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Author: Robert Hillenbrand
Publisher: Edinburgh Studies in Islamic A
ISBN: 9781474434294
Category : Art
Languages : en
Pages : 448
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Book Description
Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privileges the maker rather than the patron. The range is wide - mosques becoming temples; how religious buildings reflect politics; Yemeni frescoes and inscriptions; domestic Syrian 18th-century ornament; Egyptian bookbinding techniques; recycling and repair in Damascene crafts; conservation versus restoration; narrative on ceramics; metalwork with architectural motifs; lost buildings reconstructed; how objects speak;Muslim burials in China; the role of migrating potters; Mughal painting; stone carpet weights; the use of metals in Islamic manuscripts, calligraphy and modern artists' books. Key Features - Explores previously neglected practice-based approaches to Islamic art - Looks at Islamic art from the craftsman's rather than the patron's viewpoint - Covers not just the Islamic heartlands but extends to India and China, underlining the global presence of Islamic art - Presents material and sources which are usually overlooked in discussions of Islamic art - Revises conventional wisdom in fields as disparate as book painting and ceramics - Illuminates the interface of modern politics and Islamic art Robert Hillenbrand is Professor Emeritus of Islamic Art the University of Edinburgh and Professorial Fellow in the School of Art History at the University of St Andrews.
Author: Robert Hillenbrand
Publisher: Edinburgh Studies in Islamic A
ISBN: 9781474434294
Category : Art
Languages : en
Pages : 448
Get Book
Book Description
Explores how Islamic art and architecture were made: their materials and their social, political, economic and religious context In their own words, Jonathan Bloom and Sheila Blair espouse 'things and thinginess rather than theories and isations'. This book's practical, down-to-earth dimension, expressed in plain, simple English, runs counter to the current fashion for theoretical explanations and their accompanying jargon. Its many insights, firmly anchored in artistic practice in architecture, painting and the decorative arts, are supported by ample technical know-how. This bottom-up approach differs radically and refreshingly from that of much top-down contemporary scholarship. It privileges the maker rather than the patron. The range is wide - mosques becoming temples; how religious buildings reflect politics; Yemeni frescoes and inscriptions; domestic Syrian 18th-century ornament; Egyptian bookbinding techniques; recycling and repair in Damascene crafts; conservation versus restoration; narrative on ceramics; metalwork with architectural motifs; lost buildings reconstructed; how objects speak;Muslim burials in China; the role of migrating potters; Mughal painting; stone carpet weights; the use of metals in Islamic manuscripts, calligraphy and modern artists' books. Key Features - Explores previously neglected practice-based approaches to Islamic art - Looks at Islamic art from the craftsman's rather than the patron's viewpoint - Covers not just the Islamic heartlands but extends to India and China, underlining the global presence of Islamic art - Presents material and sources which are usually overlooked in discussions of Islamic art - Revises conventional wisdom in fields as disparate as book painting and ceramics - Illuminates the interface of modern politics and Islamic art Robert Hillenbrand is Professor Emeritus of Islamic Art the University of Edinburgh and Professorial Fellow in the School of Art History at the University of St Andrews.
Author: Bloom
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jonathan M. Bloom
Publisher: Yale University Press
ISBN: 0300243472
Category : Art
Languages : en
Pages : 348
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Book Description
A group of renowned scholars, collectors, artists, and curators grapple with the challenging notion of defining "Islamic art."
Author: Oleg Grabar
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780860789260
Category : Art
Languages : en
Pages : 400
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Book Description
The articles selected for Islamic Art and Beyond, the third in the set of four selections of articles by Oleg Grabar, illustrate how the author's study of Islamic art led him in two directions for a further understanding of the arts. One is how to define Islamic art and what impulses provided it with its own peculiar forms and dynamics of growth. The other issue is that of the meanings to be given to forms like domes, so characteristic of Islamic art, or to terms like symbol, signs, or aesthetic values in the arts, especially when one considers the contemporary world.
Author: Doris Behrens-Abouseif
Publisher: BRILL
ISBN: 9004144420
Category : Social Science
Languages : en
Pages : 457
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Book Description
This collection of essays provides a timely reassessment of nineteenth-century Islamic art and architecture. The essays demonstrate that the arts of that era were vibrant and diverse, making ingenious use of native traditions and materials or adopting imported conventions and new technologies. However, traditionalists, revivalists and modernists all referred in one way or another to an Islamic heritage, whether to reinvent, revive or reject it. Beginning with an historical introduction and an assessment of changing attitudes towards the visual arts the following essays provide case studies of architecture and art in Ottoman Turkey, Egypt, Morocco, sub-Saharan Africa, Iran, Central Asia, India and the Caribbean. They examine such issues as patronage, sources of artistic inspiration and responses to European art. The essays have a relevance and importance for our understanding of the societies and attitudes of that time, and have a direct bearing on the more general debate concerning cultural identity and the integration of modern ideas in the Muslim world. The book is richly illustrated with very many illustrations in black-and-white and in full colour.
Author: Adam Barkman
Publisher:
ISBN: 9780500291719
Category : Islamic architecture
Languages : en
Pages : 0
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Book Description
Making Sense of Islamic Art & Architecture is designed to equip the cultural tourist and art student with the means to interpret paintings, buildings or artefacts in terms of the iconography and symbolism of Islam. With reference to 100 clearly illustrated and diverse historical works, readers will learn to identify the telling details that mean so much to Muslims. The book's layout is both visually striking and accessible. Each double-page spread features a full-page colour photograph of either a detail of the work or its context, depending on the subject, with a second photograph chosen to illustrate important aspects of the work. Alongside is a detailed exposition of the work's significance in Islamic art history and philosophy, with key historical facts about the work, including where it may be seen today. By tracing the paths between Islamic belief and artistic intention, this book will deepen understanding not only of Islamic art and architecture but also of Islam itself.
Author: Sara Kuehn
Publisher: BRILL
ISBN: 9004209727
Category : History
Languages : en
Pages : 404
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Book Description
This book is a pioneering work on a key iconographic motif, that of the dragon. It examines the perception of this complex, multifaceted motif within the overall intellectual and visual universe of the medieval Irano-Turkish world. Using a broadly comparative approach, the author explores the ever-shifting semantics of the dragon motif as it emerges in neighbouring Muslim and non-Muslim cultures.
Author: Richard Ettinghausen
Publisher: Yale University Press
ISBN: 9780300088694
Category : Art
Languages : en
Pages : 364
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Book Description
This richly illustrated book provides an unsurpassed overview of Islamic art and architecture from the seventh to the thirteenth centuries, a time of the formation of a new artistic culture and its first, medieval, flowering in the vast area from the Atlantic to India. Inspired by Ettinghausen and Grabar’s original text, this book has been completely rewritten and updated to take into account recent information and methodological advances. The volume focuses special attention on the development of numerous regional centers of art in Spain, North Africa, Egypt, Syria, Anatolia, Iraq, and Yemen, as well as the western and northeastern provinces of Iran. It traces the cultural and artistic evolution of such centers in the seminal early Islamic period and examines the wealth of different ways of creating a beautiful environment. The book approaches the arts with new classifications of architecture and architectural decoration, the art of the object, and the art of the book. With many new illustrations, often in color, this volume broadens the picture of Islamic artistic production and discusses objects in a wide range of media, including textiles, ceramics, metal, and wood. The book incorporates extensive accounts of the cultural contexts of the arts and defines the originality of each period. A final chapter explores the impact of Islamic art on the creativity of non-Muslims within the Islamic realm and in areas surrounding the Muslim world.
Author: Seyyed Hossein Nasr
Publisher: SUNY Press
ISBN: 9780887061752
Category : Art
Languages : en
Pages : 244
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Book Description
This is the first book in the English language to deal with the spiritual significance of Islamic art including not only the plastic arts, but also literature and music. Rather than only dealing with the history of the various arts of Islam or their description, the author relates the form, content, symbolic language, meaning, and presence of these arts to the very sources of the Islamic revelation. Relying upon his extensive knowledge of the Islamic religion in both its exoteric and esoteric dimensions as well as the various Islamic sciences, the author relates Islamic art to the inner dimensions of the Islamic revelation and the spirituality which has issued from it. He brings out the spiritual significance of the Islamic arts ranging from architecture to music as seen, heard, and experienced by one living within the universe of the Islamic tradition. In this work the reader is made to understand the meaning of Islamic art for those living within the civilization which created it.
Author: Roland Michaud
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 324
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Book Description
Michael Barry's text draws on a wealth of historical, technical and iconographic information to illuminate the history and meaning of these remarkable decorations.
