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Author: Colleen Elaine Donnelly
Publisher:
ISBN: 9789088903687
Category : History
Languages : en
Pages : 0
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Book Description
Mary Magdalene and the Virgin Mary continue to intrigue and fascinate us to this day. Their appearances in the Bible are brief, piquing our curiosity and compelling speculation about the unknown years of their lives. This volume contains modern translations of plays performed during the late Middle Ages in England about the lives of the Virgin Mary and Mary. These plays provide a link between canonical Scripture, apocryphal and gnostic materials from the first centuries of Christianity that survived secreted or in oral tradition, legendary materials that developed over the ensuing centuries, and contemporary medieval religious belief and practices. Materials from the N-Town Mary and other plays contain episodes about the childhood of the Virgin, her betrothal and marriage to Joseph, and her time after the death of Christ. The Digby Mary Magdalene begins with an account of the death of Mary Magdalene's father's death, her subsequent fall into promiscuity, her redemption, her journey to convert Marseille and thus christianize France, her later years as a hermit and her death. These plays illustrate one way in which Biblical materials were available to lay people before the printing of the Bible. Reading these plays of the Virgin Mary and Mary Magdalene from the late Middle Ages increases our understanding of the history of the Marian and Magdalene traditions practiced in earlier centuries, as well as our understanding of what these women have come to represent today, shedding light on how their images have shaped the roles for women in the Church.
Author: Colleen Elaine Donnelly
Publisher:
ISBN: 9789088903687
Category : History
Languages : en
Pages : 0
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Book Description
Mary Magdalene and the Virgin Mary continue to intrigue and fascinate us to this day. Their appearances in the Bible are brief, piquing our curiosity and compelling speculation about the unknown years of their lives. This volume contains modern translations of plays performed during the late Middle Ages in England about the lives of the Virgin Mary and Mary. These plays provide a link between canonical Scripture, apocryphal and gnostic materials from the first centuries of Christianity that survived secreted or in oral tradition, legendary materials that developed over the ensuing centuries, and contemporary medieval religious belief and practices. Materials from the N-Town Mary and other plays contain episodes about the childhood of the Virgin, her betrothal and marriage to Joseph, and her time after the death of Christ. The Digby Mary Magdalene begins with an account of the death of Mary Magdalene's father's death, her subsequent fall into promiscuity, her redemption, her journey to convert Marseille and thus christianize France, her later years as a hermit and her death. These plays illustrate one way in which Biblical materials were available to lay people before the printing of the Bible. Reading these plays of the Virgin Mary and Mary Magdalene from the late Middle Ages increases our understanding of the history of the Marian and Magdalene traditions practiced in earlier centuries, as well as our understanding of what these women have come to represent today, shedding light on how their images have shaped the roles for women in the Church.
Author: Colleen Elaine Donnelly
Publisher:
ISBN: 9789088903670
Category : English drama
Languages : en
Pages : 0
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Book Description
This book contains translations of two Medieval plays featuring Mary Magdalene and the Virgin Mary.
Author: Joannes Vriend
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 188
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Book Description
Author: Theresa Coletti
Publisher: University of Pennsylvania Press
ISBN: 0812201647
Category : Literary Criticism
Languages : en
Pages : 359
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Book Description
A sinner-saint who embraced then renounced sexual and worldly pleasures; a woman who, through her attachment to Jesus, embodied both erotic and sacred power; a symbol of penance and an exemplar of contemplative and passionate devotion: perhaps no figure stood closer to the center of late medieval debates about the sources of spiritual authority and women's contribution to salvation history than did Mary Magdalene, and perhaps nowhere in later medieval England was cultural preoccupation with the Magdalene stronger than in fifteenth-century East Anglia. Looking to East Anglian texts including the N-Town Plays, The Book of Margery Kempe, The Revelations of Julian of Norwich, and Bokenham's Legend of Holy Women, Theresa Coletti explores how the gendered symbol of Mary Magdalene mediates tensions between masculine and feminine spiritual power, institutional and individual modes of religious expression, and authorized and unauthorized forms of revelation and sacred speech. Using the Digby play Mary Magdalene as her touchstone, Coletti engages a wide variety of textual and visual resources to make evident the discursive and material ties of East Anglian dramatic texts and feminine religion to broader traditions of cultural commentary and representation. In bringing the disciplinary perspectives of literary history and criticism, gender studies, and social and religious history to bear on specific local instances of dramatic practice, Mary Magdalene and the Drama of Saints highlights the relevance of Middle English dramatic discourse to the dynamic religious climate of late medieval England. In doing so, the book decisively challenges the marginalization of drama within medieval English studies, elucidates vernacular theater's kinship with influential late medieval religious texts and institutions, and articulates the changing possibilities for sacred representation in the decades before the Reformation.
Author: Chester N. Scoville
Publisher: Broadview Press
ISBN: 1770486682
Category : Drama
Languages : en
Pages : 120
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Book Description
Few medieval plays in English have attracted as much twenty-first-century interest as the Digby Mary Magdalene, an early-fifteenth-century drama that, as Chester Scoville puts it, is “probably the most spectacular of the late medieval English plays.” This new edition presents a modernized text of the play, with extensive annotation (both marginal glosses and explanatory footnotes), an insightful introduction, and a helpful selection of background contextual materials.
Author: Katie Normington
Publisher: DS Brewer
ISBN: 9781843840275
Category : Drama
Languages : en
Pages : 178
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Book Description
Evidence from Records of Early English Drama, social, literary and cultural sources are drawn together in order to investigate how performances within the late Middle Ages were both shaped by, and shaped, the public image of women."--BOOK JACKET.
Author: Center for Medieval and Renaissance Studies (Los Angeles, Calif.)
Publisher: SUNY Press
ISBN: 9780873950855
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
The religious medieval drama, like the Church which produced it, was international. As such, from its earliest beginnings in the tenth-century Quem quaeritis to the thirteenth-century Ludi Paschales and Passion Plays, it exhibits a cultural and thematic unity binding the various plays: a thematic unity from the fabric of Christian thought, and a cultural unity from the fact that these productions, at least up to the end of the thirteenth century, generally share a technical-philological medium: the Latin language. In later centuries, this religious drama expressed in the vernacular remained an act of faith; its purpose being to strengthen the faith of the worshippers and to express in visible, dramatic terms the facts and values of Christian belief. These essays were, in their original form, addressed to the third annual conference of the Center for Medieval and Early Renaissance Studies at the State University of New York at Binghamton. The work of international authorities on the medieval drama, they span many centuries and bear witness to the growth of the religious dramatic form and of the dramatic movement and temper of the liturgy in which that form finds its origin. Omer Jodogne establishes a difference, on the aesthetic level, between dramatic works and their theatrical performance by pointing out that the surviving texts, whether they were meant for reading or for a theatrical performance, reproduce only what was said on the stage, and, succinctly, what was done. Wolfgang Michael suggests that the first medieval drama did not originate in a slow growth from the Easter trope Quem quaeritis but was rather an original creation of the author or authors of the Concordia Regularis. He indicates that subsequent dramatic endeavors in their slow process of change and expansion reflect the working of tradition rather than an original spirit and form. Sandro Sticca examines the creation of the first Passion Play and shows that Christ's passion became increasingly popular in the tenth century, and that the new forces which allowed a more eloquent and humane visualization and description of Christ's anguish first appeared in the eleventh and twelfth centuries. He also refutes the traditional view that the Planctus Mariae is the germinal point of the Latin Passion Play. V. A. Kolve seeks to account for certain central facts about Everyman which have never had close critical attention. He analyzes the Biblical and Patristic references within which the story is shaped and which are central to the understanding of other actions and to determining the meaning of the play. Glynn Wickham, after exploding on the evidence of reference alone the old categorizing of English Saint Plays as by-products or late developments of Mysteries and Moralities, turns to a critical discussion of the three surviving texts of English Saint Plays and of their original staging by means of diagrammatic illustrations providing a vivid visualization of their performance. William Smolden takes an unaccustomed approach to the controversial question of the origins of the Quem quaeritis. He maintains that when musical evidence is called on, it brings about, on a number of occasions, a confutation of the theory of a "textual" writer. From a detailed consideration of the two earliest Quem quaeritis he feels convinced that the place of origin of the trope was the Abbey of St. Martial of Limoges.
Author: Joannes Vriend
Publisher:
ISBN: 9780879687564
Category :
Languages : en
Pages :
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Book Description
Author: Joannes Vriend
Publisher:
ISBN: 9781494033774
Category :
Languages : en
Pages : 180
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Book Description
This is a new release of the original 1928 edition.
Author: Peter Meredith
Publisher: Exeter Medieval Texts and Stud
ISBN: 9780859895477
Category : Drama
Languages : en
Pages : 0
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Book Description
The Mary Play is a beautiful and engaging piece of late medieval stagecraft. It is rich in music and spectacle and is the only English play which deals with Mary's parents and her early life; the only play which centres on a prayer, the Ave Maria; the only play which in its devotional intensity reflects the central concerns of late fifteenth century lay piety. Two recent productions have demonstrated its effectiveness as drama. The Mary Play comes from Norfolk and matches theatrically the elaborate painting, stained glass and carving of that area. The Marian shrine of Walsingham is part of its local context. This edition, a new volume in the series Exeter Medieval Texts and Studies, presents the play as a single entity rather than as a number of pageants in a cycle play. The introduction describes the manuscript, its language, place and staging. There is an extensive commentary which places the play in its intellectual and theatrical contexts, and a complete glossary.
