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Author: James Rendel Harris
Publisher: Manchester : University Press ; London ; New York : Longmans and Green
ISBN:
Category : Apples
Languages : en
Pages : 48
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Book Description
Author: James Rendel Harris
Publisher: Manchester : University Press ; London ; New York : Longmans and Green
ISBN:
Category : Apples
Languages : en
Pages : 48
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Book Description
Author: Edgar Allan Poe
Publisher: Harper Collins
ISBN: 1443423343
Category : Fiction
Languages : en
Pages : 32
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Book Description
Roderick Usher’s fate is inextricably intertwined with that of his sister, Madeline, and that of their estate. As one falls, so do they all. “The Fall of the House of Usher” is considered Edgar Allan Poe’s greatest work, and a masterpiece of Gothic horror. A pioneer of the short story genre, Poe’s stories typically captured themes of the macabre and included elements of the mysterious. His better-known stories include “The Fall of the House of Usher”, “The Pit and the Pendulum”, “The Murders in the Rue Morgue”, “The Masque of the Red Death” and “The Tell-Tale Heart”. HarperCollins brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperCollins short-stories collection to build your digital library.
Author: Kurt Schindler
Publisher:
ISBN:
Category : Pantomimes
Languages : en
Pages : 102
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Book Description
Author: Gale K. Larson
Publisher: Penn State Press
ISBN: 9780271021270
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
SHAW 21 offers readers an eclectic perspective on Shaw, his works, and his contemporaries. Basil Langton, actor and director, reminisces about his early development as an actor, his meeting with Shaw, and his career as director of many of Shaw's plays. He focuses upon Shaw's stagecraft, augmenting his views with those of Sybil Thorndike and Sir Lewis Casson, whom he interviewed in 1960. Galen Goodwin Longstreth analyzes the correspondence between Shaw and Ellen Terry and argues that the exchange is itself a literary genre, a dramatic performance that reveals their personal identities. The next two contributors, Stanley Weintraub and Andrea Adolph, examine the Shaw/Virginia Woolf relationship. Weintraub focuses on those occasions when their respective lives touched each other, what their feelings for each other were, and how those occasions were obliquely woven into Shaw's plays, most notably Heartbreak House. Professor Adoph argues that in Woolf's only dramatic text, Freshwater: A Comedy, she was conforming to the traditional theatrical mode of the day, dominated, of course, by Shaw, but that she subverted his traditional literary depiction of paternity as, for example, the paternity dramatized in Major Barbara. Sidney Albert and Bernard Dukore provide unique perspectives on reading Major Barbara. Albert shows how John Bunyan's The Pilgrim's Progress serves as Shaw's source for Barbara's progress toward enlightened understanding. Dukore, focusing on the perspective of the familial relationship within the play, concludes that Shaw's dialectic gives the kids the future and not the dad. It will be the next generation, not Father Undershaft, who will determine where society will go next. Julie Sparks and Martin Bucco approach Shaw from a comparative basis, juxtaposing him with two American writers, contemporaries of Shaw, Mark Twain and Sinclair Lewis, respectively. Sparks explores the commonality that exists in Shaw's and Twain's thinking about evolution, namely, their heretical visions of a post-Darwinian Eden. Both viewed conventional Christianity iconoclastically, but both arrived at different conclusions about human origin and destiny, a view Sparks describes as emanating from the deist-pessimist-evolutionary-determinist perspective versus the mystic-optimistic-creative-evolutionist perspective, or the Personal Godhead versus the Impersonal Force. Professor Bucco enumerates the many references Sinclair Lewis makes to Bernard Shaw throughout his writings, both prose and fiction, to underscore the American novelist's admiration for the Irish playwright, both recipients of the Nobel Prize for Literature. The final two contributors to SHAW 21, Rodelle Weintraub and William Doan, provide the readers with distinctive perspectives on John Bull's Other Island and The Doctor's Dilemma, respectively. Weintraub recasts the play into a dream sequence whereby Doyle's dream becomes an artifice for problem solving. Implied within Father Keegan's lines in the play, "Every dream is a prophecy: every jest is an earnest in the womb of Time," is the resolution of Doyle's problem with Nora, the girl he had left behind, and of the dream of modernizing Roscullen. Doan suggests that in The Doctor's Dilemma Shaw uses the idea of unconsummated adultery to argue for the efficacy of art over science. In the conflict between the artist and the scientist, the latter plans to have the artist's muse. In the end, not only is he deprived of the wife but also of the works of art themselves and the spirit that animates them. SHAW 21 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author: Virginia Dickinson Reynolds
Publisher: University of Georgia Press
ISBN: 0820342998
Category : History
Languages : en
Pages : 425
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Book Description
A mother writes to her faraway daughter: "I keep all your letters. Someday you might want to do something with them." Those words foretold Shared Histories, although neither woman would live to see the book. This is the first known published collection of letters to include correspondence between civilian family members on both sides of the Atlantic during World War II. Separated for most of their adult lives, Virginia Dickinson Reynolds and her daughter, Virginia Potter, wrote to each other for nearly forty years. This selection from their long exchange is filled with unguarded reflections on current events, fashion, food, travel, domestic life, leisure, and the upheaval of war. Readers will also encounter various prominent English people and members of the aristocracy, the American southern elite, and such familiar names as Martha Graham, Walt Disney, and Ellen Glasgow. Both women were born in Richmond, Virginia, and raised in privileged circumstances. Virginia Dickinson Reynolds was the child of a Confederate Army officer and was also a distant cousin of poet Emily Dickinson. Virginia Potter traveled widely until she married an English Army officer and settled in his country. The women's intensely close bond shines through Shared Histories as, from time to time, do their class-conscious, Anglo-Saxon sensibilities. Sometimes poignant, sometimes bristling, always candid, these letters portray private worlds of tradition confronted with global change.
Author: V. S. Naipaul
Publisher: Knopf Canada
ISBN: 0307399974
Category : History
Languages : en
Pages : 291
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Book Description
Understanding Africa is critical for all concerned with the world today: in what promises to be his final great work of reportage, one of the keenest observers of the continent surveys the effects of belief and religion on the disparate peoples of Africa. The Masque of Africa is Nobel Prize-winning V. S. Naipaul's first major work of non-fiction to be published since his internationally bestselling Beyond Belief. Like all of Naipaul's great works of non-fiction, The Masque of Africa is superficially a book of travels — full of people, stories and landscapes he visits — but it also encompasses a larger narrative and purpose: to judge the effects of belief (whether in indigenous animisms, faiths imposed by other cultures, or even the cults of leaders and mythical history) upon the progress of civilization.
Author: Kate Oglebay
Publisher:
ISBN:
Category : Children's plays
Languages : en
Pages : 28
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Book Description
Author: Edgar Allan Poe
Publisher: Strelbytskyy Multimedia Publishing
ISBN:
Category : Fiction
Languages : en
Pages : 13
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Book Description
"The Masque of the Red Death", originally published as "The Mask of the Red Death: A Fantasy", is an 1842 short story by American writer Edgar Allan Poe. The story follows Prince Prospero's attempts to avoid a dangerous plague, known as the Red Death, by hiding in his abbey. He, along with many other wealthy nobles, hosts a masquerade ballwithin seven rooms of the abbey, each decorated with a different color. In the midst of their revelry, a mysterious figure disguised as a Red Death victim enters and makes his way through each of the rooms. Prospero dies after confronting this stranger, whose "costume" proves to contain nothing tangible inside it; the guests also die in turn. Poe's story follows many traditions of Gothic fiction and is often analyzed as an allegory about the inevitability of death, though some critics advise against an allegorical reading. Many different interpretations have been presented, as well as attempts to identify the true nature of the titular disease. The story was first published in May 1842 in Graham's Magazineand has since been adapted in many different forms, including a 1964 film starring Vincent Price.
Author: Jack Gelber
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Everest Media,
Publisher: Everest Media LLC
ISBN:
Category : Science
Languages : en
Pages : 42
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Book Description
Please note: This is a companion version & not the original book. Sample Book Insights: #1 The story of modern cancer research begins with the sea urchin. In the early 1900s, German scientist Theodor Boveri turned to sea urchin eggs to answer one of the central questions in biology: how are the instructions for making a new organism passed from one generation to the next. #2 The first scientist to recognize that cancer is a disease of bad information was Hans Boveri, who studied the growth of sea urchin eggs in Naples. He thought that cancer cells might have abnormal chromosomes. #3 Warburg and Boveri were two completely different types of scientists. Warburg was a man of doubt, while Boveri was a man of doubt who waited over a decade before expanding on his theory. #4 Otto Warburg was a biochemist who was extremely devoted to his work. He had a passion for science that his father, Emil, had. However, he also had a passion for the living world, which his father did not.
