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Author: Edwin B. Mullins
Publisher: Doubleday Books
ISBN: 9780385243711
Category : Fiction
Languages : en
Pages : 373
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Book Description
Fifteenth-century painter Jan Van Eyck becomes a pawn in the hands of nefarious plotters in the court of Philip, Duke of Burgundy, but nonetheless manages to create a great masterwork, the Ghent altarpiece
Author: Edwin B. Mullins
Publisher: Doubleday Books
ISBN: 9780385243711
Category : Fiction
Languages : en
Pages : 373
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Book Description
Fifteenth-century painter Jan Van Eyck becomes a pawn in the hands of nefarious plotters in the court of Philip, Duke of Burgundy, but nonetheless manages to create a great masterwork, the Ghent altarpiece
Author: Johan Cederlund
Publisher: Rizzoli Publications
ISBN: 0847841510
Category : Art
Languages : en
Pages : 226
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Book Description
Accompanying a major retrospective of Anders Zorn’s work, this is the first volume in English to explore the Swedish Impressionist’s entire career in depth. Anders Zorn (1860–1920) is one of Sweden’s most accomplished and beloved artists. Renowned for his light, expressive watercolors, he attained mastery of the genre at an early age and later applied his techniques to oil painting. Zorn is often compared with the artists John Singer Sargent and Joaquín Sorolla y Bastida, contemporaries who also were known for their portraits of high-society figures. Taking up residence in London and then in Paris, Zorn established himself as an international portrait painter, depicting fashionable clients in a style both elegant and relaxed. He became a favorite among wealthy American collectors, bankers, and industrialists who sat for him, including art collector Isabella Stewart Gardner and three U.S. presidents. Although perhaps best known for his portraits, Zorn brought equal skill to painting genre scenes and views of nature. This handsome volume provides a thorough introduction to the artist and his works, from portraiture to landscapes and his famous nudes. Four illustrated essays are accompanied by a chronology, selected bibliography, an exhibition checklist, and an index.
Author: Susie Hodge
Publisher: Lorenz Books
ISBN: 9780754834922
Category : Art
Languages : en
Pages : 256
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Book Description
Biographies of the main artists and a thematic gallery of the greatest paintings of the period, in one sumptuously illustrated volume.
Author: Hereward Lester Cooke
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 280
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Book Description
A revised and enlarged edition of Painting lessons from the great masters.
Author: Harold McCracken
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 278
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Book Description
The life and work of a master painter of the Old West.
Author: Denis Mahon
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author: Barbara G. Lane
Publisher:
ISBN: 9781905375196
Category : Painting, Flemish
Languages : en
Pages : 0
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Book Description
Hans Memling was the leading painter in Bruges during the last quarter of the fifteenth century, receiving commissions from patrons in England, Germany and Italy as well as Flanders itself. For the Romantics of the nineteenth century, he ranked even above Jan van Eyck as the greatest of the Flemish primitives. By the middle of the twentieth century, however, his exalted reputation had declined sharply under the shadow of his presumed teacher, Rogier van der Weyden. In 1953, Panofsky labelled Memling a major minor master, leading subsequent writers to consider him unworthy of serious study. It was only in 1994, the five-hundredth anniversary of his death, that the major exhibition on Memling in Bruges launched a veritable flood of publications on his life and work, finally granting him the recognition he deserves.This book contributes to the ongoing reappraisal of Memling by addressing some of the tantalizing problems that remain unresolved despite much recent study of his work. Beginning with the question of his training, the text follows him on his Wanderjahre from his native Germany to Bruges, where he became a citizen in 1465. It then considers his activities as a master painter in Bruges, concentrating on the late fifteenth and early sixteenth centuries, including the work of such major artists as Leonardo da Vinci and Raphael.
Author: Laurene Buckley
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Joseph Rodefer DeCamp was one of America's finest painters. Throughout his career he experimented with, and mastered, many techniques, constantly thirsting for new ways to express his artistic skills. DeCamp's first leanings were towards landscape painting, yet it is a tragic irony that so few of his landscapes survive, as a significant proportion of his early work, some several hundred paintings, was destroyed by fire when he was 46. This tragedy was compounded in later years by ill health, which reduced his output. Joseph Rodefer DeCamp was born in 1858 in Cincinnati, Ohio, where he studied at the McMicken School of Design. He left America in 1878 to study in Munich and then lived in Florence and Italy, before returning to the USA in 1883. The following year he settled in Boston. He was a founding member of the Ten American painters in 1897 and visited North Africa, Spain and England in 1909. DeCamp died in 1923 in Boca Grande, Florida. This book examines the artist's life in terms of seven well-defined periods. The book traces how, as a boy in Cincinnati, he showed astonishing early dedication to his talent. It describes how he trained in Europe for five years, studying first at the Royal Academy in Munich and then training under Frank Duveneck while living in Venice and Florence. Author Laurene Buckley examines DeCamp's blossoming career on his return to America in three stages: Cincinnati and teaching in Cleveland; his early years in Boston; and his emergence as a national figure when, in the 1890s, he turned his consummate skills to Impressionism. Experimenting with bright colours, he earned himself an accolade from the New York Times as a painter "in the Monet advance." During the period that Laurene Buckley describes as DeCamp's "maturity", 1900-1917, the artist became well known for his portraiture. Many of his most famous surviving paintings are portraits. This book not only retells the story of DeCamp's varied life, but also examines his seemingly limitless experimentation throughout his career, and discusses his meticulous skills as a draftsman. It is illustrated throughout with many of DeCamp's finest works, including several images of the paintings lost as a result of the fire in his Boston Harcourt Street studio in 1904.
Author: Mark Lamster
Publisher: Anchor
ISBN: 0307387356
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
Although his popularity is eclipsed by Rembrandt today, Peter Paul Rubens was revered by his contemporaries as the greatest painter of his era, if not of all history. His undeniable artistic genius, bolstered by a modest disposition and a reputation as a man of tact and discretion, made him a favorite among monarchs and political leaders across Europe—and gave him the perfect cover for the clandestine activities that shaped the landscape of seventeenth-century politics. In Master of Shadows, Mark Lamster brilliantly recreates the culture, religious conflicts, and political intrigues of Rubens’s time, following the painter from Antwerp to London, Madrid, Paris, and Rome and providing an insightful exploration of Rubens’s art as well as the private passions that influenced it.
Author: Suzanne Brooker
Publisher: Watson-Guptill
ISBN: 0823008355
Category : Art
Languages : en
Pages : 210
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Book Description
The art of portraiture approached its apex during the sixteenth century in Europe with the discovery of oil painting when the old masters developed and refined techniques that remain unsurpassed to this day. The ascendance of nonrepresentational art in the middle of the twentieth century displaced these venerable skills, especially in academic art circles. Fortunately for aspiring artists today who wish to learn the methods that allowed the Old Masters to achieve the luminous color and subtle tonalities so characteristic of their work, this knowledge has been preserved in hundreds of small traditional painting ateliers that persevered in the old ways in this country and throughout the world. Coming out of this dedicated movement, Portrait Painting Atelier is an essential resource for an art community still recovering from a time when solid instruction in art technique was unavailable in our schools. Of particular value here is a demonstration of the Old Masters’ technique of layering paint over a toned-ground surface, a process that builds from the transparent dark areas to the more densely painted lights. This method unifies the entire painting, creating a beautiful glow that illuminates skin tones and softly blends all the color tones. Readers will also find valuable instruction in paint mediums from classic oil-based to alkyd-based, the interactive principles of composition and photograph-based composition, and the anatomy of the human face and the key relationships among its features. Richly illustrated with the work of preeminent masters such as Millet, Géricault, and van Gogh, as well as some of today’s leading portrait artists—and featuring seven detailed step-by-step portrait demonstrations—Portrait Painting Atelier is the first book in many years to so comprehensively cover the concepts and techniques of traditional portraiture.
