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Author: Theresa Schilhab
Publisher: Aarhus Universitetsforlag
ISBN: 8772193581
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
We read e-books and printed books. But are there differences in how and where we read? And what opportunities does a digital reading environment bring for writers and designers? The materiality of reading explores the experience of reading by examining the interaction between the reader and the object of reading. Bringing together an array of disciplinary perspectives such as neurobiology, embodied reading and typography, we aim to understand how the materiality of the text enhances reader engagement with digital and physical books. The papers of this anthology are the result of academic discussions and empirical explorations at universities in Zadar, Vilnius, Reading and Stavanger as the authors are all members of the European research initiative, ‘Evolution of Reading in the Age of Digitisation’ (E-READ).
Author: Theresa Schilhab
Publisher: Aarhus Universitetsforlag
ISBN: 8772193581
Category : Literary Criticism
Languages : en
Pages : 161
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Book Description
We read e-books and printed books. But are there differences in how and where we read? And what opportunities does a digital reading environment bring for writers and designers? The materiality of reading explores the experience of reading by examining the interaction between the reader and the object of reading. Bringing together an array of disciplinary perspectives such as neurobiology, embodied reading and typography, we aim to understand how the materiality of the text enhances reader engagement with digital and physical books. The papers of this anthology are the result of academic discussions and empirical explorations at universities in Zadar, Vilnius, Reading and Stavanger as the authors are all members of the European research initiative, ‘Evolution of Reading in the Age of Digitisation’ (E-READ).
Author: Theresa Schilhab
Publisher:
ISBN: 9788771849585
Category :
Languages : en
Pages : 154
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Book Description
We read e-books and printed books. But are there differences in how and where we read? And what opportunities does a digital reading environment bring for writers and designers?00'The materiality of reading' explores the experience of reading by examining the interaction between the reader and the object of reading. Bringing together an array of disciplinary perspectives such as neurobiology, embodied reading and typography, we aim to understand how the materiality of the text enhances reader engagement with digital and physical books.00The papers of this anthology are the result of academic discussions and empirical explorations at universities in Zadar, Vilnius, Reading and Stavanger as the authors are all members of the European research initiative, ?Evolution of Reading in the Age of Digitisation? (E-READ).
Author:
Publisher: BRILL
ISBN: 9004379436
Category : History
Languages : en
Pages : 434
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Book Description
This volume explores the significance of the physical materials and contexts of inscribed texts in Greek and Roman antiquity and their performative roles in ancient society from an anthropological and historical perspective (7th century B.C.E. to 4th century C.E.).
Author: Eyal Amiran
Publisher: Cambridge University Press
ISBN: 1107136075
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
This book argues that elements of modernist texts that are meaningless in themselves are motivated by their authors' psychic crises.
Author: Barbara Graham
Publisher: Berghahn Books
ISBN: 178533283X
Category : Social Science
Languages : en
Pages : 174
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Book Description
In Death, Materiality and Mediation, Barbara Graham analyzes a diverse range of objects associated with remembrance in both the public and private arenas through ethnography of communities on both sides of the Irish border. In doing so, she explores the materially mediated interactions between the living and the dead, revealing the physical, cognitive, emotional, and spiritual roles of the dead in contemporary communities. Through this study, Graham expands the concept of materiality to include narrative, song, senses, emotions, ephemera and embodied experience. She also examines how modern practices are informed by older beliefs and folk religion.
Author: Anne M. Royston
Publisher: MIT Press
ISBN: 0262042924
Category : Social Science
Languages : en
Pages : 225
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Book Description
An argument that theoretical works can signify through their materiality—their “noise,” or such nonsemantic elements as typography—as well as their semantic content. In Material Noise, Anne Royston argues that theoretical works signify through their materiality—such nonsemantic elements as typography or color—as well as their semantic content. Examining works by Jacques Derrida, Avital Ronell, Georges Bataille, and other well-known theorists, Royston considers their materiality and design—which she terms “noise”—as integral to their meaning. In other words, she reads these theoretical works as complex assemblages, just as she would read an artist's book in all its idiosyncratic tangibility. Royston explores the formlessness and heterogeneity of the Encyclopedia Da Costa, which published works by Bataille, André Breton, and others; the use of layout and white space in Derrida's Glas; the typographic illegibility—“static and interference”—in Ronell's The Telephone Book; and the enticing surfaces of Mark C. Taylor's Hiding, its digital counterpart The Réal: Las Vegas, NV, and Shelley Jackson's Skin. Royston then extends her analysis to other genres, examining two recent artists' books that express explicit theoretical concerns: Johanna Drucker's Stochastic Poetics and Susan Howe's Tom Tit Tot. Throughout, Royston develops the concept of artistic arguments, which employ signification that exceeds the semantics of a printed text and are not reducible to a series of linear logical propositions. Artistic arguments foreground their materiality and reflect on the media that create them. Moreover, Royston argues, each artistic argument anticipates some aspect of digital thinking, speaking directly to such contemporary concerns as hypertext, communication theory, networks, and digital distribution.
Author: Kathryn E. Piquette
Publisher: Ubiquity Press
ISBN: 1909188263
Category : Social Science
Languages : en
Pages : 352
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Book Description
Writing as Material Practice grapples with the issue of writing as a form of material culture in its ancient and more recent manifestations, and in the contexts of production and consumption. Fifteen case studies explore the artefactual nature of writing — the ways in which materials, techniques, colour, scale, orientation and visibility inform the creation of inscribed objects and spaces, as well as structure subsequent engagement, perception and meaning making. Covering a temporal span of some 5000 years, from c.3200 BCE to the present day, and ranging in spatial context from the Americas to the Near East, the chapters in this volume bring a variety of perspectives which contribute to both specific and broader questions of writing materialities. The authors also aim to place past graphical systems in their social contexts so they can be understood in relation to the people who created and attributed meaning to writing and associated symbolic modes through a diverse array of individual and wider social practices.
Author: John N. King
Publisher: Cambridge University Press
ISBN: 9781107412552
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
The consumption of books is closely intertwined with the material conditions of their production. The Tudor period saw both revolutionary progress in printing technology and the survival of traditional forms of communication from the manuscript era. Offering a comprehensive account of Tudor book culture, these new essays by experts in early book history consider the formative years of English printing; book format, marketing, and the reception of books; print, politics, and patronage; and connections between reading and religion. They challenge the conventional view of the 1557 foundation of the Stationers' Company as an event that marks a shift between older and newer modes of book production, sale, and reading. Both continuity and change led to the gradual development of late medieval book culture into the genuinely early modern book culture that emerged by the death of Queen Elizabeth.
Author: E. Lin
Publisher: Springer
ISBN: 1137006501
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
Winner of the MRDS 2013 David Bevington Award for Best New Book in Early Drama Studies! Drawing on a wide variety of primary sources, Lin reconstructs playgoers' typical ways of thinking and feeling and demonstrates how these culturally-trained habits of mind shaped dramatic narratives and the presentational dynamics of onstage action.
Author: David Bleich
Publisher: Indiana University Press
ISBN: 0253007739
Category : Literary Criticism
Languages : en
Pages : 576
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Book Description
A critique of male-dominated modes of language use, their roots in higher education, their effects, and their spill over into popular culture. David Bleich sees the human body, its affective life, social life, and political functions as belonging to the study of language. In The Materiality of Language, Bleich addresses the need to end centuries of limiting access to language and its many contexts of use. To recognize language as material and treat it as such, argues Bleich, is to remove restrictions to language access due to historic patterns of academic censorship and unfair gender practices. Language is understood as a key path in the formation of all social and political relations, and becomes available for study by all speakers, who may regulate it, change it, and make it flexible like other material things. “A potentially foundational text in an emergent field [of] language studies, whose work is to break up the monopoly Linguistics and Philosophy have had on the study of language. . . . The insight that the affective operation of language is elided in nearly all approaches to [language] acquisition is brilliant and astounding. . . . The analysis of subject creation as an affective process of recognizing and sharing the same affective state and language as the means for materializing affective states . . . is fascinating and persuasive. . . . One of the book’s distinctive features is the use of gender as a key normative analytical lens throughout. It would be difficult to exaggerate how rare this is among language thinkers, and how productive it is for the arguments here.” —Mary Louise Pratt, New York University “A powerful, first-rate book on a crucial topic. It offers a great interpretation of the sacralization and ascendancy of Latin as a language supporting what Bleich calls ‘an elite group of men.’ . . . This is a brilliant codebook to academic language and its coercions.” —Dale Bauer, University of Illinois“/B>/DESC> literary theory;semiotics;literary criticism;philosophy;language philosophy;philosophy of language;gender studies;social science;language studies;communication studies;language arts;language disciplines;gender;sex;language;rhetoric;academic language;colloquial language;language political aspects;language sex differences;language and gender LIT006000 LITERARY CRITICISM / Semiotics & Theory PHI038000 PHILOSOPHY / Language SOC032000 SOCIAL SCIENCE / Gender Studies LAN004000 LANGUAGE ARTS & DISCIPLINES / Communication Studies 9780253016508 Well-Tempered Woodwinds: Friedrich von Huene and the Making of Early Music in a New World Geoffrey Burgess
