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Author: Alfred DePew
Publisher: Dog Star Press
ISBN: 099199390X
Category : Fiction
Languages : en
Pages : 128
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Book Description
Winner of the Flannery O'Connor Award for Short Fiction. Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider's world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. Fully aware of the dangers that await us all — loneliness, commitment, heartbreak, love — the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
Author: Alfred DePew
Publisher: Dog Star Press
ISBN: 099199390X
Category : Fiction
Languages : en
Pages : 128
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Book Description
Winner of the Flannery O'Connor Award for Short Fiction. Filled with sharp dialogue, engaging characters, and offbeat detail, the twelve stories collected in The Melancholy of Departure describe an outsider's world of longing, disillusion, and survival, where hope is found in unexpected places and understanding comes from unlikely sources. Fully aware of the dangers that await us all — loneliness, commitment, heartbreak, love — the men and women in this collection call out to us from the fringes of society; they are prophets whose messages fall on uninterested ears.
Author: David Sawer
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Nicholas Royle
Publisher: PS Publishing
ISBN:
Category : Memory
Languages : en
Pages : 106
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Book Description
Author:
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 1096
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Book Description
Author: Gilles Grelet
Publisher: MIT Press
ISBN: 1913029166
Category : Philosophy
Languages : en
Pages : 62
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Book Description
Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion against the world and against philosophy's world-thought. Over a decade ago, Gilles Grelet left the city to live permanently on the sea, in silence and solitude, with no plans to return to land, rarely leaving his boat Théorème. An act of radical refusal, a process of undoing one by one the ties that attach humans to the world, for Grelet this departure was also inseparable from an ongoing campaign of anti-philosophy. Like François Laruelle's "ordinary man" or Rousseau's "solitary walker," Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion against the world and against philosophy's world-thought, point zero of an anti-philosophy as rigorous gnosis, and apprentice in the herethics of navigation. More than a set of scattered reflections, less than a system of thought, Theory of the Solitary Sailor is a gnostic device. It answers the supposed necessity of realizing the world-thought that is philosophy (or whatever takes its place) with a steadfast and melancholeric refusal. As indifferently serene and implacably violent as the ocean itself, devastating for the sufficiency of the world and the reign of semblance, this is a lived anti-philosophy, a perpetual assault waged from the waters off the coast of Brittany, amid sea and wind.
Author: Judith Butler
Publisher: Columbia University Press
ISBN: 0231146116
Category : Religion
Languages : en
Pages : 265
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Book Description
Judith Butler follows Edward Said’s late suggestion that through a consideration of Palestinian dispossession in relation to Jewish diasporic traditions a new ethos can be forged for a one-state solution. Butler engages Jewish philosophical positions to articulate a critique of political Zionism and its practices of illegitimate state violence, nationalism, and state-sponsored racism. At the same time, she moves beyond communitarian frameworks, including Jewish ones, that fail to arrive at a radical democratic notion of political cohabitation. Butler engages thinkers such as Edward Said, Emmanuel Levinas, Hannah Arendt, Primo Levi, Martin Buber, Walter Benjamin, and Mahmoud Darwish as she articulates a new political ethic. In her view, it is as important to dispute Israel’s claim to represent the Jewish people as it is to show that a narrowly Jewish framework cannot suffice as a basis for an ultimate critique of Zionism. She promotes an ethical position in which the obligations of cohabitation do not derive from cultural sameness but from the unchosen character of social plurality. Recovering the arguments of Jewish thinkers who offered criticisms of Zionism or whose work could be used for such a purpose, Butler disputes the specific charge of anti-Semitic self-hatred often leveled against Jewish critiques of Israel. Her political ethic relies on a vision of cohabitation that thinks anew about binationalism and exposes the limits of a communitarian framework to overcome the colonial legacy of Zionism. Her own engagements with Edward Said and Mahmoud Darwish form an important point of departure and conclusion for her engagement with some key forms of thought derived in part from Jewish resources, but always in relation to the non-Jew. Butler considers the rights of the dispossessed, the necessity of plural cohabitation, and the dangers of arbitrary state violence, showing how they can be extended to a critique of Zionism, even when that is not their explicit aim. She revisits and affirms Edward Said’s late proposals for a one-state solution within the ethos of binationalism. Butler’s startling suggestion: Jewish ethics not only demand a critique of Zionism, but must transcend its exclusive Jewishness in order to realize the ethical and political ideals of living together in radical democracy.
Author: Yasna Bozhkova
Publisher: Liverpool University Press
ISBN: 1949979652
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book provides a new critical reappraisal of the work of modernist writer and artist Mina Loy. Primarily known for her daring and difficult poems, Loy was also the author of a dazzling variety of other literary and visual artworks in different genres and media. My reading demonstrates the richness and complexity of her work beyond the more often-explored path from Futurism to Dada to Surrealism, emphasizing the importance of her perpetual travel between disparate aesthetics. Engaging in a close analysis of her poetry, essays, manifestoes, and novel Insel, I unearth a multiplicity of hidden literary and pictorial intertexts in her works. Tracing the origins of Loy’s often puzzling imagery, I examine the complex strategies of collage, condensation, distortion, and displacement through which she conflates multiple allusions in enigmatic constellations. I challenge T.S. Eliot’s claim that Loy lacks an œuvre, claiming that there is an aesthetic project, or at least a paradoxical unity in her famously fragmented work. I show how her writings critically engage with the turbulence of avant-garde innovation of her time, pinpointing the essential ephemerality of the avant-gardes and their tendency to become dogmatic ideologies. Through a perpetual shift of the aesthetic paradigm, Loy’s work creates dialogic exchanges between different experimental aesthetic programs. Thus, the book positions Loy not only as an important artist, but also as a major theorist of modernist and avant-garde aesthetics.
Author: Scott Rothkopf
Publisher: Yale University Press
ISBN: 0300185324
Category : Art
Languages : en
Pages : 238
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Book Description
This catalogue was produced on the occasion of the exhibition Wade Guyton at the Whitney Museum of American Art, New York, October 4, 2012-February 2013.
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author: Julia Frey
Publisher:
ISBN: 9781789141603
Category : ART
Languages : en
Pages : 0
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Book Description
"Marvelous, beautifully illustrated."--Wall Street Journal Édouard Vuillard was so secretive that he berated himself for betraying his emotions in conversation. He was a reticent, impassioned man, at once a timid stalker and a social climbing anarchist, caught in conflicting desires. From the 1880s until the advent of World War II, using styles from academic to pointillist to Nabi to Fauve, Vuillard's abundant paintings revealed his turmoil of love and hatred: models pose beside a plaster torso cast from the Venus of Milo, women appear without faces, anxiety radiates from many masterpieces--while other works were left unfinished for months or years. Drawing on insights and images from Vuillard's still unpublished diaries, Julia Frey takes us into Vuillard's private world of cabarets, experimental theaters, holiday resorts, and intimate boudoirs, showing how his art reflects his fraught personal relations and his artistic struggles. Frey highlights many of his finest works, from his famous intimate interior scenes to book illustrations and poster designs, and she examines his complex relationships with iconic friends like Pierre Bonnard, Henri de Toulouse-Lautrec, Stéphane Mallarmé, and Felix Vallotton, as well as with the women he loved--his mother and sister, penniless models, and rich men's wives.
