
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Book Description
Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle's perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). The book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and scholars and students of film, literature, and history.
Author: Brad Evans
Publisher: John Wiley & Sons
ISBN: 0745682839
Category : Political Science
Languages : en
Pages : 175
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Book Description
What does it mean to live dangerously? This is not just a philosophical question or an ethical call to reflect upon our own individual recklessness. It is a deeply political issue, fundamental to the new doctrine of ‘resilience’ that is becoming a key term of art for governing planetary life in the 21st Century. No longer should we think in terms of evading the possibility of traumatic experiences. Catastrophic events, we are told, are not just inevitable but learning experiences from which we have to grow and prosper, collectively and individually. Vulnerability to threat, injury and loss has to be accepted as a reality of human existence. In this original and compelling text, Brad Evans and Julian Reid explore the political and philosophical stakes of the resilience turn in security and governmental thinking. Resilience, they argue, is a neo-liberal deceit that works by disempowering endangered populations of autonomous agency. Its consequences represent a profound assault on the human subject whose meaning and sole purpose is reduced to survivability. Not only does this reveal the nihilistic qualities of a liberal project that is coming to terms with its political demise. All life now enters into lasting crises that are catastrophic unto the end.
Author: Robert P. McParland
Publisher: Cambridge Scholars Publishing
ISBN: 144386644X
Category : Art
Languages : en
Pages : 252
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Book Description
In Film and Literary Modernism, the connections between film, modernist literature, and the arts are explored by an international group of scholars. The impact of cinema upon our ways of seeing the world is highlighted in essays on city symphony films, avant-garde cinema, European filmmaking and key directors and personalities from Charlie Chaplin, Sergei Eisenstein and Alain Renais to Alfred Hitchcock and Mae West. Contributors investigate the impact of film upon T. S. Eliot, time and stream of consciousness in Virginia Woolf and Henri Bergson, the racial undercurrents in the film adaptations of Ernest Hemingway’s fiction, and examine the film writing of William Faulkner, James Agee, and Graham Greene. Robert McParland assembles an international group of researchers including independent film makers, critics and professors of film, creative writers, teachers of architecture and design, and young doctoral scholars, who offer a multi-faceted look at modernism and the art of the film.
Author: Jonathan Gray
Publisher: NYU Press
ISBN: 0814731953
Category : Business & Economics
Languages : en
Pages : 260
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Book Description
This work examines the world of film and television that exists before and after the show. It may rewrite the rules of what we look at when we want to understand how audiences make meaning of media franchises as profoundly as Tony Bennett and Janet Woollcott's 'Bond and Beyond' did for a previous generation.
