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Author: Mario Falsetto
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
Liza Bear's Beyond the Frame: Dialogues with World Filmmakers explores the world cinema of the past 25 years, and celebrates its range and diversity by paying detailed attention to the creative process. It contains roughly 50 interviews with, and short pieces on directors and other artistic collaborators from over twenty countries, primarily in Asia, Europe, Latin America, and the Middle East. Liza Bear's incisive interviews provide immediate and rapid insights into directors' key themes and concerns. Her continual attention to bodies of work also allows the directors to explain what guided them in their respective movements towards and away from certain themes and genres. While directors are notorious for keeping their cards close to their chest, most of the interviews provided here have a stunning degree of openness and honesty, perhaps because many of these voices have had such a hard time getting heard in the first place. The dialogues examine, among other issues: the sources of the scripts, how the films get made and, where possible, the socioeconomic and cultural conditions under which the directors have worked, from Argentina to Iran to Romania. In addition to the interviews, there is an introduction by noted author Robin Andersen that elucidates recurrent themes arising out of the discussions, a foreword by Laurence Kardish, Film Curator at the Museum of Modern Art, filmographies, and numerous photographs.
Author: Mario Falsetto
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
Get Book Here
Book Description
Liza Bear's Beyond the Frame: Dialogues with World Filmmakers explores the world cinema of the past 25 years, and celebrates its range and diversity by paying detailed attention to the creative process. It contains roughly 50 interviews with, and short pieces on directors and other artistic collaborators from over twenty countries, primarily in Asia, Europe, Latin America, and the Middle East. Liza Bear's incisive interviews provide immediate and rapid insights into directors' key themes and concerns. Her continual attention to bodies of work also allows the directors to explain what guided them in their respective movements towards and away from certain themes and genres. While directors are notorious for keeping their cards close to their chest, most of the interviews provided here have a stunning degree of openness and honesty, perhaps because many of these voices have had such a hard time getting heard in the first place. The dialogues examine, among other issues: the sources of the scripts, how the films get made and, where possible, the socioeconomic and cultural conditions under which the directors have worked, from Argentina to Iran to Romania. In addition to the interviews, there is an introduction by noted author Robin Andersen that elucidates recurrent themes arising out of the discussions, a foreword by Laurence Kardish, Film Curator at the Museum of Modern Art, filmographies, and numerous photographs.
Author: Gwen Allen
Publisher: MIT Press
ISBN: 026252841X
Category : Art
Languages : en
Pages : 377
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Book Description
How artists' magazines, in all their ephemerality, materiality, and temporary intensity, challenged mainstream art criticism and the gallery system. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In Artists' Magazines, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others. Among the magazines Allen examines are Aspen (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; Avalanche (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; and Real Life (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, do-it-yourself quality against the slickness of an Artforum, and they created work that defied the formalist orthodoxy of the day. Artists' Magazines, featuring abundant color illustrations of magazine covers and content, offers an essential guide to a little-explored medium.
Author: Josef Gugler
Publisher: University of Texas Press
ISBN: 029272327X
Category : Performing Arts
Languages : en
Pages : 385
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Book Description
*A timely window on the world of Middle Eastern cinema, this remarkable overview includes many essays that provide the first scholarly analysis of significant works by key filmmakers in the region.
Author: Liza Bear
Publisher: Praeger
ISBN:
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Liza Bear's Beyond the Frame provides immediate insights into the modus operandi of many of the most intriguing figures of world cinema from the past 20 years. This lively collection consists of in-depth profiles reprinted from the cultural quarterly Bomb, and feature stories written for the mass media. Speaking here in their own voices are master directors such as Gillian Armstrong, Milos Forman, Takeshi Kitano, Wong Kar-wai, Mohsen Makhmalbaf, Jacques Rivette, Ousmane Sembene, Agnes Varda, and Zhang Yimou. The spontaneity of the exchanges cuts to the creative quick. What drives filmmakers? What are the sources of their scripts? How do art films get made? These and other questions explored in incisive interviews uncover a rich array of topics, from sociopolitical context and family collaborations to directorial choices of casting, location, and mise-en-scene. In addition to cinema veterans, the book focuses on debut features such as Alejandro Inarritu's Amores Perros, Shirley Barrett's Love Serenade, Samira Makhmalbaf's The Apple, and Jafar Panahi's The White Balloon. Other highly original films discussed include Infernal Affairs, Swimming Pool, and Princess Mononoke. Supplementary to the interviews is an introduction by noted author Robin Andersen that elucidates recurrent themes arising out of the discussions, a foreword by Laurence A. Kardish, Film Curator at the Museum of Modern Art, an index, and numerous photographs.
Author: Genevieve Jolliffe
Publisher: Continuum
ISBN:
Category : Performing Arts
Languages : en
Pages : 566
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Book Description
Documentary films have enjoyed a huge resurgence over the last few years, and there's a new generation of filmmakers wanting to get involved. In addition, the digital revolution has made documentaries even more accessible to the general filmmaker. Documentary films can now be shot professionally using cheaper equipment, and smaller cameras enable the documentarian to be less intrusive and therefore more intimate in the subjects' lives. With an increasing number of documentaries making it to the big screen (and enjoying ongoing sales on DVD), the time is right for an information-packed handbook that will guide new filmmakers towards potential artistic and commercial success. The Documentary Film Makers Handbook features incisive and helpful interviews with dozens of industry professionals, on subjects as diverse as interview techniques, the NBC News Archive, music rights, setting up your own company, the Film Arts Foundation, pitching your proposal, the Sundance Documentary Fund, the Documentary Channel, the British Film Council, camera hire, filmmaking ethics, working with kids, editing your documentary, and DVD distribution. The book also includes in-depth case studies of some of the most successful and acclaimed documentary films of recent years, including Mad Hot Ballroom, Born Into Brothels, Touching the Void, Beneath the Veil,and Amandla! The Documentary Film Makers Handbook will be an essential resource for anyone who wants to know more about breaking into this exciting field.
Author: Andrey Tarkovsky
Publisher: University of Texas Press
ISBN: 9780292776241
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
A director reveals the original inspirations for his films, their history, his methods of work, and the problems of visual creativity
Author: M. Elise Marubbio
Publisher: University Press of Kentucky
ISBN: 081314034X
Category : Performing Arts
Languages : en
Pages : 343
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Book Description
“An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking Picture The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement. “Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature “Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures
Author: Simone Bartesaghi
Publisher:
ISBN: 9781615932344
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
The Director's Six Senses is an innovative, unique, and engaging approach to the development of the skills that every visual storyteller must have. It's based on the premise that a director is a storyteller 24/7 and must be aware of the "truth" that he or she experiences in life in order to be able to reproduce it on the big screen. Through a series of hands-on exercises and practical experiences, the reader develops the "directorial senses" in order to be able to tell a story in the most effective way.
Author: Jacqueline Frost
Publisher: Routledge
ISBN: 1000359859
Category : Art
Languages : en
Pages : 349
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Book Description
Packed with gems of wisdom from the current 'masters of light’, this collection of conversations with twenty leading contemporary cinematographers provides invaluable insight into the art and craft of cinematography. Jacqueline Frost’s interviews provide unprecedented insight into the role as cinematographers discuss selecting projects, the conceptual and creative thinking that goes into devising a visual strategy, working with the script, collaborating with leading directors such as Martin Scorcese, Spike Lee, and Ava DuVernay, the impact of changing technology, and offer advice for aspiring cinematographers. Interviews include Maryse Alberti, John Bailey, Robert Elswit, Kirsten Johnson, Kira Kelly, Ellen Kuras, Edward Lachman, Matthew Libatique, John Lindley, Seamus McGarvey, Reed Morano, Polly Morgan, Rachel Morrison, Rodrigo Prieto, Cynthia Pusheck, Harris Savides, Nancy Schrieber, John Seale, Sandi Sissel, Dante Spinotti, Salvatore Totino, Amy Vincent and Mandy Walker. Filled with valuable information and advice for aspiring cinematographers, directors, and filmmakers, this is essential reading for anyone interested in the art and craft of cinematography.
Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814752896
Category : Social Science
Languages : en
Pages : 648
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Book Description
A deep dive into the emergence and success of independent filmmaking in America A Los Angeles Times Bestseller The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood. Indeed, while Hollywood's studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences. Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present. From the hip, audacious early works of maverick David Lynch, Jim Jarmusch, and Spike Lee, to the contemporary Oscar-winning success of indie dynamos, such as the Coen brothers (Fargo), Quentin Tarentino (Pulp Fiction), and Billy Bob Thornton (Sling Blade), Levy describes in a lucid and accessible manner the innovation and diversity of American indies in theme, sensibility, and style. Documenting the socio-economic, political and artistic forces that led to the rise of American independent film, Cinema of Outsiders depicts the pivotal role of indie guru Robert Redford and his Sundance Film Festival in creating a showcase for indies, the function of film schools in supplying talent, and the continuous tension between indies and Hollywood as two distinct industries with their own structure, finance, talent and audience. Levy describes the major cycles in the indie film movement: regional cinema, the New York school of film, African-American, Asian American, gay and lesbian, and movies made by women. Based on exhaustive research of over 1,000 movies made between 1977 and 1999, Levy evaluates some 200 quintessential indies, including Choose Me, Stranger Than Paradise, Blood Simple, Blue Velvet, Desperately Seeking Susan, Slacker, Poison, Reservoir Dogs, Gas Food Lodging, Menace II Society, Clerks, In the Company of Men, Chasing Amy, The Apostle, The Opposite of Sex, and Happiness. Cinema of Outsiders reveals the artistic and political impact of bold and provocative independent movies in displaying the cinema of "outsiders"-the cinema of the "other America."
