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Author: Mark Currie
Publisher: Routledge
ISBN: 1317893867
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.
Author: Mark Currie
Publisher: Routledge
ISBN: 1317893867
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
Metafiction is one of the most distinctive features of postwar fiction, appearing in the work of novelists as varied as Eco, Borges, Martin Amis and Julian Barnes. It comprises two elements: firstly cause, the increasing interpenetration of professional literary criticism and the practice of writing; and secondly effect: an emphasis on the playing with styles and forms, resulting from an enhanced self-consciousness and awareness of the elusiveness of meaning and the limitations of the realist form. Dr Currie's volume examines first the two components of metafiction, with practical illustrations from the work of such writers as Derrida and Foucault. A final section then provides the view of metafiction as seen by metafictional writers themselves.
Author: Larry McCaffery
Publisher: University of Pittsburgh Pre
ISBN: 0822976358
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
McCaffery interprets the works of three major writers of radically experimental fiction: Robert Coover; Donald Barthelme; and Willam H. Gass. The term "metafiction" here refers to a strain in American writing where the self-concious approach to the art of fiction-making is a commentary on the nature of meaning itself.
Author: Inger Christensen
Publisher:
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 180
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Book Description
In 20th century literature, a kind of fiction has come much to the fore where the narrator discusses his own craft and frequently addresses the reader. However, Laurence Sterneʼs Tristram Shandy may serve as a striking example of the fact that metafiction is no modern phenomenon. Metafiction has been criticized for solipsism and regarded as a final proof of ʼthe novel no longer novelʼ. Discussing works of three contemporary novelists, Nobokov, Barth and Beckett, and Sterneʼs eighteenth century novel, the author argues that with their tricks, parodies and humour (humor) the metafictionists are concerned with a central human problem: communication. Should literature entertain, come up with ideas about the meaning of existence or give the reader a purely aesthetic experience? The four novelists examined in this study give different and rather exciting answers to these questions and to the problem of bringing their intentions across to the reader. Book cover.
Author: Bryan Stanley Johnson
Publisher: New Directions Publishing
ISBN: 9780811209540
Category : Fiction
Languages : en
Pages : 196
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Book Description
A disaffected young man, Christie Malry, is a simple man who learns the principles of double-entry book-keeping while taking an evening class in accountancy and working in the local bank. He begins to apply these principles to his own life, revenging himself against society in an increasingly violent manner for perceived 'debits'. Debit: the unpleasantness of the bank manager is the first on an ever-growing list; Credit: scratching the façade of the office block. All accounts are settled in the most alarming way.
Author: John N. Duvall
Publisher: Cambridge University Press
ISBN: 0521196310
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
A comprehensive 2011 guide to the genres, historical contexts, cultural diversity and major authors of American fiction since the Second World War.
Author: Jasper Fforde
Publisher: Penguin
ISBN: 1101601043
Category : Fiction
Languages : en
Pages : 306
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Book Description
NEW YORK TIMES BESTSELLER • Ex-detective Thursday Next faces her trickiest assignment yet in the seventh novel of this renowned series, “[a] bibliophile’s Wonderland” (The Plain Dealer). “It’s safe to say that if you enjoy that particularly British, Douglas Adams–style absurd delivery of wry observations, you’ll get a kick out of [The Woman Who Died a Lot].”—New York Journal of Books Thursday Next, the Bookworld’s leading enforcement officer, has been forced into semiretirement following an assassination attempt. When her former SpecOps division is reinstated, she assumes she’s the obvious choice to lead the Literary Detectives. Sadly, our banged-up heroine is no spring chicken, and her old boss has a cushier job in mind: Chief Librarian of the Swindon All-You-Can-Eat-at-Fatso’s Drink Not Included Library. But where Thursday goes, trouble follows. As the new Chief Librarian faces 100 percent budget cuts and trouble from the ever-evil Jack Schitt, the Next children face their own career hiccups—and possible nonexistence. Don’t miss any of Jasper Fforde’s delightfully entertaining Thursday Next novels: THE EYRE AFFAIR • LOST IN A GOOD BOOK • THE WELL OF LOST PLOTS • SOMETHING ROTTEN • FIRST AMONG SEQUELS • ONE OF OUR THURSDAYS IS MISSING • THE WOMAN WHO DIED A LOT
Author: Patricia Waugh
Publisher: Routledge
ISBN: 1136493891
Category : Literary Criticism
Languages : en
Pages : 187
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Book Description
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Patricia Waugh
Publisher: Routledge
ISBN: 1134970730
Category : Literary Collections
Languages : en
Pages : 187
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Book Description
Metafiction begins by surveying the state of contemporary fiction in Britain and America and explores the complex political, social and economic factors which influence critical judgment of fiction. The author shows how, as the novel has been eclipsed by the mass media, novelists have sought to retain and regain a wide readership by drawing on the themes and preoccupations of these forms. Making use of contemporary fiction by such writers as Fowles, Borges, Spark, Barthelme, Brautigan, Vonnegut and Barth, and drawing on Russian Formalist theories of literary evolution, the book argues that metafiction uses parody along with popular genres and non-literary forms as a way not only of exposing the inadequate and obsolescent conventions of the classic novel, but of stuggesting the lines along which fiction might develop in the future.
Author: Theresia Knuth
Publisher: GRIN Verlag
ISBN: 3638437027
Category : Literary Criticism
Languages : en
Pages : 21
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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,0, Free University of Berlin, course: Modern and Contemporary Short Stories, language: English, abstract: The Greek prepositionμet?(“meta”), which in this context takes on the meaning of “about”, and the literary term “fiction”, which refers to literary work based on imagination, together constitute the term “metafiction”. From the start metafiction has been described as fiction “somehow about fiction itself”. First mentioned at the end of the 1950s, it was further defined throughout the following three decades. Although the term has only been coined in the second half of the 20th century, it is not new to literature. The fiction described can already be found in much older works, such as Chaucer’s “Canterbury Tales”, Cervantes’ “Don Quixote” and massively in Laurence Sterne’s “The Life and Opinions of Tristram Shandy, Gentleman”. Today, metafiction is also common in other creative genres and is primarily associated with postmodernism, which came up during the 1960s. Selfreflexive narrators especially appear in works of postmodern writers such as Vladimir Nabokov, John Fowles, B.S. Johnson, Donald Barthelme, John Barth, Jorge Luis Borges, or Julian Barnes. The typically metafictional “Selbstbespiegeln der Literatur im Verein mit dem ständigen illusionsbrechenden Hervorkehren[der]Fiktionalität” represents an alternative to the continuation of realism, which, as postmodernist writers believe, has become impossible. Critics of metafiction deny it the ability to portray the real world because of its “decadent forms of self-absorption”. Behind the paramount purpose of metafiction, which is to lay bare its own status as fiction, a variety of metafictional devices emerged. Although most commonly found in novels, such devices are not unusual in short stories, as this seminar paper attempts to show.
Author: Gregory W. Dobrov
Publisher: Oxford University Press, USA
ISBN: 0195116585
Category : Aesthetics, Ancient
Languages : en
Pages : 249
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Book Description
"The book should be of particular interest to those working in Greek tragedy and comedy and classical literary theory."--Jacket.
