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Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253045460
Category : Music
Languages : en
Pages : 314
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Book Description
“Of interest not only to cantors and their teachers but also to rabbis, congregations and everyone concerned about the future of the Jewish community.” —Florida Jewish Journal The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor’s role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253045460
Category : Music
Languages : en
Pages : 314
Get Book Here
Book Description
“Of interest not only to cantors and their teachers but also to rabbis, congregations and everyone concerned about the future of the Jewish community.” —Florida Jewish Journal The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the twenty-first century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor’s role in American Jewish religious life today? Judah M. Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 0253045487
Category : Music
Languages : en
Pages : 312
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Book Description
The Making of a Reform Jewish Cantor provides an unprecedented look into the meaning of attaining musical authority among American Reform Jews at the turn of the 21st century. How do aspiring cantors adapt traditional musical forms to the practices of contemporary American congregations? What is the cantor's role in American Jewish religious life today? Cohen follows cantorial students at the School of Sacred Music, Hebrew Union College, over the course of their training, as they prepare to become modern Jewish musical leaders. Opening a window on the practical, social, and cultural aspects of aspiring to musical authority, this book provides unusual insights into issues of musical tradition, identity, gender, community, and high and low musical culture.
Author: Judah M. Cohen
Publisher:
ISBN:
Category :
Languages : en
Pages : 299
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Book Description
Author: Bruce L. Ruben
Publisher: Wayne State University Press
ISBN: 0814336671
Category : Biography & Autobiography
Languages : en
Pages : 334
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Book Description
Explores the life and thought of Rabbi Max Lilienthal, who created a new model for the American rabbinate. When Congregation Bene Israel hired him to come to Cincinnati in 1854, Rabbi Max Lilienthal (1814–82) seized the opportunity to work with his friend Isaac M. Wise. Together, Lilienthal and Wise forged the institutional foundations for the American Reform movement: the Union of American Hebrew Congregations and Hebrew Union College. In Max Lilienthal: The Making of the American Rabbinate, author Bruce L. Ruben investigates the central role Lilienthal played in creating new institutions and leadership models to bring his immigrant community into the mainstream of American society. Ruben’s biography shines a light on this prominent rabbi and educator who is treated by most American Jewish historians as, at best, Wise’s collaborator. Ruben examines Lilienthal’s early career, including how his fervent Haskalah ideology was shaped by tensions within early nineteenth-century German Jewish society and how he tried to implement that ideology in his attempt to modernize Russian Jewish education. After he immigrated to America to serve three traditional New York German synagogues, he clashed with lay leadership. Ruben examines this lay-clergy power struggle and how Lilienthal resolved it over his long career. Max Lilienthal: The Making of the American Rabbinate also details the rabbi’s many accomplishments, including his creation of a nationally recognized private Jewish school and the founding of the precursor to the Central Conference of American Rabbis. He also was the first rabbi to preach in a Christian church. Even more significantly, Ruben argues that Lilienthal created an unprecedented new American model for the rabbinate, in which the rabbi played a prominent role in civic life. More than a biography, this volume is a case study of the impact of American culture on Judaism and its leadership, as Ruben shows how Lilienthal embraced an increasingly radical Reform ideology influenced by a mixture of American and European ideas. Students of German Haskalah and historians of American Judaism and the Reform movement will appreciate this biography that fills an important gap in the history of American Jewry.
Author: Judah M. Cohen
Publisher: UPNE
ISBN: 1611682975
Category : History
Languages : en
Pages : 338
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Book Description
An enlightening look at a unique and remarkable Jewish community
Author: Judah M. Cohen
Publisher: Indiana University Press
ISBN: 025304023X
Category : Music
Languages : en
Pages : 303
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Book Description
This study of synagogue music in the United States in the second half of the nineteenth century “sets a high standard for historical musicology” (Musica Judaica). In Jewish Religious Music in Nineteenth-Century America: Restoring the Synagogue Soundtrack, Judah M. Cohen demonstrates that Jews constructed a robust religious musical conversation in the United States during the mid- to late-nineteenth century. While previous studies of American Jewish music history have looked to Europe as a source of innovation during this time, Cohen’s careful analysis of primary archival sources tells a different story. Far from seeing a fallow musical landscape, Cohen finds that Central European Jews in the United States spearheaded a major revision of the sounds and traditions of synagogue music during this period of rapid liturgical change. Focusing on the influences of both individuals and texts, Cohen demonstrates how American Jewish musicians sought to balance artistry and group singing, rather than “progressing” from solo chant to choir and organ. Congregations shifted between musical genres and practices during this period in response to such factors as finances, personnel, and communal cohesiveness. Cohen concludes that the “soundtrack” of nineteenth-century Jewish American music heavily shapes how we look at Jewish American music and life in the first part of the twenty-first century, arguing that how we see, and especially hear, history plays a key role in our understanding of the contemporary world around us. Supplemented with an interactive website that includes the primary source materials, recordings of the music discussed, and a map that highlights the movement of key individuals, Cohen’s research defines more clearly the sound of nineteenth-century American Jewry.
Author: Jonathan L. Friedmann
Publisher: McFarland
ISBN: 0786491361
Category : Religion
Languages : en
Pages : 204
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Book Description
Throughout history, music has been a fixture of Jewish religious life. Musical references appear in biblical accounts of the Red Sea crossing and King Solomon's coronation, and music continues to play a central role in virtually every Jewish occasion. Through 100 brief chapters, this volume considers theoretical approaches to the study of Jewish sacred music. Topics include the diversity of Jewish music, the interaction of music and identity, the emotional and spiritual impact of worship music, the text-tone relationship, the musical component of Jewish holidays, and the varied ways prayer-songs are performed. These distillations of complex topics invite a fuller appreciation of synagogue song and an understanding of the ubiquitous presence of music in Jewish worship.
Author: Jeremiah Lockwood
Publisher: Univ of California Press
ISBN: 0520396448
Category : Social Science
Languages : en
Pages : 206
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Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Golden Ages is an ethnographic study of young singers in the contemporary Brooklyn Hasidic community who base their aesthetic explorations of the culturally intimate space of prayer on the gramophone-era cantorial golden age. Jeremiah Lockwood proposes a view of their work as a nonconforming social practice that calls upon the sounds and structures of Jewish sacred musical heritage to disrupt the aesthetics and power hierarchies of their conservative community, defying institutional authority and pushing at normative boundaries of sacred and secular. Beyond its role as a desirable art form, golden age cantorial music offers aspiring Hasidic singers a form of Jewish cultural productivity in which artistic excellence, maverick outsider status, and sacred authority are aligned.
Author: Gilya Gerda Schmidt
Publisher: Univ. of Tennessee Press
ISBN: 1621908720
Category : Biography & Autobiography
Languages : en
Pages : 351
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Book Description
"When Gilya Gerda Schmidt met him in 1986, Cantor Heiser had spent forty-six of his eighty-one years as a US citizen. He had assumed the cantorate at Congregation B'nai Israel in the East End of Pittsburgh, Pennsylvania, in 1942. A master of the cantor's art, he was renowned for his style, arrangements, and deeply affecting voice. In this book, Schmidt melds decades of archival research, conservation efforts, family interviews, and trips to Jerusalem and Berlin into a critical reconstruction of the life and vision of Hazzan Mordecai Gustav Heiser in the multiple contexts that shaped him. Coming of age in Berlin in the afterglow of the Second German Empire, young Gustav had tasted European Jewish culture in a rare state of refinement and modernity. But by January 30, 1940, when he reached New York with his wife and two-and-a-half-year-old daughter, Cantor Heiser had lost nearly all of his living family relations to the extermination programs of the German Reich, and narrowly survived incarceration at Sachsenhausen himself. While Cantor Heiser's art was steeped in nineteenth-century tradition, Schmidt contends that Heiser's music was a powerful affirmation of Jewish life in the twentieth century. In a final chapter, Schmidt describes his influence on the American cantorate and American culture and society"--
Author: Joshua S. Walden
Publisher: Cambridge University Press
ISBN: 1107023459
Category : Music
Languages : en
Pages : 311
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Book Description
A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.
